無色界 的英文怎麼說
中文拼音 [wúshǎijiè]
無色界
英文
arupadhatu-
I would thou couldst ; for who would bear the whips and scorns of time, the oppressor s wrong, the proud man s contumely, the law s delay, and the quietus which his pangs might take, in the dead waste and middle of the night, when churchyards yawn in customary suits of solemn black, but that the undiscovered country from whose bourne no traveler returns, breathes forth contagion on the world, and thus the native hue of resolution, like the poor cat i the adage, is sicklied o er with care, and all the clouds that lowered o er our housetops, with this regard their currents turn awry, and lose the name of action
但願您做得到誰願忍受人世的鞭撻和嘲弄，壓迫者的虐待，傲慢者的凌辱，法律的拖延，和痛苦可能帶來的解脫，在這夜半死寂的荒涼里，墓穴洞開，禮俗的黑色喪服，一片陰森。但是那世人有去無還的冥界，正向人間噴出毒氣陣陣，因此那剛毅的本色，象古語所說的那隻可憐的小貓，就被煩惱蒙上了一層病容，一切壓在我們屋頂上的陰雲，因此改變了漂浮的方向，失去了行動的力量。那正是功德無量。Life is only a very dull and ill - directed theatre unless we have some interests in the piece ; and to those who have neither art nor science, the world is a mere arrangement of colours, or a rough footway where they may very well break their shins
若不是我們擁有那麼一點興趣，生活只是一出失敗且了無生趣的戲劇；對那些既不喜歡藝術又不喜歡科學的人，世界純粹只是一片色彩的拼湊，或者是一條崎嶇不平的小路，總讓他們摔傷骨頭。The musical selection which punctuates this film ( a film which otherwise unfolds in the intimacy of near - silence ) suggest the inner dynamics of invisible operas which are playing out in the interior lives of the nominally inexpressive characters, silent people whose hidden feelings run deep
這些音樂強調了片中幾乎無聲的角色們的深層內心世界，將看似無表情的角色們內心中看不見的戲劇表現出來，安靜的人總是暗藏許多思緒。All other scenes of earth - even that village of rural england, where happy infancy and stainless maidenhood seemed yet to be in her mother s keeping, like garments put off long ago - were foreign to her, in comparison
世界上別的景色，甚至包括她度過幸福的童年和無暇的少女時期的英格蘭鄉村象是早巳換下的衣服，交給她母親去保管了，相比之下，那些地方在她眼裡那是它鄉異地了。To the modern listener, the failure of the paris critics to acknowledge the memorability of this most tuneful of operas, its brilliant orchestration and striking originality, suggests ignorance, malevolence or both
對于現代人來說，巴黎批評界對這部旋律優美、配器出色、創意驚人的歌劇的大肆貶低說明了他們的無知和惡意。Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版Watch, in appreciative awe, as a chinese groom and japanese bride create a loving " kung - fu family feud " with one nipponese expert after another testing the skills of gordon liu chia - hui - with swords, spears, pikes, karate, and even sai seui. the result is a dazzling delight
一次弓子一氣間回日本娘家，滔在父安排下，企圖以激將法騙弓子回國比武，怎知此信被武野三藏倉田保昭飾看到，惹來日本武術界各派高手到中國挑戰滔，面對七大高手，滔亳無懼色Although she was nourished in the loving care of her porpor ' s understanding the need to be independent, to explore, to travel, she had to transcend granny ' s parochialism that is, politically incorrect racial attitudes to be colour - blind and to see people as they are
雖然她在婆婆無微不至的愛護和諒解中成長「我需要獨立探索週遊世界各地」 ，但她也要超越婆婆的狹隘思想即不正確的種族觀念，做一個「色盲」的人，以個人的素質來判斷他人。Although she was nourished in the loving care of her porpor ' s understanding ( " the need to be independent, to explore, to travel " ), she had to transcend granny ' s parochialism ( that is, politicallyincorrect racial attitudes ) to be " colour - blind " and to see people as they are
雖然她在婆婆無微不至的愛護和諒解中成長（ 「我需要獨立、探索、週遊世界各地」 ） ，但她也要超越婆婆的狹隘思想（即不正確的種族觀念） ，做一個「色盲」的人，以個人的素質來判斷他人。Although she was nourished in the loving care of her granny ' s understanding ( " the need to be independent, to explore, to travel all over the world " ), she had to transcend granny ' s parochialism ( that is, politically incorrect racial attitudes ) to be " color - blind " and to see people as they are
