抽象畫面 的英文怎麼說

中文拼音 [chōuxiànghuàmiàn]
抽象畫面 英文
vortograph
  • 抽 : 動詞1 （把夾在中間的東西拉出; 提取） take out （from in between） 2 （從全部里取出一部分; 騰出） ...
  • 畫 : Ⅰ動詞1 （用筆或類似筆的東西做出圖形） draw; paint 2 （用筆或類似筆的東西做出線或作為標記的文字） ...
  • 面 : Ⅰ名詞1 （頭的前部; 臉） face 2 （物體的表面） surface; top 3 （外露的一層或正面） outside; the ri...
  • 抽象 : abstract
  • 畫面 : 1 （畫幅上呈現的形象） general appearance of a picture; tableau2 （電影的鏡頭） frame畫面編輯 pic...
  1. This software take full advantage of the multimedia technique, especially the three - dimensional animation, to open out the abundant meanings and scientific theories in structural chemistry by using lush graphical interfaces, lifelike animation, lifesome sound effects, alluring exhibitive technique, translate bald contents and nonobjective theories into visual, direct - viewing, lively demonstration, change static and plane teaching method into dynamic and three - dimensional teaching process with attraction and infection, realize visual and enlightened teaching

    本軟體充分應用計算機多媒體特別是三維動畫製作技術以豐富的圖形界面、逼真的視頻動畫、生動的音響效果、引人入勝的表現手法揭示了結構化學中包括的豐富內涵和科學原理，將原來枯燥的內容和抽象的理論轉變為形象、直觀、生動的演示，使以前靜態的，平面式的教學變為動態的、三維立體的教學過程，具有吸引力和感染力，實現了形象化、啟發式教學。
  2. While repeatedly drawing simple symbols on cloth woven with abstract patterns, a visual sensation that transcends that of the cloth appeared on the surface

    在織入抽象圖案的畫布上反復地描繪單純的符號，畫布表面上逐漸地凸現出了超越畫布的視覺性觸感。
  3. Patrick nagel ' s hard - edge style of 80 ' s women became one of the strongest images in the 20th century

    流行於20世紀中期的美國，以輪廓分明的幾何形體、精確的畫面為特點的抽象繪畫。
  4. Fabric painting : main products or services ; figures ; mediterranean ; impressed by the scenery ; painting ; still life ; beach harbor ; king drops ; decorative painting ; abstract ; waves ; modern flowers ; impressed flowers ; modern landscape ; roman characters ; realism flowers ; scenic knife ; classical landscape ; plaster ; lacquer

    主營產品或服務：布面油畫、人物、地中海、印象風景、油畫、靜物、沙灘海景、白墻景、裝飾畫、抽象、海浪、現代花、印象花; 、現代風景、羅馬人物、寫實花、刀風景、古典風景、石膏像、漆畫等。
  5. In the formal constitution of their pictures, especially in their uses of abstraction, transfiguration and collage, cartoons have drawn much from caricature

    在其畫面的形式構造方面，特別在抽象、變形、拼貼技術的運用上，動畫從漫畫藝術中汲取了重要營養。
  6. The software deal with the animate demonstration of abstract concept and process, protracting image, simulating of apparatus and experiment, and so on

    該軟體涉及結構化學中抽象概念和過程的動畫演示，圖形繪制，儀器和實驗模擬等方面。
  7. A literary, dramatic, or pictorial device in which characters and events stand for abstract ideas, principles, or forces, so that the literal sense has or suggests a parallel, deeper symbolic sense

    寓言，諷喻一種文學、戲劇或繪畫的藝術手法，其中人物和事件代表抽象的觀點、原則或支配力，從而使表面含義含有或表達一種對等的，但更深刻的象徵意義
  8. This paper is based on such theoretical foundations to study the interface making problem : the theory of systematic science, the theory of educational psychology, the theory of aesthetics of transmission, the theory of aesthetics of acception, the theory of linguistics, and the theory of chinese education, etc. from the systematic science ' s point of view, chinese interface is an interface system formed of medias, such as characters, symbols, figures, pictures, cartoons, audios and videos etc. in order to obtain chinese interface system ' s optimum efficiency, to make chinese interface must handle part and whole, orderly and unorderly, structure and function, behavior and purpose relations of interface well

