沒有一個觀眾 的英文怎麼說

中文拼音 [mòyǒuyīgèguānzhòng]
沒有一個觀眾 英文
there's no one here
  • 沒 : 沒Ⅰ動詞1 （沉下或沉沒） sink; submerge 2 （漫過或高過） overflow; rise beyond 3 （隱藏;隱沒） hid...
  • 有 : 有副詞[書面語] （表示整數之外再加零數）: 30 有 5 thirty-five; 10 有 5年 fifteen years
  • 個 : 個Ⅰ量詞1 （用於沒有專用量詞的名詞） : 一個理想 an ideal; 兩個月 two months; 三個梨 three pears2 ...
  • 觀 : 觀名詞1. （道教的廟宇） taoist temple2. （姓氏） a surname
  • 眾 : Ⅰ形容詞（許多） many; numerous; a lot of Ⅱ名詞（許多人） multitude; crowd; the masses
  • 沒有 : 1 （無） not have; there is not; be without 2 （不及; 不如） not so as 3 （不到） less than 4 （...
  • 觀眾 : spectator; viewer; audience
  1. Secondly, its content hasconflict with the system and it can make the system to a downfall. among the three characters. information organization is the most impotw andstable while benifit organization and control lbject embody the artificial operatingcharatel ii. fundamental causes of medium ' s industriazationwth the development of huznan societyindustry revolution happened in thewest accelerated society productivity and solved the technical obstacles of publicconununication meditun. bourgeois was becoming stronger and stronger andovercame feudality at last. wth the victory of bourgeois, market economy was devoloing quickly. thepublic communication medium of capitalism are now pursuing benefits bothobjectively and subjectively but it is impossible in the past and accomplished theprocess of early industriaiization. ' it is discussed from chinese public communication medium - - - - newspaper ' semergence, developing process and its sinuosityit comes to a conclusion that thefundarnental cause of the public communication medium is that benefit and controlinieract each other. that is to saywhen benefit is stronger control is weaker and viceversa. lll. the proccss of chincse mcdium and individual devclopmcntl. under the functions of intemal prusuing benefit desire and pursuing benefitcondition, it appeared the upsurge that newspapermen set up newspaper and new tvstation was set tip from l979 to l982. 2. the upsurge of a series of tv channel and enlargement in newspapel3. the cooperation of post and delivery and owning delivery also gives a rapiddevolopment to newspapers. 4. the strengthening of individual collectivization embodies that theindustrialization gets on a new stage. 5. the illtemational fimds also ellter into

    資產階級的勝利，市場經濟得以迅速發展，資產階級的大眾傳播業主完成了由過去不能追求、也沒有條件追求經濟利益而變成了主觀上努力追求，客觀條件上也能夠追求經濟利益的轉變，從而完成了大眾媒介最初的產業化過程。從中國大眾傳播媒介? ?報紙的產生，發展過程及其曲折等方面來論述，得出了大眾傳播媒介產業化的最根本動因就是利益和控制的互動，也就是說利益強時控制則弱化，當控制強時則利益弱化。三、中國大眾傳播媒介產業化進程和個體發展第一、在自身獲利慾望及外在獲利條件的雙重作用下，從1979年至1982發生了在報業的第一次辦報熱潮和發生在廣播業電視業的建臺熱。
  2. However, reverting to friend sinbad and his horrifying adventures who reminded him a bit of ludwig, alias ledwidge, when he occupied the boards of the gaiety when michael gunn was identified with the management in the flying dutchman, a stupendous success, and his host of admirers came in large numbers, everyone simply flocking to hear him though ships of any sort, phantom or the reverse, on the stage usually fell a bit flat as also did trains, there was nothing intrinsically incompatible about it, he conceded

    當邁克爾網恩經營歡樂劇場時，路德維希主演漂泊的荷蘭人127獲得巨大成功，愛慕他的觀眾蜂擁而至，個個都只是為了聽聽他的聲音。盡管不論是不是幽靈船，一旦搬上舞臺，就跟火車一樣，通常會變得有點兒單調了。他承認那位水手所講的本質上沒有什麼相互矛盾的地方。
  3. Her career began to rebound the following year with i love trouble and pret - a - porter, but both films proved to be critical and commercial disappointments. roberts bad luck continued when her much - anticipated mary reilly 1996 fizzled at the box office, but her career began picking up again with michael collins and conspiracy theory both 1996

