有點墨水 的英文怎麼說

中文拼音 [yǒudiǎnmòshuǐ]
有點墨水 英文
a bit of a scholar
  • 有 : 有副詞[書面語] （表示整數之外再加零數）: 30 有 5 thirty-five; 10 有 5年 fifteen years
  • 點 : Ⅰ名詞1 （液體的小滴） drop （of liquid） 2 （細小的痕跡） spot; dot; speck 3 （漢字的筆畫「、」）...
  • 墨 : Ⅰ名詞1 （寫字繪畫的用品） china [chinese] ink; ink cake; ink stick2 （寫字、繪畫或印刷用的顏料） ...
  • 水 : 名詞1 （由兩個氫原子和一個氧原子結合而成的液體） water 2 （河流） river 3 （指江、河、湖、海、洋...
  • 有點 : a bit（of）
  1. I grasped it in my hand, put out the flame as quickly as i could, lighted my taper in the fire itself, and opened the crumpled paper with inexpressible emotion, recognizing, when i had done so, that these characters had been traced in mysterious and sympathetic ink, only appearing when exposed to the fire ; nearly one - third of the paper had been consumed by the flame

    我嚇了一跳。趕急把那張紙抓在手裡，撲滅了火，直接點燃了那支小蠟燭，然後帶著難以表達的激動心情攤開了那張扭皺了的紙。我發覺那上面的字是用神秘的隱顯墨水寫的，只有拿到火上去烘才會顯現出來。
  2. Its most notable masterworks include a portrait sculpture of cloistered emperor kameyama and a document brushed by the emperor himself wishing for prosperity of the temple

    展現龜山法皇風姿的雕刻和繪畫，還有親自書寫的起願文不可不看。優秀的水墨畫作品也非常多，眾多裝點名剎的至寶也一併展出。
  3. And i must not forget, that we had in the ship a dog and two cats, of whose eminent history i may have occasion to say something in its place ; for i carry d both the cats with me, and as for the dog, he jump d out of the ship of himself and swam on shore to me the day after i went on shore with my first cargo, and was a trusty servant to me many years ; i wanted nothing that he could fetch me, nor any company that he could make up to me, i only wanted to have him talk to me, but that would not do : as i observ d before, i found pen, ink and paper, and i husbanded them to the utmost, and i shall shew, that while my ink lasted, i kept things very exact, but after that was gone i could not, for i could not make any ink by any means that i could devise

    我把兩只貓都帶上岸至於那條狗，我第一次上船搬東西時，它就泅水跟我上岸了，后來許多年中，它一直是我忠實的僕人。我什麼東西也不缺，不必讓它幫我獵取什麼動物，也不能做我的同伴幫我幹什麼事，但求能與它說說話，可就連這一點它都辦不到。我前面已提到，我找到了筆墨水和紙，但我用得非常節剩你們將會看到，只要我有墨水，我可以把一切都如實記載下來，但一旦墨水用完，我就記不成了，因為我想不出有什麼方法可以製造墨水。
  4. Those who want to learn ink painting must study the best spirit of that period, the spirit of the mi family because they had an incredibly solid foundation in calligraphy. they could turn the brush into a steel instrument and were able to make every dot into a pearl

    所以要畫水墨畫的，應該研究一下米家劃時代的精神，因為，他有不可搖動書法的工力，所以筆筆如錐，使得點點如珠，積珠璣而成墨韻，方成水墨之大成。
  5. If the painting shows harmony of brush and ink but without form, then they can be called abstract. those between resemblance and not exactly resemblance but full of harmonious presence, are considered as expressionistic paintings and can make you feel full of wonder and interest. as chinese paintings can be executed by using calligraphic skills, calligraphers should be bold enough to learn to paint

    即以作山水來說，只要以自己寫字熟習的筆致去寫畫，構成水墨畫基本的點線皴，發抒出心中的形似即可形似者為寫實畫，單單表現墨韻筆致者而無相者，即為抽象畫，在形似與不甚形似之間，而氣韻充沛者為寫意畫，可以使你妙趣橫溢，所以書畫同源，習書法者可以大膽去畫，日積月累，無有不成者。
  6. My ink, as i observed, had been gone some time, all but a very little, which i eek d out with water a little and a little, till it was so pale it scarce left any appearance of black upon the paper : as long as it lasted, i made use of it to minute down the days of the month on which any remarkable thing happen d to me, and first by casting up times past : i remember that there was a strange concurrence of days, in the various providences which befel me ; and which, if i had been superstitiously inclin d to observe days as fatal or fortunate, i might have had reason to have look d upon with a great deal of curiosity