    在此基礎上，本文簡單考查了多媒體輔助語文教學界面製作的類型，然後全面深入地對語文界面製作的內容進行了闡述：具體論述了界面整體設計中的三個主體（界面窗口，交互方式，導航策略）和五對關系（形色、動靜、虛實、遠近，背景與前景、主體與陪體，抽象與具體，明暗與質感，動靜與出入）的設計；深入探討了語文界面語言（文字與字體，圖標、圖形、圖像與色彩，動畫，音頻，視頻等）在界面製作中的運用問題。
  9. On the other hand, i also use brightly colored abstract watercolor paintings to interpret the energy around us that may not be felt by all

    另一方面，我也用色彩鮮明的抽象水彩畫，來詮釋環繞在我們周圍但不是每個人都能感受到的能量。
  10. Q : your pieces include both black - and - white figure sketches and brightly colored, abstract watercolor paintings. could you please say something about this aspect of your work

    問：你的畫風包括有黑白兩色為主的人物寫實素描，和色彩鮮明的抽象水彩畫，能否請你就這方面談談？
  11. The central sculptural component evokes a minimalist representation of the ruined skeleton of a church, referencing both the romantic iconography of painters such as caspar david friedrich and the imagery of a black metal album cover

    主要的雕塑組成喚起了已被破壞的教堂骨骼的極簡抽象主義的表現，涉及畫家們的浪漫主義人物畫法，例如卡斯帕大衛佛萊里奇，也涉及了黑金屬唱片封面的肖像。
  12. A new image from nasa ' s spitzer and hubble space telescopes looks more like an abstract painting than a cosmic snapshot

    來自nasa的斯必擇和哈勃空間望遠鏡的新畫面看起來更像是一幅抽象畫而不是一幅宇宙的快照。
  13. Our simulation shows that the path will not be improved obviously with the further increase of k, when it reaches a certain value. in addition to this, the dissertation shows that when rh = 3 and rh = 4, the results are similar. 2. in regard to the application layer routing of tree - based p2p multicast, the dissertation presents a new kind model of spanning tree, named dcmd, in which the path delay, the

    2 .在基於樹的p2p組通訊的傳輸路徑方面，抽象了一個新的生成樹問題? ? dcmd問題，該問題同時考慮了線路延遲、主機的發送/轉發延遲和每個主機的工作負載有限三種情況，可以更加全面地刻畫出構建在應用層的p2p組通訊;證明了這個問題屬于np - hard ;提出了基於最大度和基於最長路徑兩類啟發式演算法作為解決該問題的途徑。
  14. Though he uses the nonfigurative brushwork, we still can feel the face expression of every character in the painting and their mental state

    畫家用明麗，鮮艷的色彩表現了街頭的繁華，雖然用的是抽象筆法，但是我們似乎能感覺到每一個人的面目表情，神態和他們所處的狀態。
  15. 2. the basic steps and key factors of mobile games development on j2me platform is discussed in detail based on the author ’ s real project ? “ the sace war ”, and the method of abstracting and encapsulation of the graphic role classes and keypad input interface classes and the role controlled module are illustrated at source code level. the thesis is organized as below : chapter 1 is an introduction to the research background of the thesis ; chapter 2 describes the system structure of j2me platform ; chapter 3 introduces mobile increment business

    2 .結合作者參與的具體項目- - 「太空大戰」 ，詳細闡述開發一個基於j2me平臺的手機游戲的基本步驟和各個關鍵要素，重點說明了如何用面向對象的思想對手機上的游戲動畫角色進行抽象和封裝，並用具體的源代碼說明如何控制游戲角色的運動，繪制及游戲流程和如何相應按鍵事件。
  16. In the “ abstract series ”, there is a decisive rejection of recognisable imagery in favour of expression, whilst in the “ life series ”, we cannot say that there are pieces that do not have morally loaded themes : the image transcends the transitory and local interest, being concerned with the themes of social realism and urban existance

    在「抽象系列"里，畫家堅定地拒絕可識別的形象表達，而在」生命系列「里，我們不能說裏面有沒有精神承載的主題：圖像超越瞬間和地方興趣，與社會現實主義和都市生活的題材相關聯。
  17. Picture two female fashion models oppose the happiest and female features the abstract

    畫面中兩位女性時裝模特兒向背而坐，女性的特徵被抽象化了。
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