藤章 的英文怎麼說
中文拼音 [téngzhāng]
藤章
英文
fujiaki-
" dark complexion ; hair, eyebrows, and whiskers, black ; blue frock - coat, buttoned up to the chin ; rosette of an officer of the legion of honor in his button - hole ; a hat with wide brim, and a cane.
「褐色的皮膚，頭發，眉毛胡須，都是黑的，排胸扣的藍色披風，鈕扣上掛著榮譽團軍官的玫瑰形勛章，戴闊邊帽子，一支藤手杖。 」Muto, then a colonel, had joined matsui ' s staff on 10 november 1937, and was with matsui during the drive on nanking and participated in the triumphal entry and occupation of the city
日軍上校武藤章在1937年11月10月，加入松井石根的幕僚，稍後跟隨松井一起進入南京。The fifth chapter investigates the dynamic relationship between geometry and architecture based on ellipse ' s geometric character, and analyzes ellipse architecture ' s characters in symbolism, dualism, diversity and unity these four facets. in the sixth chapter, taking ellipse architecture as examples, i try to explore the relationship between the more general geometry ' s purity and architecture ' s complexity, and build the foundation for future exploration of geometry ' s purity. in the seventh chapter, using typology contrast methodology, i analyze two architects with quite different design theories - tadao ando and koolhaas " adoption of ellipse, and taking position relationship as clue, combine ellipse and other geometric forms together to generalize the effect of geometry ' s purity to architecture ' s complexity in usual situations
第四章從歷史和現代兩個方面展開了大量對橢圓形式在建築中應用的個案和實例的研究與對比，探討了橢圓形式在歷史上意義的變遷；第五章以橢圓的幾何特性為立足點，研究了橢圓幾何- -建築之間的動態關系，從標志性，二元對立，多樣和統一四個方面分析了橢圓建築的特點；第六章以橢圓建築為例，嘗試探討了更一般的幾何的純粹性與建築的復雜性的關系，對幾何純粹性意義的挖掘為進一步的研究提供基礎；第七章採用了類型對比的研究方法，分析了安藤忠雄和庫哈斯兩位設計哲學截然不同的建築師對橢圓形式的使用；另外，以位置關系為線索，將橢圓和其他的幾何形式結合起來，總結了一般情況下幾何的純粹性對建築復雜性的作用。A street in little whinging, intersecting privet drive. we also know that mrs. figg lives on wisteria walk, with her cats and kneazles ( op1 )
小惠金區里的一條街，與女貞路相交。我們也知道福格太太跟她的貓咪和貓貍子一起住在紫藤路上（鳳凰社第一章） 。Section two ( chapter 2 to 3 ) deals with not only characteristics of naito ' s works but also the important influence forming his conception of ' protoform " which was embodied throughout his architectural activities and also discusses his course of design in this part. chapter 2 selects the works ranging from his early buildings to projects now in progress
第二部分（第二章、第三章） ，首先通過分析他的建築創作實例來體現他對建築的「原生形態」的探索，其次論述了內藤廣的建築創作歷程以及他建築思想形成的主要影響因素。Although these works analyzed here represent only a portion of naito ' s architecture vision, they reveal the figure of architecture as timeless and providing continuity within relentless change. chapter 3 expound naito ' s course of design and some main influence factors forming naito ' s conception of " protoform " especially. section three ( chapter 4 to 5 ), a conclusive part, explains the fact that naito ' s conception of " protoform " in architectural activities exerts an influence on today ' s japanese architecture, and it also summarizes the special contribution making by naito ' s conception of " protoform " in architectural activities
首先，第三章通過分析在他近二十年的建築創作中，不同時期里的公共建築和住宅的代表作品，來體現他始終堅持的建築思想以及對「原生形態」的建築的不懈探索；隨后，第三章將並不為大家所知的五十年代生日本建築師內藤廣的建築創作歷程予以介紹，並論述了內藤廣探求「原生形態」的建築思想的主要影響因素。Thus, solow and other people began to establish the micro foundation of the aggregate product function. this chapter introduces the method of using efficiency distribution to aggregate the micro production function to a macro one and the continuity and integrabel condition of micro production function should meet found by sato
本章著重對加藤（ sato ， 1975 ）等人應用效率分佈的方法實現從微觀生產函數到宏觀生產函數的加總，以及生產能力密度函數適續性和可積性的條件等研究成果進行了介紹，這些都將成為推導總供給函數和總供給曲線的方法基礎。分享友人