福樓拜 的英文怎麼說
中文拼音 [fúlóubài]
福樓拜
英文
gustave flaubert-
He doesn ' t think that flaubert ' s just a mere chien
他沒有把福樓拜僅僅當作一隻狗Yves is marvelous and he walks flaubert
伊夫很能幹，他還帶福樓拜去遛達You ' re going to be spending the whole summer looking for le motjuste, as flaubert says. oh
你會像福樓拜說的那樣，用整個夏天的時間去尋找最恰當的表達方式-哦Stories are told of scrupulous writers, like flaubert, who spent days trying to get one or two sentences exactly right
有許多嚴謹認真的作家的逸事，像福樓拜，會花費很多天嘗試使一兩個句子準確無誤。Gustave flaubert （ 1821 - 1880 ）, french novelist, was a master of realism in fiction. his major works include madame bovary ( 1857 ), the temptation of st. anthony ( 1874 )
法國小說家吉斯塔夫?福樓拜（ 1821 - 1880 ）是現實主義寫作大師。他的主要作品包括《包法利夫人》 （ 1857年）和《聖?安東尼的誘惑》 （ 1874年）等。This article discusses french famous writer, flaubert ' s powerful political motivation reflected by his uncharitable attacking ugly social realities of french when creating the novel madame bovary
摘要本文討論的是法國著名作家福樓拜在創作長篇小說《包法利夫人》時，對法國丑惡的社會現實進行了無情的抨擊，從而折射出作者強烈的政治動機。Flaubert is a writer who served as a link between past and future, whose exploration in the art of fiction is reflected in his works ' style and narrative first, objective presentation and cool narrative ; second, limited point of view and transformable point of view ; third, the decrement of plot and the prose style
摘要作為從傳統走向現代這樣一個承前啟后的作家，福樓拜對小說藝術的開拓在文體和敘事方面主要表現在3個方面：一、客觀的呈示與冷峻的敘述：二、有限視角與視角轉換；三、情節的淡化與散文化文體。The preface, is greatly touched, " writer of fiction ' s duty is makesevery effort from the work to vanish " although is flaubert ' s language, but likes milan elder brother germany pulls is recording like thisand implements has several people, also some several authors cancompare favorably with with it, now pursued the version to spend inparticular the time, the scholar has been short, not only was becausethis was the cultural fast food time
序言，就深受感動， 「小說家的任務就是力求從作品後面消失」盡管是福樓拜的語言，但像米蘭.昆德拉這樣記著並實施的有幾人，又有幾個作者能和其媲美，尤其是現在追求版費時代，讀書人少了，不僅是因為這是個文化快餐時代。Their respective works, namely, a winter in the hills, waterland and flaubert ' s parrot, may well be looked upon as three fragments, but they all belong to a history of query into the narrative of " progress ", a history which can be traced to the efforts made by such 19th century novelists as dickens
他們分別創作的《山裡的冬天》 、 《窪地》和《福樓拜的鸚鵡》也許只能被看作三個碎片，但是它們共同屬於一部針對「進步」話語的推敲史，一部從19世紀延續下來的推敲史。分享友人