雖然她在婆婆無微不至的愛護和諒解中成長（ 「我需要獨立、探索、週遊世界各地」 ） ，但她也要超越婆婆的狹隘思想（即不正確的種族觀念） ，做一個「色盲」的人，以個人的素質來判斷他人。To realize this great selfish ambition, cultural and educational elite drastically criticized xikun scholars who held important political and educational positions but advocated poetic pursuit to escape from political dangers, and posed many models of educational discursive practice to control, better, and cultivate the full - of - desire societal life being neglected and thrown out of the academic sight by xikun school : firstly, in the early period, fan zhongyan and his followers, sun fu, and shi jie, et al., believed that confucian principles could be used to reform political, and educational institutions and improve society ; secondly, after fan, wanganshi, being treated as cultural rebel by other traditional moralists and politic competitors, did a failure of national wide educational and political reforms to cultivate financial talents, based on his coarse economics knowledge about how to enrich the central government ; thirdly, ou yangxiu and su shi focused attention on reform the highly rigidified literature and art education system at that time according to their cultural ideal that everybody has the right to express what his daily life, emotions and dreams, which could be seen as an irony by the fact that only themselves " life and feeling could enter into their literature and art education kingdom, while those who described lowly people " s experience, such as liu yong " s sentimental assays written specially for female performers and even the prostitutes, had to suffer from exclusion
但是，在十一世紀的文教空間中，真正值得考古學注意的知識是由理學家發明的，這不光因為，正是理學（而不是范學、王學、蘇學等這些在當時權力更大的知識）日後成了支配中國文教社會生活的權力，更是由於在十一世紀的文教界，只有理學家從一種最抽象的視角，認為十一世紀喧囂混亂的世俗生活及其基本的教化問題，無論多麼復雜，都可以歸結為人身上的理性與慾望之間的斗爭。就「哲學」能力而言，在渴望成聖、平天下的文教精英當中，理學家無疑是最出色的，他們能夠想到從「人」的結構出發，來認識世間紛繁復雜的現象，因而只需靜坐一處沉思人本身的秘密，而不必象王安石等人那樣認為到各地去調查，才可以摸清世間的狀況與問題。尤其不可思儀的是，他們的知識竟來源於看上去對教化世俗並不感興趣、只想追求長生不老的道士。Every element of the picture was perfect : the grandfather in his plain work clothes, his white hair backlighted by sunshine, the child ' s form wrapped in the sheet, the atmosphere of the simple home suggested by black iron trivets and world ' s fair souvenir plates on the walls flanking the window
這張照片的每個細節都將完美無缺：祖父穿著樸素的工作服，陽光從後面照射著他的白發，孩子的軀體裹在白床單里，那個黑色的金屬支鍋架和掛著窗戶兩側墻上的那些在世界博覽會上買的裝飾盤烘托出了這間簡樸的房間里的氣氛。The real issue is why does so much of the world offer unquestioning support for hizbullah and unconditionally condemn israel
問題是為什麼世界上有那麼多對真主黨不問是非的支持和對以色無條件的列譴責？C. characteristics of the voluntary service provided by the smchia
叄清海無上師世界會志願服務工作的特色If the only element in a borderless table cell was a non - breaking space tag nbsp ; in a table with a specified background color, frontpage editor would strip out the
一個有背景顏色的表格中，如果無邊界的單元格中的唯一元素是不可中斷空格標記「 nbsp ; 」 ， frontpage編輯器會刪除這個空格。Color - line : any discrimination based simply on race or color is barbarous, we care not how hallowed it be by custom, expediency or prejudice
膚色界線：只是由於種族或膚色不同而加以歧視，這是野蠻行徑，無論習俗、權術和偏見如何使之神聖化，我們全然不管。In shatin where you will meet faculty and students from 45 countries and regions outside hong kongtruly a global community in miniature epitomizing our belief in education without borders
，欣賞個中的山光水色，並與來自全球四十多個國家和地區的師生切磋交流，親身體驗教育無疆界的實況。As you settle into these more formless states, it ' s important that you not lose sight of your purpose in tuning into them
隨著你在這些無色界層次定駐下來，重要的是不要迷失自己進入其中的目的。Burns down the islet has four lakes in various, and it maintenes island characteristic, melts the nature and the ecology, has the high culture and education personal status person and the animal non - boundary exchange pu environmental protection ecology paradise
火燒嶼有大小四個內湖，是一個保持海島特色，融自然與生態，有較高文化教育品位的人與動物無邊界交流的普環保型的生態樂園。This world is different from the paradise in heaven, which is an intangible world with no form or discrimination
那裡是一個無形無色無分別的世界。分享友人