    嘗試雖多，然而羅伯茨並沒有因此為觀眾留下一個深刻的記憶，這些角色雖然不俗，卻缺少個性和與眾不同的東西，人們在其中只看到了羅伯茨做為「漂亮女人」所展示出的漂亮迷人。
  4. There is nothing to suggest, at least initially, that this is anything but a sentimental punctum of the family

    沒有任何東西來暗示觀眾這一幕不是家庭生活的一個動人場景，至少開頭沒有。
  5. The simple story is in the world of the animation is an absolute main factor, a complicated story details turns and twists confusing link for see an animation of the audience is a tremendous burden, the market need that is in present the top interest has already replaced a traditional story to spread chen, at this interest in command age how expressed a plot to become the most important topic with the simple story, very clearly, advertise from the film of the way can feel what kind of the topic just is the need of the consumer, passed by high cost to create greatly of the advertisement mode has already not been reseen this several years, take but the generation is a film to have many interests much play, this be the typical simple story description complicated plot, give examples to say : the movie “ shrike ” is a very typical example, pure of save a princess of plot, continuously of pound at audience by the plot of " be contrary with traditional thinking " of thinking mode, i still remember at that time see that slice through behind appear details of hear the public discussion interest continuously, but hear half personal say this drama of story have much good, in fact such manuscript was the best animation manuscript, letting the audience acquire they want of plot but don ' t be pack with complicated story, this just is the animation dramatize of the tallest state, because of would like to spend money to enter into theater or spend money to purchase dvd consumer, all is want to open happy heart ' s appreciating film bear, have no burden, also be spend money to buy happy, want to remind specially of " the writing animation manuscript not is write to personal satisfy own creations desire but is face all appreciate of crowd "

    在動畫的世界里簡單的故事是絕對的要素，一個復雜的故事情節曲折迷離的環節對于看動畫的觀眾是一項極大的負擔，在現今的市場需求上趣味已經取代了傳統的故事鋪陳，在這個趣味掛帥的年代怎麼樣用簡單的故事來表現劇情變成了最重要的課題，很明確地，從影片廣告的方式可以感受到什麼樣的主題才是消費者的需求，過去高成本大製作的廣告模式這幾年已不復見，取而代之的是影片有多趣味多好玩，這就是典型的簡單故事描述復雜的劇情，舉例來說：電影史瑞克就是一個很典型的例子，單純的救公主的劇情，不斷的以「與傳統思維相反」的劇情沖擊著觀眾的思考模式，我還記得當時看完該片后出場不斷的聽到眾人討論趣味的情節，但是卻沒有聽到半個人說這部戲的故事有多棒，其實這樣的劇本就是最好的動畫劇本，讓觀眾獲得他們想要的劇情卻不以復雜的故事包裝，這才是動畫編劇的最高境界，因為願意花錢進到戲院或是花錢購買dvd的消費者，都是想開開心心的觀賞影片沒有負擔、沒有包袱，也就是花錢買開心，特別要提醒的「寫作動畫劇本並不是寫給個人滿足自己的創作慾望而是面對所有欣賞的人群」 。
  6. A nation without men, with only pleasure - saturated, spineless screen - watchers is a truly frightening prospect

    如果一個民族沒有了男人，只剩下一些貪圖快樂、沒有骨氣的屏幕觀眾，那麼這該是多麼可怕的前景。
  7. Removing the extension tube shortens the spacing to allow any binocular viewer to reach focus without a barlow lens

    除去延長管縮短間隔讓任何的用兩眼的觀眾到達沒有一個巴羅鏡的焦點。
  8. Modern history has rejected the faiths of the ancients, without putting any new conviction in their place ; and the logic of the position has forced the historians, leaving behind them the rejected, divine right of kings and fate of the ancients, to come back by a different path to the same point again : to the recognition, that is that peoples are led by individual persons ; and that there is a certain goal towards which humanity and the peoples constituting it are moving

    現代史學雖否定了古人的信仰，卻沒有用新觀點去取代它，而且受大勢所趨，其邏輯迫使那些在意念中否定沙皇王權神授及古人的命運觀的史學家又殊途同歸地承認：一各族民眾是受個別人領導的二各民族和全人類都奔向一個已知的目標。
  9. “ there are lots of heroes in september 11, but none of them could save america, " the mood of the moment may provide a rare opportunity to step back from this cultural bloodlust and bring forth entertainment that might ennoble its audience rather than exploit it

