蔣孔陽 的英文怎麼說

中文拼音 [jiǎngkǒngyáng]
蔣孔陽 英文
jiang kongyang
  • : 名詞1. (古國名) jiang, a state in the zhou dynasty2. (姓氏) a surname
  • : Ⅰ名詞1 (太陽; 日光) the sun 2 (山的南面; 水的北面) south of a hill or north of a river 3 (中...
  1. Are animals passive and disable forever before nature - a comment on the kind of representational concept of animal by mr. jiang kongyang and the practical aesthetics school

    蔣孔陽及實踐美學派的一種有代表性的動物觀
  2. A newly understanding of jiang kongyang ' s theory of aesthetic relations

    蔣孔陽審美關系說的現代解讀
  3. Positive proof of labor practice and targets for aesthetics an interpretation of mr. jiang kongyang ' s exposition about the rules of aesthetics

    解讀蔣孔陽先生關於美的規律的論述
  4. The new practical - creative aesthetics stresses the relationship between man and reality in regard to aesthetic objects, the constant creation of beauty in regard to aesthetic essence, the contradictory unity on multi - levels in regard to aesthetic perception, and the revelation of the historical shift of positions of beauty and ugliness in regard to the form of beauty

    蔣孔陽的新實踐創造美學主要在美學對象上突出人對現實的審美關系、在美的本質上強調美在恆新恆異的創造中,在美感上著重多層次的矛盾統一,在美的形態上揭示了美與丑在歷史發展中的地位轉化。
  5. The 1990s witnessed a great leap in jiang kongyang ' s aesthetic thoughts, which not only insisted on the creative aesthetics of marxist practical materialism and promoted the development of practical aesthetics, but also practically and realistically probed into aesthetics with multi - approaches and on multi - levels so as to construct the latest form of practical - creative aesthetics mainly manifested in his new aesthetic thoughts

    摘要蔣孔陽美學思想在20世紀90年代產生了飛躍性的發展,既堅持了馬克思主義敏實踐唯物主義的創造美學,推動實踐美學走向一個新的階段,又實事求是,多角度、多層次、開放性地探討美學問題,建構了最新形態的新實踐創造美學,這集中地表現在他的《美學新論》一書中。
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