歌林多前書 的英文怎麼說

中文拼音 [līnduōqiánshū]
歌林多前書 英文
corinthians
  • : Ⅰ名詞(歌曲) song Ⅱ動詞(唱) sing
  • : 名詞1 (成片的樹木或竹子) forest; woods; grove 2 (聚集在一起的同類的人或事物) circles; group 3...
  • : Ⅰ名詞1 (在正面的) front 2 (次序在先的) first; top 3 (過去的; 較早的) ago; before; preceding...
  • : Ⅰ動詞(寫字; 記錄; 書寫) write Ⅱ名詞1 (字體) style of calligraphy; script:楷書 regular script2...
  • 歌林 : kolin
  1. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻,並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的輩詩人,並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩的復興者,詩理論家以及面向大眾的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義詩的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩理論" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目, 76歲的布魯姆正全力寫作《影響的解剖》一,將於2008年由普斯頓大學出版社出版
  2. When the count arrived, he had under his touch his books and arms, his eyes rested upon his favorite pictures ; his dogs, whose caresses he loved, welcomed him in the ante - chamber ; the birds, whose songs delighted him, cheered him with their music ; and the house, awakened from its long sleep, like the sleeping beauty in the wood, lived, sang, and bloomed like the houses we have long cherished, and in which, when we are forced to leave them, we leave a part of our souls. the servants passed gayly along the fine court - yard ; some, belonging to the kitchens, gliding down the stairs, restored but the previous day, as if they had always inhabited the house ; others filling the coach - houses, where the equipages, encased and numbered, appeared to have been installed for the last fifty years ; and in the stables the horses replied with neighs to the grooms, who spoke to them with much more respect than many servants pay their masters. the library was divided into two parts on either side of the wall, and contained upwards of two thousand volumes ; one division was entirely devoted to novels, and even the volume which had been published but the day before was to be seen in its place in all the dignity of its red and gold binding

    當伯爵到來的時候,他只要一伸手就可以摸到他的和武器他的目光可以停留在他心愛的繪畫上他所寵愛的狗會搖頭擺尾地在廳歡迎他小鳥們那悅耳的聲也使他非常高興於是,這座從長眠中醒來的房子,就象森里睡美人所在的宮殿般頓時活躍了起來,鳥兒唱,花兒盛開,就象那些我們曾流連過很久,當不得不離開的時候,以致把我們靈魂的一部分留在了那所房子里一樣,僕人們也高高興興地在庭穿來穿去的有些是在廚房裡幹活的,他們飄然地滑下一天才修好的樓梯,就好象在這座房子里已住了一輩子似的有些是車房裡幹活的,那兒有一箱箱編了號的馬車備用,看起來就象是已在那兒至少安放了五十年似的,在馬廄里,馬夫在同馬說著話,他們的態度比許僕人對待他們的主人還要恭敬得,而馬則用嘶鳴來回答。
  3. Now to the unmarried and the widows i say : it is good for them to stay unmarried, as i am

    歌林多前書7 : 8我對著沒有嫁娶的和寡婦說,若他們常像我就好。
  4. In the bible, a saint has said that he dies daily. st. paul, 1 cor 15 : 31 kjv why should he die daily

    在聖經里,有個聖人說他每天都往生歌林多前書15 : 31 。
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