比錢斯基 的英文怎麼說
中文拼音 [bǐqiánsījī]
比錢斯基
英文
bicanski-
Stephen, in reply to a politely put query, said he didn t but launched out into praises of shakespeare s songs, at least of in or about that period, the lutenist dowland who lived in fetter lane near gerard the herbalist, who anno ludendo hausi, doulandus, an instrument he was contemplating purchasing from mr arnold dolmetsch, whom bloom did not quite recall, though the name certainly sounded familiar, for sixtyfive guineas and farnaby and son with their dux and comes conceits and byrd william, who played the virginals, he said, in the queen s chapel or anywhere else he found them and one tomkins who made toys or airs and john bull
對于這非常文雅的提問，斯蒂芬回答說「他並沒有」 285 ，卻開始贊美起莎士比亞的至少也是那個時代及其先後時期的歌謠來了。又談起住在費特小巷離植物學家傑勒德不遠的古琵琶演奏家道蘭德我成年彈奏，道蘭德286 。他怎樣打算從阿諾德多爾梅什那兒買一把古琵琶287 ，價錢是六十五基尼。The paper introduced their architectural investigation and practice on the aspects of architectural tectonic, relation between tradition and creativity, the molding of place and construction of architectural space etc. such as david chipperfield ' s value of architecture ' s initial meaning and physicality, his emphasize on the architectural experience quality and ethics duty of the architect, and his view on the continuation of tradition and creativity ; waro kishi ' s value of tectonic noumenon, his concept of " industrial vernacular ", his application of the " architectural promenade " principle, and application of courtyard ; tod williams & billie tsien ' s principle of " architecture is combination of work and life ", their value of place, their observation of material characteristic, and their " slow " principle on design, me thod, and sense perception. the paper also introduces the three architect ' s representative works and their design method
介紹了他們在建築的建構、傳統與創新的關系、場所感的塑造以及建築空間的創造等方面所進行的理論探索與建築創作實踐，如大衛?謝潑菲爾德對建築內在意義及建築實體（ physical ）的重視、對建築的體驗品質和建築師的倫理責任的強調、對傳統和創新的可持續性的認識；岸和郎的對建構本體的重視、關于「工業鄉土性」的概念、對「建築的漫步」理念的運用、以及對庭院空間的運用；托德?威廉姆斯和比麗?錢的「建築是工作和生活的結合」的基本設計理念、對場地的重視，對材料特性的探索、以及關于設計、方法、感知方面的「緩慢」的理論。
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