秦腔 的英文怎麼說
中文拼音 [qínqiāng]
秦腔
英文
shaanxi opera, popular in the northwestern provinces-
With a sweet singing tone reflective of the gentility and refinement of the culture of southern china, the gaohu is a chief instrument used in the accompaniment of cantonese opera, where the performance style is highly ornamented
中音板胡的面板比高音板胡的稍大，音色渾厚，多用於秦腔， ?鄂及隴劇等，也用於獨奏和合奏中。Many local people go there, doing exercises, drinking tea, singing qinqiang or playing chess
早晨和傍晚都有許多西安人在那裡做運動或者喝茶、唱秦腔、下棋。At the crossing of the 21th century, the three famous authors in the contemporary literature field all selected the un - normal perspective narrate, the block - head young master in the a - lai ' s novel of " the dust falling to the ground ", the madman in jia - pingwa ' s novel of " shanxi opera ", the moving soul in the shi - tiesheng ' s novel of " the journey of my dingyi ", selecting the perspective inherited luxun ' s tradition in " the diary of the madman ", it is a reference from the west and latin america ' s modern expression skill, it is making great efforts when they face the dilemma under the new situation
摘要世紀之交，當代文壇頗具影響力的三位作家不謀而合地選擇了非常態視角敘事，阿來《塵埃落定》中的傻子少爺，賈平凹《秦腔》中的瘋子引生，史鐵生《我的丁一之旅》中的行魂，這一敘事視角的選取既是對源自魯迅《狂人日記》中「狂人」傳統的承續，也是對西方、拉美等文學現代表現技巧的借鑒，更是新的歷史條件下敘述面臨困境時的創新努力。By analyzing " qin qiang " by jia ping - wa and " brother " by yu hua, two influential novels in china, the tendencies of novel composition since the new century are discussed. " qin qiang " is a " simulated realism " novel, in which society, nature, and life itself are simulated, while " brother " is a " mysterious realism " novel, in which exaggerated and mysterious devices are employed
摘要本文通過對賈平凹的《秦腔》和余華的《兄弟》這兩部較有影響的長篇小說的具體分析來探討新世紀以來長篇小說的創作趨向，在這兩部有標志性的作品中， 《秦腔》可以稱做是一種模擬社會、模擬自然、模擬生活本來面目「法自然的現實主義」 ； 《兄弟》是以誇張和怪誕的手法創作的怪誕的現實主義。分享友人