舞論 的英文怎麼說

中文拼音 [lún]
舞論 英文
natyashastra
  • : Ⅰ名詞1 (舞蹈) dance; dancing 2 (姓氏) a surname Ⅱ動詞1 (舞蹈; 做出舞蹈的動作) dance; move a...
  • : 論名詞(記錄孔子及其門徒的言行的「論語」) the analects of confucius
  1. Finally, all the above theoretical results are applied to the analysis of mellituria ii and monks problems. the conclusion is encouraging after the comparison with home precious machine learning algorithms including id family and aq family

    最後將本文的理結果應用於糖尿病病因分析和monks問題,並且把rs方法與傳統的機器學習演算法id家族和aq家族從理上和實驗上進行了比較,在準確度和規則簡潔度等方面得到了令人鼓的結果。
  2. His two mismatched enthusiasms in those days had been debating and ballroom dancing.

    那時,他有兩個極不相稱的愛好,一是喜歡辯,一是愛跳
  3. In bullfighting, the formal procession into the ring of the players, including the matadors, banderilleros, and horses, that occurs just before the first bull is fought

    當時那公牛正忙著與鬥牛士搏鬥,但是它突然看到了那個醉漢,而那醉漢正在說些粗魯的評話,而且揮著一頂紅色的帽子。
  4. One unskilled american middle manager observed, "it's tough choreographing a ballet when you've been trained as a boxer. "

    一個不熟練的美國中級經理評說:「當你已經被訓練成拳擊家時,是很難設計芭蕾蹈動作的。」
  5. From the inception of the coffeehouse in mecca to the present, customers in caf s tend to talk and read rather than dance, play chess rather than gamble, and listen contemplatively to music rather than sing

    是早先麥加的咖啡館,還是現今的咖啡屋,消費者都更願意在其中閱讀、聊天,而非跳;更願意下棋,而非賭博;更願意安靜地聽音樂,而非唱歌。
  6. Zhao daming is the first - degree state screenwriter of the central political department chorus and the committeeman of dancing theory & learning committee of chinese dancing association

    總政歌團國家一級編劇。中國蹈理學術委員會委員。
  7. Based on the analysis, it is concluded that the congruous contract between the managers and the manipulative stockholders, shielding of the cpas, the banks and the local government, the passive supervision of the government and the defective corporate governing framework set off accounting fraud of listed companies. at last, it introduces six countermeasures which concern law, regulation, institution building and political institution reform

    本文得出結:大股東與經營者的和謀、注冊會計師(會計師事務所) 、銀行和地方政府對上市公司弊者弊行為的包庇、政府監管部門的消極監管和上市公司治理結構的缺陷是引發上市公司會計弊問題的根本原因,並據此從法律、法規、制度建設、政治體制改革等六個方面提出了治理上市公司會計弊的相關建議。
  8. Wilbur : i do care for ballet, whether in performance or degas

    我確實喜歡芭蕾,無是真正的表演還是德加的畫。
  9. Therefore, the significance of the phenomenological method is to get rid of the effect of idealism and realism, and to provide us with a kind of new thought and method, " eidetic reduction " and " transcendental reduction, " in order to rediscover the artistic creation of dance

    對于蹈藝術創作的意義在於卸解觀念與存在的影響,促使創作者在本質還原與先驗還原的情況下,重新探究蹈藝術的形式與內涵。
  10. In this paper, to meet the trend of new elevatory stage, a hydraulic motor driven leading screw elevatory stages were developed

    文針對當今升降臺發展的趨勢和要求,設計開發了採用液壓馬達驅動的絲杠升降臺。
  11. The basic theories to be used for regulation are the public goods of independent audit, externalism, information asymmetry and the defects of audit methods. it is the defect of the system of audit trust and the current situation of accountants fraud that makes the regulation more necessary

    獨立審計的公共物品性、外部性及信息不對稱和審計方法的自身缺陷是對注冊會計師行業進行監管的理基礎,而審計委託制度的內在缺陷和會計弊現象的嚴峻性,使得加強對注冊會計師行業監管尤為必要。
  12. However, reverting to friend sinbad and his horrifying adventures who reminded him a bit of ludwig, alias ledwidge, when he occupied the boards of the gaiety when michael gunn was identified with the management in the flying dutchman, a stupendous success, and his host of admirers came in large numbers, everyone simply flocking to hear him though ships of any sort, phantom or the reverse, on the stage usually fell a bit flat as also did trains, there was nothing intrinsically incompatible about it, he conceded

    當邁克爾網恩經營歡樂劇場時,路德維希主演漂泊的荷蘭人127獲得巨大成功,愛慕他的觀眾蜂擁而至,個個都只是為了聽聽他的聲音。盡管不是不是幽靈船,一旦搬上臺,就跟火車一樣,通常會變得有點兒單調了。他承認那位水手所講的本質上沒有什麼相互矛盾的地方。
  13. On multi - source features of folk dance in southern fujian

    閩南民間蹈的多源性特徵
  14. On the development and prospect of tujia hand - swinging folk dance

    土家族擺手的發展與前瞻
  15. Teaching folk dance : theory and practice

    土風教學:理與實踐
  16. The origin and development of japanese kabuki

    日本歌伎的起源與發展
  17. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩歌批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻,並用蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者,詩歌理家以及面向大眾的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆正全力寫作《影響的解剖》一書,將於2008年由普林斯頓大學出版社出版
  18. He proved his point by exposing malpractices by the directors, but it was a pyrrhic victory because they made him redundant immediately afterwards

    他以揭露董事們利用私權職權營私弊的行為證明他的點,不過那是付出極在代價而得到的勝利,因為后來他們很快就裁減了他。
  19. " extreme " can be meant to describe any of the following traits : music ( whether it ' s intended to be faster, more aggressive, abrasive or " heavier " than other metal styles ), lyrics ( dealing with darker, more salacious or sensational topics and themes ), vocals ( which often use guttural, harsh or abrasive singing ), or appearance and stage demeanor ( using corpse paint, satanic or occult imagery )

    "極端"一詞可形容下列任何一種特質:音樂(不它的用意是為了比其他金屬風格更快,更進取,磨料或"沉" ) ,歌詞(更黑暗,更淫穢或煽情的題材和主題) ,聲樂(經常使用喉嚨,苛刻或磨損的方式來歌唱) ,或形象和臺演繹(用屍體油漆,撒旦或隱匿性意象) 。
  20. With creative and humorous games and tests, fervent singing and dancing, famous talk show emcee na wei running the show and hao yu, the campus singer s sidesplitting " undergraduate s self - study song ", the content and the format of the activity greatly catered for the individualized taste of the q generation nowadays and echoed the romantic festival atmosphere of the valentine s day

    是新奇搞笑的游戲考驗,如火如荼的強歌勁,再加上著名脫口秀主持人那威現場主持,校園歌手郝羽大學生自習曲爆笑助威,從內容還是形式上都最大的迎合了當今q一代的個性化品味,並且與情人節的浪漫節日氣氛遙相呼應,相得益彰。
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