Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特
曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復
興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版
Inflation is always and everywhere a monetary phenomenon, said milton friedman, the economist who revived monetarism in the 1960s and 1970s
在二十世紀六十年代和七十年代曾使貨幣主義復
興一時的經濟學家米爾頓?弗里德
曼說過，通貨膨脹在任何時間任何地點都是一種貨幣現象。
The resistance to the pope ' s authority. is pretty nearly coincident with the rise of the ottomans ( john henry newman
對教皇權威的反抗與奧斯
曼土耳其人的
興起幾乎同時發生（約翰?亨利?紐
曼） 。
It ' s still an open question for thorough discussion to the analysis of mixture ' s raman spectroscopy. in this thesis, we first introduce the main theory of raman spectroscopy, including the mechanism it occurs, the physical explanation, the basis of quantitative analysis, etc. then new types of raman technique such as nir - ft raman, rrs, sers, microscope raman and co - focus raman, fiber raman, etc. are discussed. and the main applications of raman spectroscopy on chemistry and material science, medicine, biology, judging and identifying science, industry, environmental protection, geology and archeology, etc. are introduced
接著分別介紹了各種新
興的拉
曼光譜技術如近紅外-傅立葉變換拉
曼光譜（ nir - ftraman ） 、激光共振拉
曼光譜（ rrs ） 、表面增強拉
曼光譜（ sers ） 、顯微拉
曼光譜及共焦顯微拉
曼光譜，光纖拉
曼光譜等，簡述了拉
曼光譜在化學和材料科學、醫藥學、生物科學、法庭和鑒定科學、工業生產、環境保護、地質考古等各個領域的應用情況。
Not surprisingly, the letters pointed up the sharp, inquiring mind, the lively interest in everything, of paul sherman yale.
毫不奇怪，這些信件表明保羅謝爾
曼耶爾頭腦敏銳，遇事好問，對一切都懷有濃厚的
興趣。
Very nice to meet you all. er, i ' m chaman bakshi
真高
興遇見你們大家嗯，我叫查
曼巴克西
Instead, the government ' s independent selection panel chose nearby manchester, a boomtown of the 1990s that bookies had deemed a rank outsider
相反，政府的獨立選擇評判小組選擇了靠近
曼徹斯特的曾不被賭注登記經紀人們看好的一個1990年代的新
興城市。
A magazine called manbattan, inc. started profiling business tycoons with the idea that they could surely be as interesting as movie stars, professional athletes, and politicians
有一家叫《曼巴頓》的雜志開始包裝某些商界大亨，以為這樣做也能像炒作電影明星、職業運動員與政治家那樣，使人們感興趣。
