劇中人 的英文怎麼說
中文拼音 [jùzhōngrén]
劇中人
英文
characters in a play or opera; dramatis personae-
The dramatis personae who only need reply " yes or no " all cannot directly reply, either donot reply, or changing the topic
劇中人物對只需回答「是與不是」的問題一般都不會直接回答，或者不回答，或者顧左右而言他。Types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological characteristics, and using this to the entire drama circumstances, but later types of facial makeup in operas by kan to complex, from rough to the small, youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts
臉譜最初的作用，只是誇大劇中角色的五官部位和面部的紋理，用誇張的手法表現劇中人的性格、心理和生理上的特徵，以此來為整個戲劇的情節服務，可是發展到后來，臉譜由簡到繁、由粗到細、由表及裡、由淺到深，本身就逐漸成為一種具有民族特色的、以人的面部為表現手段的圖案藝術了。Freda bcenter says, only in opera do people die of love. itstrue
弗里達?布賴特說過： 「只有在歌劇中，人們才會為愛而死。 」And my daughters - in - law as cheerful as goneril and regan
還有我的兒媳就像貢納莉和瑞根一般討厭（均是莎士比亞戲劇中人物）Research of the function of the persons and things as narrative signs in linchuan si meng by tang xianzu
論湯顯祖戲劇中人和物的敘事作用On the characters and their authors in socio - historical dramas : a historical dialectical perspective
論作為社會歷史劇中人物和劇作者的人的歷史辯證法The research of modem china ' s higher education should pursue its way on the ideas and activities of modem china education innovators, since they were the real dramatists and actors of modem china ' s education
近代中國高等教育研究，應該回到作為劇作者和劇中人的中國近代教育實踐者的思想與活動這一主線索上來。I wish my life was as pure as a lotus flower, so i can put the fame and gain aside
歌詞中表達了劇中人物的願望，故用虛擬語氣，后句順接前面，如果那樣，我就能放下世俗的包袱，從而過上理想的生活They make sure the characters play major roles in solving the crimes
他們確保劇中人物是破案的要角。Is one of the most spectacular, most successful and most frequently performed italian operas in the world. distinguished by its expansive and poignant music, it demonstrates the great composer s genius in moving from the subtle characterization of individual roles to the magnificent crowd scenes, from intimate emotions to dramatic climaxes and back again to personal passions and fulfillment. in celebration of the 10
威爾第的不朽歌劇《阿伊達》 ，是義大利歌劇史上規模最恢宏、最成功、在世界各地上演不輟的經典劇目之一，音樂華麗優美而層次豐富，表現出作曲家洋溢的才情，由最細致的角色塑造到氣勢迫人的群眾場景，從柔情私語到澎湃的群戲高潮，都能捕捉劇中人的感情起伏。The tvb - made soap opera tells the story of a family who runs a cha chaan teng ( tea cafe ), usually boasting the egg tart and " silk - stocking milk tea " produced by them
香港無線電視製作的肥皂劇講述帶茶吧的家庭故事，人們誇耀的「蛋塔」和「絲襪奶茶」就是劇中人的傑作。In christopher marlowe ' s play, the jew of malta, barabas ' marginal identity, his comments on other characters and dramatic events, the sharp contrasts between sage words and mean deeds, and the questions for spectators in the asides and monologues, together created an alienation effect, which is quite similar to the v - effect that the german playwright bertolt brecht advocates
在克里斯托弗.馬洛的劇作《馬耳他島的猶太人》中，猶太人巴諾巴斯的局外人與評論者地位、劇中人富含哲理性的辯白與卑劣行為所造成的強烈反差，以及旁白與獨白中直接對觀眾而發的問題等手法，與德國戲劇家貝托爾特.布萊希特所倡導的間離手法極其相似，客觀上製造了陌生化即間離的效果。I remember watching a movie a few years back in which one character asked another whether or not he wanted a nightcap
前幾年我看過一部電影。劇中人物問另一個人物要不要來個「 nightcap 」 。But the hartford courant ' s roger catlin wrote : " anyone new to friends who succumbed to the hype to tune in would have been surprised at how laughless the affair could be
但是， 《哈特福德報》的羅傑?卡特林寫道： 「任何不熟悉《老友記》 、只是受到天花亂墜的宣傳的影響才收看《老友記》大結局的觀眾都會驚訝地發現劇中人物的愛情故事是多麼無趣。They like to recognize themselves in the characters.
他們喜歡在劇中人物身上看到自己。Destiny stands by sarcastic with our dramatis person folded in her hand.
命運之神把我們的劇中人握在她的手裡，正冷眼旁觀呢。Her heart is breaking from that, this character
這位劇中人物的心因此而破碎。The characters are nameless, quiet and barely even given identities
劇中人物無名，平靜，甚至缺少個性。Their passion for justice was scripted, but it inspired a young girl
這些劇中人物對法律的熱情當然是劇本寫好的，但這足以激勵一個年輕的女孩。" nearly every strained gag depends on the sheer stupidity of its characters.
「幾乎每一處矯揉造作的笑料都來自劇中人物愚蠢十足的所作所為。 」分享友人