源三郎 的英文怎麼說
中文拼音 [yuánsānláng]
源三郎
英文
genzaburo-
This thesis was divided into eight chapters, and the main results and innovations obtained here can be summarized as follows : ( 1 ) the physics model of tsrs in frequency conversion crystals has been built up firstly. based on quantum - mechanical viewpoints and the following physical processes and parameters : the two - photo interaction of light with matter, paraxial diffraction of stokes, langevin noise sources, reflection at the faces and the edges of crystals, gain coefficient, beam aperture, pulse width and fluence of 3, the physics model of tsrs in kdp and kdp crystals acting as high - fluence frequency convector and the paraxial operator maxwell - bloch - langevin equations have been built up
全文共分八章，取得的主要成果及創新點如下： （ 1 ）首次建立了諧波轉換晶體的tsrs物理模型本文根據量子力學原理，在考慮如下物理過程和參量的基礎上：光與物質的雙光子相互作用； stokes光的傍軸衍射； langevin （郎茲萬）噪聲源；晶體表面反射和端面反射；增益系數、光束口徑、脈寬和三倍頻光能量密度，推導出高通量激光在kdp和kd ~ * p諧波轉換晶體中的tsrs物理模型和空間上的近軸算符maxwell - bloch - langevin方程組。This is an entertaining and hilarious film. there we have lots of traditonal japanese monsters appearing in the film. for example, there are 3 eyes monster, umbrella demon, etc., all of them are reproduced vividly
好的地方-此片的妖怪令人聯想起卡通片鬼太郎，什麼三眼怪雨傘怪等，大多都在鬼太郎出現過，不過這也難怪，這些妖怪都是從日本民間傳說留傳下來，兩者的資料搜集來源相信也是大同小異吧了。With the near advent of his death in sha h bei g, li wenlong tells his younger brother erlang in front of the sand river that he eventually " knows what is vigor and fugue " and further realizes that " a pursuit of mastery and art will eventually lead to a sense of self - finding " among which the entertained signification of playing gets the three melodies of sand river, playing and self - awareness to reemerge the development of thematic original tune with the musical forms of starting off, passaggio and change of tune, thus composing one melancholy and appealing tune of " art of vigor. " this essay deems it the key to interpret sha h bei g and have a glimpse of qi deng sheng ' s views over arts as well as to have a retrospect over the meaning of " art of vigor " betoken by the source of artistic creation
《沙河悲歌》中，李文龍在死亡臨近前，在沙河前告訴其弟二郎，他終于懂得什麼是生活和賦格，並領悟：追求技藝藝術到最後會轉來發現自我，其中所賦予的吹奏之義，讓沙河、吹奏與自我的三股旋律，以音樂曲式的：出發、轉調、變調而再現主題原調之發展，譜就了一曲悲愴而動人的生命藝術性之歌，本文以為這是解讀《沙河悲歌》 ，與七等生對藝術看法的重要關鍵，更是對藝術創作所觸及的生命藝術性本源之反思。
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