藝術的表現手法 的英文怎麼說
中文拼音 [yìshùdebiǎoxiànshǒufǎ]
藝術的表現手法
英文
means of artistic expression trickgimmick- 藝 : Ⅰ名詞1 (技能; 技術) skill 2 (藝術) art 3 [書面語] (準則) norm; standard; criterion4 [書面語...
- 術 : 術名詞1. (技藝; 技術; 學術) art; skill; technique 2. (方法; 策略) method; tactics 3. (姓氏) a surname
- 的 : 4次方是 The fourth power of 2 is direction
- 表 : Ⅰ名詞1 (外面;外表) outside; surface; external 2 (中表親戚) the relationship between the child...
- 現 : Ⅰ名詞1 (現在; 此刻) present; now; current; existing 2 (現款) cash; ready money Ⅱ副詞(臨時; ...
- 手 : Ⅰ名詞1 (人體上肢前端能拿東西的部分) hand 2 (擅長某種技能的人或做某種事的人) a person doing or...
- 法 : Ⅰ名詞1 (由國家制定或認可的行為規則的總稱) law 2 (方法; 方式) way; method; mode; means 3 (標...
- 藝術 : 1. (文藝) art 2. (富有創造性的方法) skill; art; craft 3. (形狀獨特而美觀的) conforming to good taste
- 表現 : 1 (所顯露的行為或作風等) expression; representation; manifestation; show; behaviour; conduct 2 ...
-
Types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological characteristics, and using this to the entire drama circumstances, but later types of facial makeup in operas by kan to complex, from rough to the small, youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts
臉譜最初的作用,只是誇大劇中角色的五官部位和面部的紋理,用誇張的手法表現劇中人的性格、心理和生理上的特徵,以此來為整個戲劇的情節服務,可是發展到后來,臉譜由簡到繁、由粗到細、由表及裡、由淺到深,本身就逐漸成為一種具有民族特色的、以人的面部為表現手段的圖案藝術了。Mr richardson returns again and again to the concept of “ gigantism ” ? the disproportionate enlargement of limbs and other body parts for greater expressive and psychological effect ? which gave picasso ' s own classicism an ironic edge
理查森先生一次又一次重新領略了藝術家作品中的「巨大化」手法? ?這是一種通過無比例地對人的四肢與身體的其它部位進行巨大化的手法,從而達到更強的表現力與震撼心理的效果? ?這種手法也讓畢加索自己的古典風格有了諷刺意味的優勢。When confronting the same object the country, contemporary writers usually present a very colorful landscape of the country owing to different perspectives, positions, worldviews and therefore with different states of mind, tastes, opinions and artistic methods
摘要當代作家在面對同一有待言說的客體「鄉村」時,往往因為視野不同、立場不同、世界觀不同,以至心境、趣味以及藝術見解、藝術表現手法的不同,而在各自的創作中呈現出多姿多彩的鄉村景觀。Woodcut integration with the traditional folk art forms, seals as a symbol of expression embodied integrity by connaught, sustainable management also shows fruits and vegetables, goods based on north - south road, with the local ethnic characteristics
以木刻版畫的傳統藝術形式融合方形印章作為標志表現手法,體現誠信守諾,永續經營,同時體現乾果、南北貨取材地道,具有民族地方特色。The high technique of the artistic expression in music in the han dynasty enriches that of the works of hanfu
漢代音樂文化的高度發達,為漢賦提供了豐富的創作題材;音樂表現技巧的高超,也刺激了漢賦藝術表現手法的豐富和藝術表現技巧的進步。This artiele tries to find out the tifferences by comparison between china ' s art of lettering of the time and the seal cutting in the ming and qing dynasties in china from the two aspects of artistic subject and creatine ranks, and then from the same abjeet of expression ( chinese characters ), from the same, technique of expression ( cutting cutting ), eraws experience and lessons from the art of seal cutting ( especially the seals of scholars in the ming and qing dynasties ) which was similarly deeplhy rooted in china and closely connected with tradition, so as to make a research on its location and orientation and promote sound development of the art of lettering of the time
摘要本文試圖從藝術本體、創作隊伍兩方面尋找中國當代刻字藝術與中國(明清)篆刻藝術相比較差距,進而從同一表現對象(中國漢字方塊字) 、同一表現手法(刻)和同樣紮根在中華大地上的、與傳統接軌的篆刻藝術(特別是明清文人印)那裡汲取經驗教訓,促使當代刻字藝術健康成長,作出定位、定向研究。On the paper - cutting ' s means of expression and its decorative aesthetic features
試談剪紙藝術的表現手法和裝飾審美特徵On the artistic expression of o henry ' s short stories
亨利作品的藝術表現手法Artistic approach of the sound and the fury
的藝術表現手法Master says that musicians and artists are half - saints. at the concert, the beautiful notes written by the composer touched the heartstrings of man, who also directed scores of other musicians in harmonious and rhythmic play. the wholeness of master s works was beautifully and smoothly expressed by a team of musicians demonstrating complete command over each note and bringing the atmosphere to a climactic peak
音樂家藝術家們,我們說是半個聖人,將炫麗的音符,以扣人心弦的手法鋪設出來,又能指揮幾十個演奏高手,如行雲流水般的揮灑自在,無論高低起伏遠彈近撥輕敲重擊收放自如一氣呵成,整體的演奏整套的樂章皆在合一的境界下漂亮的表現出來,使現場的氣氛達到最高點!This paper discusses the artistic connotation from the musical vision such as utilization of rest, the grasp of speed and intensity and the change of rhythm in bai juyi ' s " the song of pipa "
