藝術的表現手法 的英文怎麼說

中文拼音 [shùdebiǎoxiànshǒu]
藝術的表現手法 英文
means of artistic expression trickgimmick
  • : Ⅰ名詞1 (技能; 技術) skill 2 (藝術) art 3 [書面語] (準則) norm; standard; criterion4 [書面語...
  • : 術名詞1. (技藝; 技術; 學術) art; skill; technique 2. (方法; 策略) method; tactics 3. (姓氏) a surname
  • : 4次方是 The fourth power of 2 is direction
  • : Ⅰ名詞1 (外面;外表) outside; surface; external 2 (中表親戚) the relationship between the child...
  • : Ⅰ名詞1 (現在; 此刻) present; now; current; existing 2 (現款) cash; ready money Ⅱ副詞(臨時; ...
  • : Ⅰ名詞1 (人體上肢前端能拿東西的部分) hand 2 (擅長某種技能的人或做某種事的人) a person doing or...
  • : Ⅰ名詞1 (由國家制定或認可的行為規則的總稱) law 2 (方法; 方式) way; method; mode; means 3 (標...
  • 藝術 : 1. (文藝) art 2. (富有創造性的方法) skill; art; craft 3. (形狀獨特而美觀的) conforming to good taste
  • 表現 : 1 (所顯露的行為或作風等) expression; representation; manifestation; show; behaviour; conduct 2 ...
  1. Types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological characteristics, and using this to the entire drama circumstances, but later types of facial makeup in operas by kan to complex, from rough to the small, youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts

    臉譜最初作用,只是誇大劇中角色五官部位和面部紋理,用誇張劇中人性格、心理和生理上特徵,以此來為整個戲劇情節服務,可是發展到后來,臉譜由簡到繁、由粗到細、由及裡、由淺到深,本身就逐漸成為一種具有民族特色、以人面部為圖案了。
  2. Mr richardson returns again and again to the concept of “ gigantism ” ? the disproportionate enlargement of limbs and other body parts for greater expressive and psychological effect ? which gave picasso ' s own classicism an ironic edge

    理查森先生一次又一次重新領略了家作品中「巨大化」? ?這是一種通過無比例地對人四肢與身體其它部位進行巨大化,從而達到更強力與震撼心理效果? ?這種也讓畢加索自己古典風格有了諷刺意味優勢。
  3. When confronting the same object the country, contemporary writers usually present a very colorful landscape of the country owing to different perspectives, positions, worldviews and therefore with different states of mind, tastes, opinions and artistic methods

    摘要當代作家在面對同一有待言說客體「鄉村」時,往往因為視野不同、立場不同、世界觀不同,以至心境、趣味以及見解、不同,而在各自創作中呈出多姿多彩鄉村景觀。
  4. Woodcut integration with the traditional folk art forms, seals as a symbol of expression embodied integrity by connaught, sustainable management also shows fruits and vegetables, goods based on north - south road, with the local ethnic characteristics

    以木刻版畫傳統形式融合方形印章作為標志,體誠信守諾,永續經營,同時體乾果、南北貨取材地道,具有民族地方特色。
  5. The high technique of the artistic expression in music in the han dynasty enriches that of the works of hanfu

    漢代音樂文化高度發達,為漢賦提供了豐富創作題材;音樂技巧高超,也刺激了漢賦豐富和技巧進步。
  6. This artiele tries to find out the tifferences by comparison between china ' s art of lettering of the time and the seal cutting in the ming and qing dynasties in china from the two aspects of artistic subject and creatine ranks, and then from the same abjeet of expression ( chinese characters ), from the same, technique of expression ( cutting cutting ), eraws experience and lessons from the art of seal cutting ( especially the seals of scholars in the ming and qing dynasties ) which was similarly deeplhy rooted in china and closely connected with tradition, so as to make a research on its location and orientation and promote sound development of the art of lettering of the time

    摘要本文試圖從本體、創作隊伍兩方面尋找中國當代刻字與中國(明清)篆刻相比較差距,進而從同一對象(中國漢字方塊字) 、同一(刻)和同樣紮根在中華大地上、與傳統接軌篆刻(特別是明清文人印)那裡汲取經驗教訓,促使當代刻字健康成長,作出定位、定向研究。
  7. On the paper - cutting ' s means of expression and its decorative aesthetic features

    試談剪紙藝術的表現手法和裝飾審美特徵
  8. On the artistic expression of o henry ' s short stories

    亨利作品
  9. Artistic approach of the sound and the fury

  10. Master says that musicians and artists are half - saints. at the concert, the beautiful notes written by the composer touched the heartstrings of man, who also directed scores of other musicians in harmonious and rhythmic play. the wholeness of master s works was beautifully and smoothly expressed by a team of musicians demonstrating complete command over each note and bringing the atmosphere to a climactic peak

