林學概論 的英文怎麼說

中文拼音 [līnxuégàilún]
林學概論 英文
forestry panorama
  • 林 : 名詞1 （成片的樹木或竹子） forest; woods; grove 2 （聚集在一起的同類的人或事物） circles; group 3...
  • 學 : Ⅰ動詞1 （學習） study; learn 2 （模仿） imitate; mimic Ⅱ名詞1 （學問） learning; knowledge 2 （學...
  • 概 : Ⅰ名詞1 （大略） general outline 2 （神氣） manner of carrying and conducting oneself; deportment ...
  • 論 : 論名詞（記錄孔子及其門徒的言行的「論語」） the analects of confucius
  • 林學 : forestry林學會 forest association; 林學家 silviculturist; 林學院 forestry institute
  • 概論 : （多用於書名: 概括的論述） outline; introduction; survey: 《化學概論》 an introduction to chemistry
  1. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版
  2. However, people are thirsty for the nature in the same. thus, water as a kind of natural substance come to be an element in architecture design. therefore, the research of water factor design in modern architecture space is useful and imperious. the thesis introduce the basic conception, actuality and frame of the research in the first part, and points out that the research category is water factor design in modern civilian architecture space. in the second part, the paper analysis the water factor in classical garden and folk house, and expatiate the revelation for modern design. in the third part, the paper expatiate the role of water in modern architecture. such as uptown or public building. in the forth part, the paper expatiate the basic theory or principle of the water factor design in some aspects such as water, human, aesthetics and zoology. in the last part, the paper classify the water factor design in modern civilian architecture, and expatiate the combination and design method

    論文首先在緒論部分介紹了建築與水的關系、建築空間和建築空間水要素的基本概念、發展及研究現狀，並指出研究的主題是現代建築空間中的水要素；第二部分從歷史出發，介紹和分析中外古典園林和水鄉民居中水要素的特色及設計，並分別闡述對現代建築空間水要素研究的意義；第三部分分析闡述了現代建築空間中水要素的角色、作用，以及典型現代建築? ?居住小區和公共建築空間中的水要素；第四部分從水、人、美學和生態性等同現代建築空間水要素的設計密切相關的角度來分析現代建築空間水要素設計應遵循的基本原則，為此主要闡述建築空間水要素設計應滿足以水為中心、以人為主體，以及生態和可持續發展的要求；最後一章根據前文的分析，對現代建築空間水要素設計方法進行探討，形成現代建築空間水要素設計的組合方式和設計手法以及其它相關要素的設計要點。
  3. The chapter starts from a brief summary of the major points of view on the scale economies held by adam smith, karl marx, allyn young, alfred marshall and the neo - classical economists, as well as the neo - institutional economists

    首先是把亞當斯密、馬克思、阿林楊格、馬歇爾以及新古典經濟學和新制度經濟學關于規模經濟的論述進行了概括，揭示出規模經濟的基本特徵。
  4. However, we should first understand the correlations between economics and other disciplines, and the roles of politics and economics in human society in order to have a macro view of economics

    林俊興董事長指出，本書嘗試從經濟學理論中抽取出一些淺顯的入門概念介紹給一般讀者，但我們應先理解經濟學與其他學門的相關性，以及政治、經濟在人類社會發展中所扮演的角色，才能有更宏觀的認知。
  5. Abstract : this paper expounds the education philosophy and practice of landscape architecture in tsinghua university of china, including the education philosophy with essential features of " integrating wisdom of eastern and western, wisdom of ancient chinese thinking and new technology " the curriculum with essential features of " trans - disciplinary and balance between theories and practice " the studio with essential features of " multi - scales and public concerns " and strategies of discipline construction with essential features of " integration and interaction "

    摘要:概括了（古代）園林向（近現代）風景園林拓展和轉變的3個趨勢：公共性、跨學科、多尺度；從4個方面論述了清華大學風景園林教育思想及其實踐：以「東西容通、新舊合治」為特徵的教育理念；以「學科融貫、知行兼舉」為特徵的課程體系；以「多尺度、公共性」為特徵的學科發展方向；以「融通型、互動式」為特徵的學科建設戰略。
  6. This research randomly choose a key high school, a common high school and a urban high school in guilin, and the purpose is to explore the influence of school in function concept learning and the processing mechanism of function concept schema

    本實證研究隨機選取桂林市重點中學、普通中學以及農村中學各一所，探究圖式在函數概念學習中的影響以及函數概念圖式的加工機制。主要結論： （ l ）圖式是一種高級的學習策略。
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