The first one : fitting together ultimate values of every dimensions in one dimension - chain one by one, educing many equations by itself, calculating results, and comparing these results of close dimension to find maximal and minimal values. the second one : projecting all dimensions on two preestablished axis, then providing the solutions to analyze whether every projected dimensions is increscent or decreasing, and synthesize the effect of every projected dimensions to close dimension, educing many equations by itself, at last calculating the result of close dimension. the third one : according to monte carlo analysis, getting every dimensions " values from every dimensions " tolerances at random time after time, simulating the actual circumstances of mass production using these dimensions, and calculating reasonable results of close dimension economically
鑒于這類系統在各大中小型企業的廣泛應用與相對滯后的研究水平，本文提出了三種新的能切實地解決目前尺寸鏈計算機輔助分析解算中存在的各種難題的設計方案，第一種方案將尺寸鏈中各組成環能取的極值組合起來，自動列方程組，求解每個組合情況下的封閉環尺寸，最後比較這些結果，得出封閉環的最大最小值；第二種方案將尺寸鏈各組成環向預先設定好的兩個方向投
影，
之後再分析各尺寸環投
影分量的增減性，並且提供了組成環兩個方向上的投
影分量增減性不一的復雜情況下的解決辦法，綜合組成環各投
影分量的增減性，然後自動列出方程組，最後根據各組成環的投
影分量以及所列的方程組來確定尺寸鏈封閉環的尺寸；第三種方案以蒙特卡洛法為原理，在尺寸鏈各組成環的取值范圍內使用計算機產生大量隨機數，模擬實際大批量生產中的零件尺寸分佈情況，以更經濟更合理的方式分析、計算封閉環尺寸。
Hong kong in kaleidoscope filming location library
香港-光
影之都電
影拍攝場地
This is not because of a great love for the city, but rather because the surrounding lands are under the shadow of bastions owned by ' robber barons ' that serve their own interests
這並不是因為他們熱愛這個城市，而是附近的地方籠罩在只為自己謀利的「強盜公爵」的陰
影之下。
The movie turned out to be a disappointment, both critically and financially, but carrey bounced back the next year with the energetic hit liar liar 1997. worried that his comic shtick would soon wear thin, carrey decided to change course
在完成了這部電
影之後，金凱瑞又投入到神探飛機頭- 2 ace ventura : when nature calls的拍攝中。
Inasmuch as leaning she sustained her blond hair for him to ribbon it for her cf. neckarching cat. moreover, on the free surface of the lake in stephen s green amid inverted reflections of trees her uncommented spit, describing concentric circles of waterrings, indicated by the constancy of its permanence the locus of a somnolent prostrate fish cf
而且，她連招呼也沒打一聲就朝著「斯蒂芬草地」那浩森的湖面145上啐了一口，唾沫浮在一棵棵樹的倒
影之間，劃下一圈圈同心圓的波紋，持久而凝然不動，以一條人睡般平臥著的魚為記號與守候老鼠的貓相比。
With its images of body parts and anti - cartesian figurative projections, this film ranks as one of three surrealist masterpieces next to un chien andalou and l age d or
集夢幻、想像、詩化和慾望，片中對身體器官和超理性的像化投射，使它與三十年代的《安德魯
之犬》及《黃金時代》合稱超現實電
影之三絕。
A wide gulf of verisimilitude, however, still separates interactive graphics from feature film effects and photography
但互動式圖形與電
影特效和攝
影之間，在逼真程度上還是存在著極深的鴻溝。
Having been chosen as the representative to contend for the best foreign film in academy awards ， " curse of the golden flower " also assumes a significant task to launch domestic film industry into hollywood ， the world ' s film capital
《滿城盡帶黃金甲》即將參與角逐奧斯卡最佳外語片獎，與此同時，
影片還承載著引領國內電
影工業沖擊世界電
影之都? ?好萊塢的重任。
Is a depressing, but meaningful movie. i sincerely feel sympathetic towards the little boy who has to suffer because of the broken family
對我來說，甫在金馬稱霸的父子，顯露了電
影之所以是電
影，最最最寶貴的價值。
It is this freshness and authenticity that move the audience gradually. the two protagonists of this film, kim eul - boon and yoo seung - ho, are non - professional actors
結局也不如同類電
影的皆大歡喜，小孫兒雖然有改過，但並沒有戲劇化地完完全全脫胎換骨，反而更貼近現實，這也是此片勝過同類電
影之處。
New wave figure patrick tam is perhaps the most formalistic director of hong kong cinema and love massacre is one of his best works
愛殺
影像凌厲氣氛冷冽，為八十年代非常重要的作品，亦為譚氏最享譽的電
影之一。
Fighting these humans makes us no better than the children of the shadow who drove us from our homeworld
同這些人類戰斗讓我們不比那些把我們趕出家鄉的陰
影之子好。
Ladies, if faced with the decision of picking between a humphrey bogart in " casablanca " ? the cool, independent, self - sufficient type ? or a tom hanks in " sleepless in seattle " ? the sensitive, supportive, thinking type ? who would you choose
女士們，如果你要選擇，你會選電
影《北非諜
影》
之中亨佛萊鮑嘉所飾演冷酷、獨立和自負的男性類型，或是《西雅圖夜未眠》
之中湯姆漢克所飾演多愁善感、樂于助人和理性的男性類型？
27th hkiff was not minimalist enough, kiarostami decides to completely dispense with dialogue, actors or camera movement in his latest. but far from being impenetrably austere, the iranian master has instead created one of his most poetic and humanistic works yet. each of the five zen - like static shots captures nature at its most glorious, from the driftwood washing up against the beach to the thunderous rumbles of rain upon the dark sea
基阿魯斯達米去年完成的兩部數碼錄像電影之一，是他海邊寫劇本時妙手偶拾的五個長鏡頭，長度十至二十多分鐘不等，分別是：一海灘一截木頭，隨潮來潮往二海邊路上人來人往，偶爾駐足離開，浪濤不停拍岸三冬日天空，大海，海灘大遠鏡，一群狗在遠方走動四鴨子一隻接一隻由左走向右，再聯群回頭向左走五晚上的池塘，偶見月光倒影，時而漆黑一片，只聞蛙聲此起彼落，然後打雷閃電下雨，最終黎明。
