凈志的英文怎麼說

中文拼音 [jìngzhì]
凈志英文
kiyoshi

  • : Ⅰ形容詞1 (清潔; 干凈) clean 2 (凈盡;沒有剩餘) empty; hollow; bare 3 (純) net Ⅱ動詞(使干凈;...
  • : Ⅰ名詞1 (志向; 志願) aspiration; ambition; ideal; will 2 (文字記錄) records; annals 3 (記號)...

※中文詞彙凈志在字典百科國語字典中的解釋。

  1. This archpriest has been seen as avatar of elysium, his will is elysian will, his words are elysian words

    這位大祭司被視為土的化身,他的意土的意、他的號令是土的號令。
  2. You can walk from plaza hollywood, then via fung tak road to chi lin nunnery

    您可以由荷里活廣場經鳳德道步行前往苑。
  3. The chi lin nunnery is a group of monastic architectures modeled on tang architecture. lucid arrangement is made according to the land features. the main and individual constructions are distributed orderly along the neutral axis with different parts matched symmetrically. there are the hall of the celestial kings and the main hall, and the aromatic lotus - garden

    苑是一座參照唐代建築藝術模式興建的寺院建築群,布局層次分明,順循地勢,將主體與單體建築沿中軸線作主次分佈,配置對稱平衡,內有天王殿、大雄寶殿等殿堂和花香撲鼻的荷花公園。
  4. In the author ' s eyes, wuhan has a god - given advantage in the environment. as there are hills and water, lakes and river, emphasis should be on tree planting and water cleaning. although the city construction has reached a level, they should make it a point of making a consistent, long - term layout which can demonstrate the characteristic that wuhan is by the river and lakes and should also be identical with the specialties of individual administration districts

    作者認為:武漢的環境是得天獨厚的,有山有水,有江有湖,關鍵是要把環境的綠化、化放在重要的位置;武漢的市政也己有一定的水準,關鍵是要有統一的、長遠的規劃,並體現出武漢的沿江、濱湖特色以及與各個行政區的發展特色相吻合;武漢的文化有深厚的底蘊,楚風漢韻源遠流長,關鍵是進一步發掘和弘揚,並使其在一些公共場所及標性建築上得到表徵化體現;武漢的人才和科教優勢明顯,但普通武漢人的素質仍亟待提高,使之更貼近現代化國際性城市的目標,跟上城市化發展的步伐。
  5. Films erotica and cautionary tales about cheating. unlike king hu, who single - mindedly devoted his lifetime to perfecting his art, completing only a dozen or so films with a unified style and vision, li han - hsiang is too difficult to pin down or categorise. law kar, critic and former programmer for the hkfa, mentioned in a recent conversation that the appraisal of li han - hsiang was radically different in various eras and countries

    所以如此,一個重要的原因可能是李翰祥的電影類型太雜,從素樸沉實的文藝言情,到千嬌百媚的古裝宮闈,從嚴謹考究的歷史故事,到隨手拈來的風月騙術,常令論者暈頭轉向,無所適從,難以為他定位,不若胡金銓心無二地鉆研他的技藝,一生只拍了十來部影片,風格純統一,研究起來,線索分明,比較容易掌握。
分享友人