視覺觀念 的英文怎麼說

中文拼音 [shìjiàoguānniàn]
視覺觀念 英文
visual idea
  • 視 : Ⅰ動詞1. （看） look at 2. （看待） regard; look upon 3. （考察） inspect; watch Ⅱ名詞（姓氏） a surname
  • 覺 : 覺名詞（睡眠） sleep
  • 觀 : 觀名詞1. （道教的廟宇） taoist temple2. （姓氏） a surname
  • 念 : Ⅰ動詞1 （看著文字發出聲音; 讀） read aloud 2 （上學） study; attend school 3 （想念; 考慮） think...
  • 視覺 : [生理學] vision; visual sense; sense of sight; visus; sight; optesthesia
  • 觀念 : sense; idea; concept; perception
  1. Based on the algorithm, the modeling methods of complex situations such as curved surfaces, partial absorption, directional sources, multiple sources and various sound barriers, have been presented. then, the objective modeling ( parameter prediction ) and the subjective modeling ( binaural auralization ) of enclosed sound fields have been studied in detail. in order to verify the above algorithms, the results worked out by our computer program have been compared with those of measurement in real buildings, calculating by statistical method, modeling by other researchers and a kindred software

    聲場視聽一體化是在封閉聲場參數預測（ parameterprediction ） 、可聽化（ auralization ）和可視化（ visualization ）基礎上提出的一個新的概念，其本質含義是：在一定的聲學、數學和信號處理理論基礎上，通過建立三維聲場的計算機模型，實現從客觀聲學指標、主觀聽覺感受和直觀視覺效果三方面對三維封閉聲場進行綜合的預測和評價。
  2. In the previous study on value - directon of schooling, there exist several deficiencies : statements about the conceptual precondition, such as “ times ”, “ schooling ”, “ value of schooling ” and “ humans ”, are vacant ; the thinking mode of dualism is commonly employed ; discrimination, standpoint and dimension are not consciously arrived at

    在已有的學校教育價值取向的理論研究中，依然突出的問題是缺乏對「時代」 、 「學校教育」 、 「學校教育價值」 、 「人」等觀念性前提的研究，二元對立的思維方式依然比較普遍，研究中的區分度、立場、視角等問題尚未獲得自覺。
  3. 21st century today, it is one that appreciate way read and write era to interpretting blueprints brand - new era who era strides forward, press photographer body shoulder important task, continue and take on news gathering and editing the subjects of team, but not the supporting role, make them catch down the transient scene the camera, thus the change of noting history, make us able to experience life intactly through the vision image, this needs press photographer to jump out the convention, involve " digitalization ", humane care, the ideas of common people ' s visual angle, theory, etc. of planning are changed, keep the sober head constantly, occupy and endanger and think of fitting, rouse oneself and study, have the courage to bring forth new ideas, may just surmount others, surmount oneself, it weeds out the old and bring forth the new in barges strive media competition that flow take more good worthying of the newses photography fine piece of writing of eras

    二十一世紀的今天，是個欣賞方式由讀寫時代向讀圖時代邁進的嶄新時代，攝影記者身肩重任，能否繼續擔當新聞采編隊伍的主體，而不是配角，使他們用相機捕捉下了稍縱即逝的場面，從而記錄下歷史的變革，通過視覺形象使我們能夠完整地感受生活，這就需要攝影記者跳出舊框框，涉及到「數字化」 ，人文關懷、平民視角、策劃理念等方面的觀念轉變，時刻保持清醒的頭腦，居危思安，奮發學習，勇於創新，才可能超越別人，超越自己，推陳出新，在百舸爭流的傳媒競爭中拍出更多更好的無愧於時代的新聞攝影佳作。
  4. Li adapted these visual concepts and ideology to create a utopian ancient chinese world in his huangmei opera films

    李翰祥導演採用了這些視覺觀念及哲學並運用在他的黃梅調電影中，創造了一個理想烏托邦化的古代中國。
  5. As a typical result of modernity, cultural fashion is unknowingly changing people ' s daily behaviors, audio and video experiences, attitudes of life and concepts of value and even reshaping people ' s forms of existence