    " 911事件中涌現出許多英雄，但他們中沒有一人能幫助美國躲過這場災難. "當前的這種心態或許提供了一個極好的機會來冷靜思考這種文化殺戮欲，並帶來能提高觀眾精神境界而非利用他們的娛樂活動
  10. “ while no lay audience discusses the bowing arm or stroke of the violinist or the palette or brush technique of the painter, or the tension which may create a poor entre - chat, they will all be willing to give formulas to the actor

    「從來沒有一個外行的觀眾會討論小提琴家拉弓和撥弦的技巧，或是畫家調色和運筆的技術，也沒有人擔心小提琴家肌肉太緊張時，會製造『殺雞』的噪音。 」
  11. Some waited more than six hours to ensure they secured prime firework viewing places along the thames and as midnight approached, the rain fell with increasing persistence, but it failed to dampen spirits

    有些人甚至等了六個多小時，為的就是在泰吾士河邊找一個最佳的焰火觀看點.隨著午夜的來臨，雨一直下，但這絲毫沒有澆滅觀眾們的熱情
  12. Sure of my lines, no one is there

    我的劇情依舊，可卻沒有一個觀眾！
  13. Not one audience was able to say to me,

    沒有一個觀眾會對我說
  14. No one in the audience is going to know you have the wrong foot until you switch them, and then they will say to themselves, that girl doesn ' t know what she ' s doing

    其實沒有一個觀眾會注意到您跳錯了腳步，直到您糾正了自己的動作，這時他們會在心裏想：那個女孩不知道該怎麼跳。
  15. No one in the audience is going to know you have the wrong foot until you switch them, and then they will say to themselves, that girl does n ' t know what she ' s doing

    其實沒有一個觀眾會注意到您跳錯了腳步，直到您糾正了自己的動作，這時他們會在心裏想：那個女孩不知道該怎麼跳。
  16. “ perhaps it is a peculiarity of mine that despite the fact that i am a professional performer, it is true that i have always preferred playing without an audience

    也許這是我個人比較特別的，就是我從不當自己是一個專業的演奏者，我經常喜歡在沒有一個觀眾的時候去演奏，這是事實。
  17. " i believe that referees are influenced by environmental pressures - exactly how that happens is inconclusive, " said professor alan nevill of the university of wolverhampton who has studied soccer crowds

    伍爾弗漢普頓大學研究足球觀眾的教授阿倫奈維爾說： 「我認為裁判確實會受到周圍壓力的影響，但具體是如何影響的還沒有一個定論。 」
  18. " i believe that referees are influenced by environmental pressures - - exactly how that happens is inconclusive, " said professor alan nevill of the university of wolverhampton who has studied soccer crowds

    伍爾弗漢普頓大學研究足球觀眾的教授阿倫?奈維爾說： 「我認為裁判確實會受到周圍壓力的影響，但具體是如何影響的還沒有一個定論。 」
  19. Kurosawa loves to use long shots in group conversation scenes. he intends to capture the different reactions of all the actors on the screen at the same time. this kind of long shot greatly enhances the interaction among the actors since they are actually looking at the reactions of the other actors when they are presenting the dialogues ; on the other hand, it also allows the viewers to have a more comprehensive view of the scene, since they can choose whose face or reaction to focus on

    杜其峰繼年初的再見阿郎及暗戰后，再來一主題樂觀的電影，全片沒有一個主角被殺，亦沒有女主角唯一女角色施綺蓮只是出場不夠五分鐘的配角，重點只在型男間的友誼，另外有大玩殺手情懷，黑道人物和保鏢等都被寫得十分感性和重情義，和以往電影黑人物的冷麵無情十分不同，對于男觀眾相信會看得過癮。
  20. Exerted the most influence " i believe that referees are influenced by environmental pressures - exactly how that happens is said professor alan nevill of the university of wolverhampton who has studied soccer crowds

    伍爾弗漢普頓大學研究足球觀眾的教授阿倫奈維爾說： 「我認為裁判確實會受到周圍壓力的影響，但具體是如何影響的還沒有一個定論。 」
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