己之彌 的英文怎麼說

中文拼音 [zhī]
己之彌 英文
kinoya
  • : Ⅰ代詞(自己) oneself; one s own; personal Ⅱ名詞1 (天乾的第六位) the sixth of the ten heavenly ...
  • : Ⅰ動詞1. (遍布; 充滿) overflow; fill 2. (填滿; 填補) fill Ⅱ形容詞(滿) full; whole Ⅲ副詞(更加) more Ⅳ名詞(姓氏) a surname
  1. Les gens du commun ne trouvent pas de difference entre les hommes. the typical and unvarying hodge ceased to exist. he had been disintegrated into a number of varied fellow - creatures - beings of many minds, beings infinite in difference ; some happy, many serene, a few depressed, one here and there bright even to genius, some stupid, others wanton, others austere ; some mutely miltonic, some potentially cromwellian ; into men who had private views of each other, as he had of his friends ; who could applaud or condemn each other, amuse or sadden themselves by the contemplation of each other s foibles or vices ; men every one of whom walked in his own individual way the road to dusty death

    他已經分化了,融進了大量的各色各樣的人中間去了成了一群思想豐富的人,一群差別無窮的人有些人快樂,多數人沉靜,還有幾個人心情憂郁,其間也有聰明程度達到天才的人,也有一些人愚笨,有些人粗俗,有些人質樸有些人是沉默無聲的爾頓式的人物,有些人則是鋒芒畢露的克倫威爾式的人物他們就像他認識自的朋友一樣,相互間都有著自的看法他們也會相互贊揚,或者相互指責,或者因為想到各自的弱點或者缺點而感到好笑和難過他們都按照各自的方式在通往塵土的死亡道路上走著。
  2. Or venture into speyside to tickle your tastebuds on the malt whisky trail

    要麼,就順著純麥威士忌酒香漫的小道一路前行,好使自沉醉在那沁人心脾的酒香中。
  3. If 1839 invention of photography, change several century since the people watching and knowing peripheral visual angling of thing, it becomes possible to catching and reproducing in the twinkling of an eye to enable ; then in today, it photographs to be each handheld people of camera not merely, can used for, record one ‘ s own daily life, give play to general way that individual imagine and create, a kind of independent form of contemporary art, the experiment of pioneer whose an idea and technology make up - - and tian taiquan ‘ s photography works, is the pipeline attempting to find chaining between these two, this is value that his photography can appear too

    如果說, 1839年攝影術的發明,改變了人們數世紀以來觀看和認識周邊事物的視角,並使對瞬間的捕捉和再現成為可能;那麼在今天,攝影不僅僅是每個手持照相機的人,都可以用來記錄自的日常生活、發揮個人想象與創造的普遍方式,還是當代藝術的一種獨立形式,一個觀念與技術合的先鋒實驗? ?而田太權的攝影作品,就是試圖在這兩者間找到鏈接的管道,這也是他的攝影得以呈現的價值。
  4. It may be likened to a man who enters a totally dark house in which he can see nothing, who falls into the pitch - black pit of hell. the result of this may be likened to all the rivers emptying into the ocean, thus sins accumulate within his being. it is like the great conflagration, which occurs at the end of a world eon when majestic mount meru is reduced to flame and ashes

    那些阻擋或障礙別人出家者過錯,就非常深重,就好像走進了漆黑房間,什麼都看不見,掉入了地獄的黑洞陷阱一樣,結果就好像所有河流注入大海,把罪業累積在此人身上,就好像阿僧?劫末大火災,將須山燒成火焰及灰燼,人將為地獄火吞噬,所以,允許他人出家或是自出家者的功德,是無邊偉大。
  5. What s more, while raising the child, he may have experienced the happy bond between father and son. it would have given him comfort and a sense of personal worth to see a child grow up and learn, and adopting an orphan would have given him more self - confidence and contentment ; thus, it was a remedy to assuage his guilty feelings

    還有,他在養育那個小孩的時候,也會感受到父子間那種令人高興的感情,看著小孩成長和學習的過程,而且收養的小孩又是一個沒有父母的孤兒,這樣他自會感覺到很舒服很值得,對自很有自信很滿足,這些就可以補他所有的罪惡感了。
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