    我就不斷加點水進去，直到后來淡得寫在紙上看不出字跡了。但我決心只要還有點墨水，就要把每月中發生特殊事件的日子記下來。翻閱了一下日記，發現我所遭遇的各種事故，在日期上有某種巧合如果我有迷信思想，認為時辰有兇吉，那我一定會感到無限的驚詫。
  7. Compared with untreated graphite under the same condition, the surface electric potential of treated graphite changes in part, but unlike a1 ( oh ) 3, the oxidation ratio decreases 10 % when a1 ( oh ) 3 / graphite ( wt % ) = 10, and the wetting angle of treated graphite hold the line, namely the wetting ability is not improved. contrasted with the hydrolyze coating way, the deposition coating way has simple technical process, lower cost, and its disadvantage, for instance, coat layer distributes unevenly, the wetting ability is not improved. furthermore, the effect of treated graphite applied in mgo - c castables are investigated

    經沉澱法改性后，石墨的表面電性發生了一定的變化，其等電點從2 3變為7 8 ，但與al （ oh ） _ 3的等電點（ 8 9 ）存在一定的差異；接觸角測定結果則表明，經沉澱法改性后，石墨與水的接觸角並沒有改變，即改性石墨與水的潤濕性沒有明顯改善；當al （ oh ） _ 3石墨（ wt ） = 10時，改性石墨的氧化失重率比未改性石墨下降了約10 ，這說明經沉澱法改性后，石墨的抗氧化性得到了一定的改善。
  8. Treated by hydrolyze coating way, the surface electric potential of graphite moves and iep changes from 2 - 3 to 8 - 9, reach the one of a1 ( oh ) 3 ; moreover, the wetting angle of treated graphite decreased 10, and the oxidation ratio decreased 20 % when al ( oh ) 3 / graphite ( wt % ) = 10, compared with untreated graphite under the same condition. that is to say, the wetting and anti - oxidation ability of graphite is improved, after treated by hydrolyze coating way

    經水解法改性后，石墨的表面電性發生改變，其等電點由2 3變為8 9 ，與al （ oh ） _ 3的等電點相近；與未改性石墨相比，改性石墨與水的接觸角下降約10 。當al （ oh ） _ 3石墨（ wt ） = 10時，水解法改性石墨的氧化失重率比未改性石墨下降了約20 ，因此經水解法改性后，石墨與水的潤濕性有所改善，抗氧化性有所提高。
  9. The analytic results of the effects on the micromorphological structure of the film by the electrochemical condition ' s showed that the carbon is apt to improve the boundary combination between the scfs and the surface of the cathode and the seperation of the films, and that the micromorphological structure of the mpgcfs is greatly affected by the dring and the power voltage, which remarkably affluence ion move in swelling cathode film, and that higher temperature and concentration of cu2 + in the medium solution are also advanagable to the deposition of cu in scfs. the plot of deformation behavior of mpgcfs showed that the maximum strench ratio decreases and the brittleness increases due to the existence of the metal phase, and that the strengh trend of the composite films is fistly up and down followed with the content of metal phase because of the change of the role of the metal phase from acting as the physical cross - linking to weakening the films due to destroying the whole structure of the polymer

    另外它作為基體的另一個突出的優點是制備的溶脹復合膜（ scf ）中的溶劑與電解液中的溶劑相同都是水，克服了以前膜內外不同溶劑之間擴散的問題，結果使得電流最終趨於一種穩態，因此可以更好實現用電化學條件來控制mpgcf的形態結構；硬質石墨材料的多孔的結構和石墨本身的結構性能特點使得碳作為陰極材料時有利於溶漲復合膜（ scf ）與電極表面的結合以及膜的剝離，因此是作為陰極的理想材料；電化學條件中的乾燥程度和電壓能夠明顯的影響離子在膜內的遷移，從而對mpgcf的形態結構造成較大的影響；而提高反應溫度和增大電解液中銅離子的濃度也有利於銅在膜中的沉積生長。
  10. The mexican banking crisis of 1995 - 96 supports the policy implications of the " vulnerability - shocks " paradigm : developing countries should identify the specific causes of their banking systems vulnerability and implement the appropriate financial reforms ; fragile banking systems complicate the management of macroeconomic policy in terms of timing, scope, and effectiveness ; macroeconomic considerations should play an important role in the design of bank regulatory regimes ; effective deposit insurance systems should be established in order to reduce bank runs and moral hazards of both bankers and depositors ; considering the apparent role of lending booms in creating vulnerability of banking systems, the authorities should monitor the rate of credit growth, and take measures when it appears to be growing too rapidly

    墨西哥銀行危機印證了「脆弱與沖擊」銀行危機解釋模式的政策含義：發展中國家應針對銀行體系脆弱性的具體原因，採取相應改革措施；銀行業的脆弱性對經濟改革政策的選擇、實施時機和實施效果均會產生重要影響；應根據宏觀經濟波動程度，確定適當的銀行審慎監管指標水平；建立有效的存款保險制度；應監督銀行信貸的擴張速度，在必要時通過實施相應的宏觀經濟政策來限制銀行的信貸擴張。從這次銀行危機中我們主要可以得出兩點結論。
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