群眾歌曲 的英文怎麼說

中文拼音 [qúnzhòng]
群眾歌曲 英文
mass song
  • : Ⅰ名詞(聚在一起的人或物) crowd; group Ⅱ量詞(用於成群的人或物) group; herd; flock
  • : Ⅰ形容詞(許多) many; numerous; a lot of Ⅱ名詞(許多人) multitude; crowd; the masses
  • : Ⅰ名詞(歌曲) song Ⅱ動詞(唱) sing
  • : 曲名詞1 (一種韻文形式) qu a type of verse for singing which emerged in the southern song and ji...
  • 群眾 : the masses; general public; the common people
  • 歌曲 : song; vocal
  1. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩與壓抑》四部的形式相繼提出的、具有爆炸性的"詩理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻,並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩的復興者,詩理論家以及面向大的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義詩的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部的形式相繼問世的"詩理論" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者.他為普通大所寫的文學批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆正全力寫作《影響的解剖》一書,將於2008年由普林斯頓大學出版社出版
  2. He can make his presence so adaptable, whether as a front man, sideman or member of a group : when he is backing, his guitar can be just an anonymous filler, stepping in here and there to enrich the song and the music ; but when he is in the fore, he explodes onto the scene with his amazing presence before whatever stellar combination he is playing at the time, each guitar note clinking with crystalline clarity, and phrases beautifully and effervescently delivered

    他的結他彈奏常隱藏於樂手的演奏當中,變作其中一個小分子,不斷填補各樂手的空間,豐富、樂本身;但當輪到他獨立演出時,又可鮮明地跳脫活現于雄之前,結他音色雕琢得晶瑩剔透,樂句優美亮麗。他無論擔任伴奏抑獨當一面的個人演奏,均令聽者動容!是一位震撼人心的結他怪傑。
  3. A posse of dublin metropolitan police superintended by the chief commissioner in person maintained order in the vast throng for whom the york street brass and reed band whiled away the intervening time by admirably rendering on their black draped instruments the matchless melody endeared to us from the cradle by speranza s plaintive muse

    約克街的銅管樂隊和簧管樂隊用纏了黑紗的樂器出色地演奏出我們從搖籃里就愛上的那支由於斯佩蘭扎的哀戚詞187而最為動人的調。這樣,使得以消磨一下大會開始前的這段時間。
  4. At the “ voices of xinghai ” large - scale chorus concert grandly held at the city sports centre on september 22, 4000 people sang together the yellow river chorus, hence the most massive collective show in zhuhai history

    "星海之聲"萬會大型音樂會22日在體育中心隆重上演,其中4000合唱了《黃河大合唱》等,使之成為了珠海歷來規模最大的演出盛會。
  5. Is one of the most spectacular, most successful and most frequently performed italian operas in the world. distinguished by its expansive and poignant music, it demonstrates the great composer s genius in moving from the subtle characterization of individual roles to the magnificent crowd scenes, from intimate emotions to dramatic climaxes and back again to personal passions and fulfillment. in celebration of the 10

    威爾第的不朽劇《阿伊達》 ,是義大利劇史上規模最恢宏、最成功、在世界各地上演不輟的經典劇目之一,音樂華麗優美而層次豐富,表現出作家洋溢的才情,由最細致的角色塑造到氣勢迫人的場景,從柔情私語到澎湃的戲高潮,都能捕捉劇中人的感情起伏。
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