晚唐 的英文怎麼說

中文拼音 [wǎntáng]
晚唐 英文
tang dynasty
  • : 名詞1 (晚上) evening; night 2 (姓氏) a surname Ⅱ形容詞1 (時間靠後的; 遲) far on in time; la...
  • : Ⅰ名詞1 (唐朝) the tang dynasty (618 907) 2 (姓氏) a surname Ⅱ形容詞1 (虛誇) exaggerative;...
  1. Diecai shan, folded brocade hill, is located in the northern section of the city

    洞內有晚唐大小摩崖造像36 ,共300餘尊。
  2. The confluence of buddhism and taoism with the folk cults in middle and late tang

    論中晚唐佛道教與民間祠祀的合流
  3. A study on the authorship and headstream of xufu ' s physiognomy

    晚唐五代敦煌地區所用顏料研究
  4. On family violence of maltreating wives

    晚唐五代敦煌歸義軍節度使多妻制研究
  5. The poetic mind and zen idea of poets with a style of

    晚唐苦吟詩人的詩心禪思
  6. Abstract : the thesis deals with the poetry creation of ling yi, a poetic monk in the middle of tang dynasty, and the relationship between him and his friends, including meditative mates. thus, the author attempts to discover his unique position of reviving parties and dearing source and course in history, and his artistic style of solitary charm and exquisite taste

    文摘:詩僧靈一是一名天才的詩僧,其方外詩友廣泛,他十分重視詩歌創作,在中晚唐詩禪文學史上具有振派澄源的歷史地位和孤韻幽逸的詩歌風格。
  7. The regular scripts of ou yangxun, yan zhenqing and liu gongquan stand for the great achievements in the early, prosperous and late periods of tang dynasty respectively

    摘要歐陽詢、顏真卿、柳公權的楷書分別代表了初、盛晚唐三個不同時期的楷書成就。
  8. The poetic changes of poem in late tang dynasty from the view of wen junting

    從溫庭筠看晚唐詩的詞化現象
  9. Yandang s early reputation owes much to the following three men, or actually three monks in the tang dynasty 618 - 960. one was an indian monk called nuojuna, the founder of the first buddhist temple in the area, who came settled here with his 300 disciples. the second was the well - known master yixing, who left behind with a painting of the mountain named " the landscape and its two borders "

    這樣,使雁蕩名彰于外的使命便落到了代的三位僧人頭上:一位是因「花村鳥山」之偈率三百弟子飛錫湫而被後人奉為開山祖師的西域高僧諾巨那,一位是畫山川兩戒圖留下「南戒盡于雁蕩」之語的一行和尚,最後一位是寫出膾炙人口的名句「雁蕩經行雲漠漠,湫宴坐雨蒙蒙」的晚唐詩僧貫休。
  10. Flourished in mid - tang and late - tang period, poetry on history gradually formed some stereotypes near the end of late - tang period

    摘要中晚唐盛極一時的詠史詩發展到晚唐後期,逐漸形成一些固定的套路。
  11. Yangzhou endured many upheavals during the more than 800 years from the song and yuan to the ming dynasty. nevertheless, its charm and beauty has never been damaged by the ravages of war and political chaos

    晚唐以後,直到宋元明,揚州由繁盛跌入起起伏伏的800年,是盛極而衰,還是時不我予,這其中的緣故難解難分。
  12. ( 4 ) zhu zhifan ' s edition also named collection of the poems of twelve poets in mid - tang dynasty was a copy oflu bian " 5 one

    ( 4 )全詩本,乃據季振宜《全詩稿本》編成。 ( 5 )龔賢輯《中晚唐詩紀》本,出自宋平江本。
  13. Those new aesthetics changes generate far - reaching influence to rhyme of middle tang and late tang dynasty even rhyme of song dynasty

    這些審美新變化對中晚唐絕句、乃至宋代絕句都產生了深遠的影響。
  14. This essay explains the characteristics and style of stupas in the design of lotus, plants, sculpture inscription and small sculptures

    從舍利塔上的蓮花、植物紋樣、造像銘和小佛像幾個方面看,應屬晚唐五代的裝飾造像風格。
  15. Love poems and ci - poems of late tang dynasty

    晚唐艷情詩與艷情詞
  16. After the late tang dynasty, the tendency of following and imitating china faded, and meanwhile, the japanese culture sprouted new bud too

    晚唐以後,追隨和模仿中國的傾向衰弱下來,與此同時,日本自己的民族文化也萌出了新芽。
  17. On the causes of advocating late tang poems in early song dynasty

    論宋初詩壇崇尚晚唐之原因
  18. Yao he, being co _ called yao jia with jia dao, was a famous poet of tang dynasty

    晚唐著名詩人姚合,與賈島並稱「姚賈」而享譽詩壇。
  19. This thing comes later, i think it shoule be come forth in the late period of tang, and as the same period of japanese dao tan

    這個東西出現比較,我個人認為最早出現于晚唐,和日本刀鐔出現的時間不相上下。
  20. Yuan hao - wen ' s view on tang poems can be summed up in three points : his proposal of " in accordance with that of tang dynasty " for the composing principle, his preference to classical elegance out of his orthodoxy view, and his advocating for the grand and natural style of tang dynasty in its prosperity against the weak, ostentatious, and tricky tendency of later tang

    摘要元好問的詩觀,主要體現在三個方面: 1在創作宗旨上,提出「以人為指歸」之論; 2 .從雅正原則出發,表現出趨尚古雅的詩觀; 3崇尚壯美、天然的盛風格,貶抑柔弱、巧飾與險怪的晚唐作派。
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