    音樂家家們,我們說是半個聖人,將炫麗音符,以扣人心弦鋪設出來,又能指揮幾十個演奏高,如行雲流水般揮灑自在,無論高低起伏遠彈近撥輕敲重擊收放自如一氣呵成,整體演奏整套樂章皆在合一境界下漂亮出來,使氣氛達到最高點!
  11. This paper discusses the artistic connotation from the musical vision such as utilization of rest, the grasp of speed and intensity and the change of rhythm in bai juyi ' s " the song of pipa "

    《琵琶行》對音樂特性和描摹在聽覺轉化為視覺,塑造音樂形象上使之可感可視,尤其是在把握休止符,在音樂速度、力度及節奏轉換等音樂刻畫上顯示出作者高超功力。
  12. Chooses the best angle is the cameramen seeks the beautiful artistic method, also is cameramen ' s thoughts and feelings expression means

    選擇最佳角度是攝影者尋找美段,也是攝影者思想感情
  13. From the aspects of theme, language, expression means, this paper appreciates the li qingzhao ' s poems ' art, which is natural language, the exquisite and straightforward sentiment, the image contains reposing, the artistic conception is pithy and profoundly

    摘要本文從題材、語言、等方面賞析了李清照詞語言清新自然、感情細膩率直、形象多含寄託、意境含蓄深遠抒情
  14. This paper is intended to discussion mainly focusing on the six points : the space layout of the garden ; the environmental design, exemplified nature and architecture, the outer and interior decorations in the overall composition ; the guiding principle of gardening, propagating the philosophical view of the confusions " marriage of the soul with nature " ; the dialectical thoughts value added to principle elements of gardens, such as inspired by nature, suitable measurement to local condition, showing and hiding, density and spacing, far and near, ideology guiding practice. . the gardening elements of unity and coherence of space which is mutually penetrated ; the gardening elements of space alignment, such as " views echo with one another, scenes appear at every turn " generally, from the angle of space designing, the paper is trying to provide materials data for understanding and studying for suzhou classical gardens, their imagination - inspiring atmosphere, superb artistry, rich cultural contents as well as gardening artistic characteristics

    蘇州園林作為一門空間具有獨特魅力,作為文化載體,它積淀了豐厚文化底蘊。本文主要就其庭院式空間布局,建築與自然、室內與室外融為一體環境設計;充滿人文精神中國儒道「天人合一」造園思想;因地置宜、順應自然、藏露疏密、虛實遠近、變化統一辯證思維;相互滲透空間層次,步移景移時空間序列等問題進行闡述。力求從蘇州園林空間設計一個側面,去揭示其特徵、文化內涵、造園規律。
  15. The developmental history and the art exhibition of bamboo in china traditional culture and classical garden were analyzed and the result showed that not only bamboo had influenced deeply all aspects of china, such as letter, science and technology, an and life, but also been upgraded to become the symbol of china national trait and art spirit

    通過對竹子在中國傳統文化和古典園林中發展歷史及其分析,明竹子不僅深刻影響了中國文字、科技、文、日常生活,且升華為中華民族品格和美學精神象徵。
  16. A style that breaks with traditional art forms and searches for new modes of expression

    一種新、脫離傳統形式。
  17. The exhibition features nine artists who are dealing with the theme in painting, photograph, motion image, sculpture, installation and various other methods

    在這次展覽會上,採用繪畫、照片、映像、雕刻、裝置等多種,介紹了組成這一題目9名作家。
  18. This thesis analyzes characteristics of suyuci, the art ' s appearance with autobiography created by peet, the innovative way of expression and the elegant, unique languages. the paper explores the ways of how to efficiently organize teaching and to promote student ' s understanding on works " s subject, style and art characters and how to use multiple teaching methods to enhance student ' s ability in the comprehension of songci in the language teaching in the middle school

    本文試圖通過分析《漱玉詞》風貌,分析詞人創作出具有自傳特性形象,新穎及其精美獨特語言等,探討在中學語文教學中如何有效組織教學,幫助學生理解作品主題,把握作品風格及特徵,學會鑒賞宋詞。
  19. The poems turn to the sadness and suffering due to the disasters to the family and country in the late stage. part 2 explores the art appearance of suyuci and analysis the reasons of the suyuci ' s famous in the poem ' s history : character of autobiography ; unique art style and the ways of expression and the languages with affluent expression. part 3 explores the teaching methods of songci using suyuci as an example and ways of how to enhance student ' s ability in understanding of songci in the language teaching in the middle school

    論文分三部分:第一部分主要分析《漱玉詞》前後期不同風格,認為其前期詞風清新明麗,細膩婉轉,而後期因遭遇家國慘變,詞風轉變為凄清哀婉,沉摯悲涼;一第二部分探討了《漱玉詞》風貌,認為其詞之所以享譽詞史,在於其詞所具有自傳特性,獨特風格,及其富於語言;第三部分以《漱玉詞》為例,探討了宋詞教學,及如何通過多種教學段培養提高學生鑒賞宋詞能力。
  20. Every architect will search after his optimum thinking way within the restrictions of function, technology & form

    每個建築師也都是在「功能、技(美) 」這三個條件約束下找到了自己
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