有喜有悲 的英文怎麼說

中文拼音 [yǒuyǒubēi]
有喜有悲 英文
ups and downs
  • : 有副詞[書面語] (表示整數之外再加零數): 30 有 5 thirty-five; 10 有 5年 fifteen years
  • : Ⅰ形容詞1 (悲傷的) sad; sorrowful; melancholy 2 (憐憫的) compassionate Ⅱ動詞(憐憫) feel pity...
  • 有喜 : [口語] be pregnant; be expecting
  1. Mr. funny bone is a small fry, and often gets into trouble

    老夫子帶著小市民心態,逐一化解,
  2. Not as we know them, as desirable or repugnant

    ,但不似咱們習性中的愛憎取捨。
  3. The prose of the pre - qin and han dynasties display diverse forms of voice and qi images, the main types include comedy type, tragedy type, offensive type, mixed type of tragic and comedy

    先秦兩漢散文所展示的聲氣形態多種多樣,主要劇型、劇型、劇錯雜型、悖反型四類。
  4. Her life had always run pretty smoothly through the simplicities of joy and sorrow

    她的生活雖然極其單調,有喜有悲,但還算順利。
  5. Even loved ones from your midst, love will never die, life is like a dream, the dream always was pregnant with sorrow, although joy and tears, nightmare association wants not to stay, to continue your footsteps

    即使所愛的人離你遠去,愛永不消失,人生就像一場夢,夢境中總是有喜有悲,盡管歡樂與淚水交織,噩夢總會消逝,不要停留,繼續你的腳步。
  6. We hope to present the many facets of ms yam, not just her classic favourites with ms pak and leung sing - po, but also her collaborations with other performers, in drama, tragedies, comedies, and in contemporary settings ; future generations may appreciate her extensive abilities. we regret that due to copyright issues, we are unable to present

    今次的選片宗旨是盡量全面而代表性最著名的粵劇電影如任、白、波的戲寶自然包括在內,但也要選取任姐和另一些名伶的演出;文戲之餘,也要武戲;劇之外亦劇;還要若干時裝片。
  7. Love is not selfish and does not aim for the possession of another. instead, love protects and treasures the other, and is willing to share pleasure and pain, and to fulfill a promise of mutual responsibility with the other

    愛是沒私心,不會只想佔對方,相反是保護和珍惜對方,願意與對方分享及履行對彼此負責任的承諾。
  8. M : not as we know them, as desirable or repugnant

    ,但不似咱們習性中的愛憎取捨。
  9. She had been startled; she hardly knew if she felt a pleasure or a pain.

    些驚慌,簡直不知道自己是
  10. Of love and hate 1964 revealed the fragility of love and the compromise involved in marriage

    光藝以描寫現代男女情愛的文藝言情片起家,其中
  11. Joy without sorrow, peace without pain

    樂沒傷,只平安沒痛苦。
  12. The mood of the film changes drastically and it seems like motohiro is playing around with our emotion and directing our feeling at will. motohiro is also good at shooting crowds. there are quite a number of characters in this film, their appearance are alloted wisely

    猶其尾段由的劇情更完全玩弄觀眾的情緒于股掌之中,此段亦拍得令人感動,特別是最尾深津繪里看大電視一幕更神來之筆的精彩,不能不配服導演對電影和觀眾感情的控制力。
  13. A bittersweet comedy about a simple hick who arrives in the big city t seek his fortune, the crazy bumpkins stars the popular yeh feng as ah niu, who

    大鄉里阿牛野峰飾來到香港,目睹香港低下層社會的光怪陸離,淚。阿牛生性戇直常常被人利用。
  14. A bittersweet comedy about a simple hick who arrives in the big city t seek his fortune, the crazy bumpkins stars the popular yeh feng as ah niu, who leaves his native village to live with an uncle in hong kong, not realizing he is a crook

    希望女演員及優異滑稽男演員三大獎項大鄉里阿牛野峰飾來到香港,目睹香港低下層社會的光怪陸離,淚。阿牛生性戇直常常被人利用。
  15. This the earth, the sun, galaxy, even whole cosmos too the gross there will be the diappeared time, the person ' s life compare to is for an instant only with those, there for an instant and inside, the person bears, smiling, weeping over, fighting, hurting, gladdenning, sorrow, hate who, like who, all everything is all a death that in a flash meet by chance, who can ' t succeed in escaping to die

    這個地球、太陽、銀河系、甚至整個宇宙也總會消失的時候,人的生命和那些相比也只是一瞬間罷了,在那一瞬間中,人誕生、微笑、戰斗、傷害、悅、傷、憎恨誰、習慣誰,所的一切都是剎那間的邂逅,誰都不能逃脫死亡的長眠。
  16. And expect them to accept it ; girl your heard me it gets skanless. but we gonna kick this shit like this here )

    你走得好遙遠消失在我生命的地平線今生的不再滋味
  17. The chapter on literature also discusses the major philosophical questions surrounding literature, such as the purpose of literature, why people enjoy tragedy, and whether literature is subjective or objective

    這一章還討論了關文學的哲學問題,如文學的目的、人為什麼劇和文學究竟是主觀的還是客觀的等。
  18. So long as the roots ( or samskaras ) exist, their fruition will be birth, life, and experiences resulting in pleasure or pain

    因根(業習)存在,緣起而生果。因果作用而發生、生存以及於中經歷的雙向作用。
  19. Social realism, one of the most remarkable characteristic of post - war hong kong cinema, has resulted in many outstanding films. this can be found in mandarin comedies like zhu shilin s the dividing wall

    例如朱石麟以劇的手法刻劃困窘的處境,其導演的國語片一板之隔1952和中秋月1953哀而不傷
  20. It s a grittily realistic new york chinatown tale delving into the life of an illegal immigrant, his sham marriage, and indebtedness to thugs

    導演張婉婷以實錄式戲劇手法,描述中國移民在紐約生活的血淚,
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