董繼昌 的英文怎麼說
中文拼音 [dǒngjìchāng]
董繼昌
英文
dong jichang-
In the song dynasty monk qing su held jiuhua poets association, and monk xi tan compiled jiuhua collection of poems. many famous poets and artists have visited jiuhua mountain, including li bai, liu yuxi, du mu, mei yaochen, wang anshi, wen tianxiang, tang xianzu, zhang daqian. some of their authentic works of painting and calligraphy remain today, and are preserved in jiuhua museum of buddhism relics
此後劉禹錫杜牧薩都刺梅堯臣王安石周必大文天祥王陽明湯顯祖董其昌袁枚魏源康有為張大千等歷代大詩人文學家畫家相繼來游，留有不少佳作真足跡，有些至今還保存在九華山佛教文物館。The early qing dynasty saw the emergence of a group of artists who focused their efforts on revitalizing the tradition based on the theory of the northern and southern schools of painting advocated by dong qichang ( 1555 - 1636 ) of the late ming dynasty. in his exaltation of the past masters, dong considered the painters of the southern school exemplary models for emulation, and his invocation of orthodoxy and glorification of antiquity laid the foundation for the " six masters " to gain the ascendancy
中國繪畫的發展至清代初期時涌現了一批以仿古為創作核心的畫家，他們主要繼承了明代晚期由董其昌（ 1555 - 1636 ）所提倡的南北宗論，將過去的畫家劃分成兩大陣營，其中奉南宗為繪畫正脈，並以之為仿效對象。The early qing dynasty saw the emergence of a group of artists who focused their efforts on revitalizing the tradition based on the theory of the northern and southern schools of painting advocated by dong qichang 1555 - 1636 of the late ming dynasty. in his exaltation of the past masters, dong considered the painters of the southern school exemplary models for emulation, and his invocation of orthodoxy and glorification of antiquity laid the foundation for the " six masters " to gain the ascendancy
中國繪畫的發展至清代初期時涌現了一批以仿古為創作核心的畫家，他們主要繼承了明代晚期由董其昌1555 - 1636所提倡的南北宗論，將過去的畫家劃分成兩大陣營，其中奉南宗為繪畫正脈，並以之為仿效對象。
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