無光釉 的英文怎麼說
中文拼音 [wúguāngyòu]
無光釉
英文
mat glaze-
Section two the evaluation of biocompatibility of the acellular dermal matrix by the method of cell culture. the new born rat ' s epdermic cells were cultured with the acellular dermal matrix together as experiment group, while the epdermic cell were cultured simply as control. 24 hours later, under the invert microscope, the epidermic cells anchored well and transparent flat cells were observed in both groups. 7 days later, both cultured cells were taked out and fixed in 95 % ethanol, stained with hematoxylin and were observed under light microscope. many cleaved cells were observed in both groups. during cell culture, no pathogenic microganism was observed. so we considered the acellular dermal matrix was aseptic and had good biocompatibility. section three subdermal implantation of the acellular dermal matrix. 24 rats were used in the experiments. a piece of acellular dermal matrix ( 1. 5 x 1. 5cm2 ) was implanted beneath the dorsum skin flaps of each rat, 1 week, 2 weeks, 3 weeks and 4 weeks after implantation, 6 pieces of acellular dermal matrix were harvested and the size of implanted acellular dermal matrix were measured, the sections were used for he staining and observed under light microscope. the result were as folio wing : 1 - 2 weeks after implantation, the acellular dermal matrix began to adhere to the tissue around and turned red gradually ; 3 - 4weeks after implantation, the acellular dermal matrix adhered closely to the tissue around and could be recognized easily, 1 - 3 weeks after implantation, the size of implanted acellular dermal matrix had no statistical difference ( p > 0. 05 ). 4 weeks after implantation implanted acellular dermal matrix contracted ( p < 0. 05 ). under light microscope, l - 2weeks after implantation, the fibroblast cells infiltrated the acellular dermal matrix and a small amount endothelial cells of vessel and lympho - histiocytic cells infiltrated the acellular dermal matrix. 3 - 4 weeks after implantation, infiltrating blood vessels were evident. so we think that the acellular dermal matrix had low immunological reactions and could induce the infiltration of fibroblast macrophage cell and the endothelial cells of vessel
結果如下：皮下包埋卜周者，無細胞真皮基質漸與周圍組織粘附，顏色由蒼白轉紅；皮下包埋3周者，無細胞真皮基質與周圍組織緊密枯附，盾晰葉辯；術后卜周，包埋的基質面積變化較包埋前無統計學差異o川0引，術后4周包埋的無細胞真皮基質面積較包埋前縮小j刃刀5 ） 。光鏡下術后卜周，宿主的淋巳組織細胞、成纖維細胞浸入生長，釉附在膠原纖維上，少量血管內皮細胞浸入基質；術后34周，無細胞真皮基質內較多的血管形成，故可認為無細胞真皮基質免疫原性低，能誘導宿主的成纖維細胞、巨噬細胞浸入生長，為一種新型的真皮替代物。第四部分無細胞真皮基質與自體斷層皮片復合移棺的研究， sd大鼠10隻，在其背部卜方造成全厚皮膚缺損的創面The imported transparent glaze fired at lower temperature was analysed semi - quantitatively by adopting emission spectroscope. the stripping of lead and cadmium from this transparent glaze fired at lower temperature in ceramic product was determined by atomic absorption spectroscope. the effect of chemical composition on the stripping of lead and cadmium was analysed. upon the author s opinion, the overproof lead stripping from the imported transparent glaze fired at lower temperature can only be settled by adopting lead - free glaze instead of adopting low - lead prescription. the author succeeded in developing an excellent lead - free transparent glaze fired at the lower temperature of 1000 1050. the success is based on an inquiry into the feasibility of using such new agents of fusion as li2o and sro in replacement of pbo ; and on a study of the effects of the contents of sio2 ， al2o3 ， b2o3and other metallic oxides on such performances of glaze as coefficient of linear expansion, fusion temperature and transparency. it is also based on an analysis of coefficient of linear expansion of blank and glaze on an analysis of coefficient of linear expansion of blank and glaze on their correlation ; and on a study of technology for preparing glaze
採用發射光譜儀對進口低溫透明釉進行半定量分析，並用原子吸收光譜儀測定其陶瓷製品的鉛、鎘的溶出量，分析化學成分對鉛、鎘溶出量的影響.結果表明，進口低溫透明釉採用低鉛配方不能解決鉛溶出量的超標問題，只有採用無鉛釉才能解決.探討用氧化鋰和氧化鍶等新型熔劑完全代替氧化鉛的工藝，研究釉料中氧化硅、氧化鋁、氧化硼和各種金屬氧化物的含量，對釉的線膨脹系數、熔融溫度和透明度等性能的影響.分析坯料、釉料的線膨脹系數及其相互關系和釉料制備的工藝，研製出優質的1000 1050低溫無鉛透明釉“ china red ” colouring characteristic is assumes the color to be deep 、 pealike 、 lively ， has more intense stimulating to the vision. in traditional chinese culture, red has represented the jubilation, happiness and propitious etc, has riches and honor propitious meaning. once had sent out the dazzling ray in chinaware history, because burns difficultly, its precious technique once lost in the historical dense fog, the red porcelain take the chinese tradition red color as the maincolor, on the scarlet bottle binds there is being fine design which becomescompared to the gold also precious rare metal tantalum burn, the whole artifacts overflows rich and propitious, the red porcelain history is glorious ， contains the excellent artistic foundation of basic skills. is the traditional civilization and the modern science and technology perfect union and it is a valuable thing in contemporary chinaware
「中國紅瓷」色彩絢爛、光亮瑩潤、造型秀麗、雍容典雅，而且基於高溫釉料的獨特技術優勢，可以在表面進行二次加工，配以名家字畫或烤金圖案，富於濃郁的民族特點和喜慶色彩，是高雅藝術與現代高科技的顛峰之作，具有無與倫比的高科技含量、豐富的文化內涵、極高的審美價值及收藏價值，為陶瓷工藝、陶瓷美學開辟了一個嶄新境界，是當今世界陶瓷科技與藝術的頂峰。Culture the color is a kind of spirit, it makes the whole world become abundant colorful. red, the china color, on with red has the indissoluble bond since theancient times. king ' s red plot, represents the dignity ; rich person ' s red plot, represents the wealth to be prosperous ; serviceman ' s red plot, represents the courage, the fighting spirit writer ' s red plot, is symbolizing the spring, the vigor, the love ; common people ' s red plot, represents is being propitious, thejubilation, sense of right
「中國紅瓷」色彩絢爛、光亮瑩潤、造型秀麗、雍容典雅，而且基於高溫釉料的獨特技術優勢，可以在表面進行二次加工，配以名家字畫或烤金圖案，富於濃郁的民族特點和喜慶色彩，是高雅藝術與現代高科技的顛峰之作，具有無與倫比的高科技含量、豐富的文化內涵、極高的審美價值及收藏價值，為陶瓷工藝、陶瓷美學開辟了一個嶄新境界，是當今世界陶瓷科技與藝術的頂峰。Abstract : factors causing white matt glaze dust adherence in fast firing were analyzed, the solution was suggested
文摘:通過試驗確定快燒高白無光釉面吸臟的原因，分析其解決的辦法。Abstract : this paper provides discussion on the definition, mechanism, classification, preparation, firing of mat glaze as well as the batch relation among pigment, opacifying agent and basic glaze, including some individual comments on the judgement of the quality of mat glaze
文摘:本文就陶瓷無光釉的定義、機理、分類、制備方法、燒成條件、色料、乳濁劑與基礎釉的相互匹配等問題進行了討論，並就無光釉無光程度的評定等問題闡述了一些個人觀點。分享友人