蒙太奇 的英文怎麼說

中文拼音 [mēngtài]
蒙太奇 英文
[電影] montage
  • : 蒙名詞(蒙古族) the mongol nationality
  • : Ⅰ形容詞1 (極高; 極大) highest; greatest; remotest 2 (極; 最) extreme; most 3 (身分最高或輩分...
  • : 奇Ⅰ形容詞1 (罕見的; 特殊的; 非常的) strange; queer; rare; uncommon; unusual 2 (出人意料的; 令...
  1. One of the experimentation of the experimental drama in contemporary china lies in its filmic tendency, manifests as a narration in scenes, montage structures and visual logic, etc

    電影化傾向是當代中國實驗話劇文體實驗性的一個重要體現,主要表現為電影式的鏡頭化敘事、蒙太奇結構方式和視覺邏輯等。
  2. Montage reading and the database form in hypertext

    。超文本的蒙太奇讀法與資料庫形式。
  3. The exhibition begins with the bold, playful photomontages which were his bridge from painting to photography

    展覽由大膽的蒙太奇成像開始,這是他由繪畫向攝影轉換的橋梁。
  4. She had been aware for some time that the existing reserve fund being used by childers quentin for montagne settlements was almost exhausted.

    她知道,交給蔡爾德斯昆廷去處理蒙太奇案件的現有專門基金已經快用光了。
  5. How does image movement, the once considered “ trivial ” and “ random ” technique sideshow ( montage ) hampering the esthetic process, generate the images of reflections

    運動影像這種一度被認為是妨礙審美過程中「瑣碎的」 「隨意的」技術雜耍(蒙太奇)如何構成思考的畫面?
  6. Application of montage technique for landscape design with wheel ' s syllogism

    語看蒙太奇手法在景觀設計中的應用
  7. One exciting remark i wanted to make is, our editor k. lui, with the help of his friend wilda wong and kima s president jongsuk lee, managed to conduct an exclusive interview with promising actor director ryu seung - wan dir : no blood no tears, die bad

    蒙太奇montage這個詞語有幾個意思。最普遍的就是只電影的剪接。電影剪接分很多種類,有直線式的連續式跳接不連續式。
  8. What zuni s mathias woo and edward lam attempt to do here is to invent a brand new montage on stage, interpreting the ups and downs of a romance, bringing it to an emotional finale

    而胡恩威與林奕華,卻想嘗試在舞臺上創作一種蒙太奇,比電影更細膩地呈現小說中各種迂迴曲折的感情,和蕩氣回腸的結局。
  9. She had been aware for some time that the existing reserve fund being used by childers quentin for montagne settlements was almost exhausted

    她知道,交給蔡爾德斯?昆廷去處理蒙太奇案件的現有專門基金已經快用光了。
  10. Was the last film being screened at the festival. it is one of the latest films of the year, as it was released in korea in july 2002. it features shin ha - gyun and lee yo - won, both are rising new actors in korea

    October -個人認為此片是愛森斯坦的癲峰之作,完完全全把他提倡的intellectualmontage蒙太奇慨念發揮得水銀瀉地,單是看美麗的影像已覺值回票價。
  11. The montage composed patterns used in wen ting - yun ' s ci ( poetic essay ) writings had created a sort of implicative and connotative sense and had expressed the readers a kind of fanatic and inferred aesthetic feeling

    溫庭筠詞作運用的蒙太奇創作手法營造出含蓄悠遠的意境,給讀者帶來迷離隱約的審美感受。
  12. Judging on these criteria, it is why i found it extremely hard to believe how miike could possible persuade the film company and the investors to work on such a commercial project that fails to care about the feeling of the audiences at all. some people may parallel it to say, wong kar wai s movies, that are also incomprehensible to the audiences, but wkw is at least more honest about his own feeling and he is always able to incorporate his genuine emotions into his movies

    不過王家衛的影片總算拍出豐富感情,觀眾能夠感受其意境和內涵,可惜同樣孤芳自賞的三池崇史卻眼高手低,整部戲只給人造作和惺惺作態的感覺,尤其那些歷史片段的蒙太奇和唱歌戲(有點像西片《天生殺人狂》 ,但論意境和效果則差得遠) ,都無法打動觀眾。
  13. Cinespot : 2002 kima film festival

    Cinespot動映地帶:俄國蒙太奇電影理論
  14. Montage thinking which is the art thinking of the human being

    作為人類藝術思維方式的蒙太奇思維
  15. A narrow view upon the intellectual montage theory of s. eisenstein

    管窺愛森斯坦的理性蒙太奇理論
  16. There would also be a makeover montage,

    還應該加上些蒙太奇特效
  17. The cultural montage of the fiction time

    小說時間的文化蒙太奇
  18. It was absolutely the most popular film of the festival

    但是他對于蒙太奇的意念則和愛森斯坦不同。
  19. After watching three films in a row, k. lui and i were both exhausted

    在他眼中,蒙太奇不是沖突,而是連接。
  20. After watching three films in a row, k. lui and i were both exhausted. what we thought was that, it would be nice if kima could schedule the screening a little earlier and made the interval in between longer, especially the interval between the first and the second screening, so that people could have time to go for dinner

    在他眼中,蒙太奇不是沖突,而是連接。他認為電影不是拍出來的,而是從逐格逐格的片段或畫面組合而成的。如果要電影產生意思,必須在組合上做到連接作用,而非相互沖突。
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