《琵琶行》對音樂特性的表現和描摹在聽覺轉化為視覺,塑造音樂形象上使之可感可視,尤其是在把握休止符,在音樂速度、力度及節奏轉換等音樂手法的刻畫上顯示出作者高超的藝術功力。Chooses the best angle is the cameramen seeks the beautiful artistic method, also is cameramen ' s thoughts and feelings expression means
選擇最佳角度是攝影者尋找美的藝術手段,也是攝影者的思想感情的表現手法。From the aspects of theme, language, expression means, this paper appreciates the li qingzhao ' s poems ' art, which is natural language, the exquisite and straightforward sentiment, the image contains reposing, the artistic conception is pithy and profoundly
摘要本文從題材、語言、表現手法等方面賞析了李清照詞語言清新自然、感情細膩率直、形象多含寄託、意境含蓄深遠的抒情藝術。This paper is intended to discussion mainly focusing on the six points : the space layout of the garden ; the environmental design, exemplified nature and architecture, the outer and interior decorations in the overall composition ; the guiding principle of gardening, propagating the philosophical view of the confusions " marriage of the soul with nature " ; the dialectical thoughts value added to principle elements of gardens, such as inspired by nature, suitable measurement to local condition, showing and hiding, density and spacing, far and near, ideology guiding practice. . the gardening elements of unity and coherence of space which is mutually penetrated ; the gardening elements of space alignment, such as " views echo with one another, scenes appear at every turn " generally, from the angle of space designing, the paper is trying to provide materials data for understanding and studying for suzhou classical gardens, their imagination - inspiring atmosphere, superb artistry, rich cultural contents as well as gardening artistic characteristics
蘇州園林作為一門空間藝術具有獨特的魅力,作為文化載體,它積淀了豐厚的文化底蘊。本文主要就其庭院式的空間布局,建築與自然、室內與室外融為一體的環境設計;充滿人文精神的中國儒道「天人合一」的造園思想;因地置宜、順應自然、藏露疏密、虛實遠近、變化統一的辯證思維;相互滲透的空間層次,步移景移的時空間序列的表現手法等問題進行闡述。力求從蘇州園林空間設計的一個側面,去揭示其藝術的特徵、文化的內涵、造園的藝術規律。The developmental history and the art exhibition of bamboo in china traditional culture and classical garden were analyzed and the result showed that not only bamboo had influenced deeply all aspects of china, such as letter, science and technology, an and life, but also been upgraded to become the symbol of china national trait and art spirit
通過對竹子在中國傳統文化和古典園林中的發展歷史及其藝術表現手法的分析,表明竹子不僅深刻影響了中國的文字、科技、文藝、日常生活,且升華為中華民族品格和美學精神的象徵。A style that breaks with traditional art forms and searches for new modes of expression
一種新的、脫離傳統藝術手法的表現形式。The exhibition features nine artists who are dealing with the theme in painting, photograph, motion image, sculpture, installation and various other methods
在這次展覽會上,採用繪畫、照片、映像、雕刻、裝置藝術等多種表現手法,介紹了組成這一題目的9名作家。This thesis analyzes characteristics of suyuci, the art ' s appearance with autobiography created by peet, the innovative way of expression and the elegant, unique languages. the paper explores the ways of how to efficiently organize teaching and to promote student ' s understanding on works " s subject, style and art characters and how to use multiple teaching methods to enhance student ' s ability in the comprehension of songci in the language teaching in the middle school
本文試圖通過分析《漱玉詞》藝術風貌,分析詞人創作出的具有自傳特性的藝術形象,新穎的表現手法及其精美獨特的語言等,探討在中學語文教學中如何有效的組織教學,幫助學生理解作品主題,把握作品風格及藝術特徵,學會鑒賞宋詞。The poems turn to the sadness and suffering due to the disasters to the family and country in the late stage. part 2 explores the art appearance of suyuci and analysis the reasons of the suyuci ' s famous in the poem ' s history : character of autobiography ; unique art style and the ways of expression and the languages with affluent expression. part 3 explores the teaching methods of songci using suyuci as an example and ways of how to enhance student ' s ability in understanding of songci in the language teaching in the middle school
論文分三部分:第一部分主要分析《漱玉詞》前後期不同的藝術風格,認為其前期詞風清新明麗,細膩婉轉,而後期因遭遇家國慘變,詞風轉變為凄清哀婉,沉摯悲涼;一第二部分探討了《漱玉詞》藝術風貌,認為其詞之所以享譽詞史,在於其詞所具有的自傳特性,獨特的藝術風格,表現手法及其富於表現力的語言;第三部分以《漱玉詞》為例,探討了宋詞教學的方法,及如何通過多種教學手段培養提高學生鑒賞宋詞的能力。Every architect will search after his optimum thinking way within the restrictions of function, technology & form
每個建築師也都是在「功能、技術、藝術(美) 」這三個條件約束下找到了自己的表現手法。分享友人