節奏音量 的英文怎麼說
中文拼音 [jiézòuyīnliáng]
節奏音量
英文
rhythm volume-
The rival parties took stock of each other amid a silence broken only by the measured trot of the horses
馬匹有節奏的疾走的聲音打破了沉靜,車上的人與車下的人互相打量著。In 2000, destiny s child had three 1 records on the billboard hot 100 : " bills, bills, bills, " say my name, " and " independent women part i. " at the end of november 2000, during its fourth straight week at 1 on the billboard hot 100 chart, destiny s child s " independent women part i " also reached the largest audience 140. 4 million listeners in the history of monitored airplay, breaking the record set in may 1999 by tlc s " no scrubs.
此輯中不僅收錄了independent women part 1這首為電影霹靂嬌娃所量身打造一舉拿下全美單曲排行11周冠軍的超級單曲,還有僅以超強的點播人氣便強勢挺進全美流行單曲榜亞軍席次的2001年首支全新單曲survivor ,以及節奏俏皮好比卡通配樂的independent women part 2 ,展現優美和音的emotion ,取樣80年代紅透全球的歐式舞曲名作tarzan boy的nasty girl ,將多首經典福音歌曲重新詮釋而成的gospel medley 。Mixed with hardcore, metal, indie, acid, progressive rock and noise, the cyberne ' s music is somewhat pioneer but simple, emphasizing original beat and animal brutal instinct
融和了硬核、金屬、另類、迷幻、前進搖滾、噪音的風格.常用變拍,結構先鋒的歌曲和殘暴的音量,但是不太復雜,強調比較原始的節奏而且有動物性的聲音。This is just a method for using to passing 16 bits 44. 1s khz passage compressing more musics within many hdcd technique, look like technique read with the strong scope of 16 bits coding. that system at used the process to inside expressed extreme of excellent technique, also reflected a personal sense of hearing, recording, electronics design with figures number coming of modern ear that handle. the graveness that hdcd technique is a figures stereo set leaps. the easy to do compares a mother for using the hdcd plait the solution code to take with a tradition of 16 mother that bits 44. 1s khz the edition take, and the hdcd can get the resolution of more detailses ; the restoring of tone color is too more accurate ; the high part is more smooth, and also little the trace of the many artificial ; more wide and dynamic scope ; big development with complicated chapter more contain clarity ; field of more wide voice ; when the musical instrument of the other and big volume give musical performance, can more goodly the hear the small volume musical instrument deeply thought to deduce. even we expect already a long time of the cd system type of the high quality way for a life time empress, 16 bits 44. 1s khz system type cd will still very longly a period of time inside can t withdrawing the music satge, because hdcd system providing first kind from the cd format obtaining bestly music
Hdcd技術是數碼音響的重大飛躍。輕易比較一個用hdcd編解碼的母帶和一個傳統的16bit 44 . 1khz版本的母帶, hdcd可以得到更多的細節解析度音色的還原也更加準確高音部分更加平滑,也少了許多人工的痕跡更寬的動態范圍大動態和復雜的章節更有透明度更寬廣的聲場當其他大音量的樂器演奏時,可以更好地聆聽小音量樂器的精微演繹。即使我們期盼已久的超高音質的cd制式面世后, 16bit 44 . 1khz制式cd仍將很長一段時間內不會退出音樂舞臺,因為hdcd系統提供了一種從cd格式里獲取最好音樂的方式。Once again i think of williams, who without any formal means save line breaks and ( sometimes ) a normal number of stresses per line can make you sure of his tone, his emphases and the urgent rhythms of his voice
這又讓我想起威廉斯,他用非常規的方式為詩行保留一些停頓和(有時候)正常數量的重音,使你能確切感受到他的語氣,他的著重點和語音的急促節奏。In detroit, motown concentrated on creating a pop - oriented sound that was informed equally by gospel, r & b, and rock & roll
在底特律,摩城唱片則專注于製作包含均衡份量的福音,節奏與布魯斯和搖滾樂元素的流行之聲。Fed up with the insipid disco of the times, youth who were short on money but rich in ingenuity created a new, dynamic art form : verbally competing and chronicling life in the ghetto by rapping poetry over a beat
那些口袋空空卻富於創新的年輕人,厭倦了當時流行的乏味的迪斯科音樂,便創造出了一種新的動感十足的藝術形式:通過配合節奏念詞的方式,在言辭上相互較量,並且記錄了貧民區的生活。Conrad king, consultant psychologist to the foundation, said : " it is important that drivers choose their music carefully when driving, as up - tempo music has been shown to cause drivers to have double the amount of accidents as those listening to slower music
該基金會的心理學顧問康拉德金說: 「駕車時認真挑選音樂極為重要。因為選擇聽快節奏音樂的司機發生交通事故的數量比聽節奏較慢音樂的司機高兩倍。Starting from the basic concept for the production of musical sound, the essay reduces the sound to its single tone, analyzes the common origins of pitch, rhythm and volume on the deeper level, and thereby derives the potential of the transformation among the three, revealing the truth in the art of music that the whole is not equal to the simple addition of all individuals
本文從音樂音響產生的基本概念入手,將音響還原到單音狀態,分析了音高、節奏、音量在深層次上的共同根源,並以此推導出三者存在相互轉化的可能,從而揭示在音樂藝術中整體並不等同於單個個體的簡單相加,而二度創作空間從單音的發音到分句的劃分也同樣存在無窮的可能,也由此決定了人的感性參與的重要意義,它們的創作空間是主客觀的共同作用。分享友人