    摘要作為現代性的一種典型後果，文化時尚不知不覺地改變著人們的日常行為、視聽觀聞、生活態度和價值理念，甚至在更深度層面上重塑著人們的存在樣態。
  6. In this article, my opinion is that the corporate culture do not equal the vision, behavior and the idea system in the identify system of business enterprise, it is soul for the enterprise to run and develop, it is the combination of the concept, the action rule and the value criterion that had formed in the course of the company ' s producing and managing actions. concretely, the corporation culture includes the enterprise value criterion, the enterprise spirit and the rule system

    本文認為，企業文化不等同於企業形象識別系統中的視覺、行為和理念識別三個子系統，它是企業在一定歷史條件下在生產經營和管理活動中形成的觀念形態、行為規則及價值取向等多層次文化復合體系，是企業賴以生存和發展的靈魂，它具體包括企業價值觀、企業精神和制度規范等內容。
  7. Through the works of 16 contemporary artists from the us, china, canada, and the united kingdom, this project considers video and film, not only as aesthetic and creative form, but also as a conceptual canvas riddled with questions of sight, of viewing, of subject / object, of aura and authenticity, of spectator and voyeur, of physicality and time

    通過來自美國、中國、加拿大和英國的16位當代藝術家的作品，這個項目把影視不止看作是美學的，富有創造性的形式，也把它看作是一幅充滿迷題的概念式油畫，視覺、觀看、主體/客體、氛圍和真實性、觀看者和窺視者、物質性和時間等問題糾葛在一起。
  8. There are 38 pieces of outdoor notice board exhibited, they are correspondent with the natural site atmosphere, as well as the formation of creative arts expression, hence providing a special visual path to the passing audients, in order to stimulate those audients ' inner self - reflection and as well as developing them an uncommon view to natural environment

    三十八件展出的戶外布告欄形式，對應著周遭的自然場域氣質，以極具創意的藝術表現形式與觀念手法，提供過往的觀眾一條特別的視覺路徑，藉此啟發群眾自身的內在反思狀態，及一種對自然的另類觀看處境。
  9. Following the examination, the author analyzes factors contribute to the formation of these characteristics, mainly from religious function, historical influence, geographic position and physiognomy. in the end, the essay brings visual impact of the taoist temple into consideration and explores it from the perspective of environmental art. the author strives to find a more feasible and practical environmental designing project, which is, at the same time, aesthetically more valuable

    由此筆者將從道教的源起、發展，道教建築的源流，四川地區道教宮觀建築的實物以及道教美學的主要觀念入手，通過對建福宮現狀的考察，分析其特殊的宗教活動功能、歷史性文化建築和自然地勢地貌以及景觀狀況等方面的要素，然後再針對場所環境藝術設計的視覺感等方面的要求，力圖設計一套更為合理、實用而且更加具備美學意義的環境藝術設計方案。
  10. Represented by international network, the new network or ( we can say ) digital society is in great need of creative design ideas. people hope the visual transmission design can exhibit its magical individual styles with the rapid development of new spirit, new art, new tools, new space, and new media

    以網際網路為代表的網路及數字新社會，迫切需要創新的設計觀念，人們企盼視覺傳達設計在新精神、新藝術、新工具、新空間、新媒體空前發展的情形下，展現出神奇的個性風貌。
  11. Author of 4 books, three on black and white darkroom technique and principle of the zone system, one on perception and photography

    著有雄獅版進階黑白攝影、高品質黑白攝影的技法、黑白攝影精技、雪嶺版觀?念?攝影- - -影像的視覺心理剖析。
  12. In this paper, we put off traditional opinion to consider texture as a certain type of image, while construct a new theory system instead. in our view, texture is an property of all image, difference in their density, which called texture standard property

    本文嘗試利用紋理概念的模糊性，摒棄傳統的將紋理看作一類圖像的觀點，將紋理視為圖像所攜帶的一種特定性質，稱為紋理標準性，其強度的不同決定了圖像在視覺上的紋理化程度，稱為標準性系數。
  13. Another new development is in his attitude to ueing dialogue. in the past, it was always the visuals which moved me emotionally, never words, so i tried to reduce dialogue to a minimum, and didnt put much effort into it

    他觀念中的另一個新的發展是想應用對話， 「過去，總是視覺的因素在影響著我的情緒，而不是文字，所以我把對話減少到最少，並不在這上面做很多努力，我認為運用對話是對運用繪畫語言的一種不自信的表現。 」
  14. After reviewing customers ' expectations and reliability on screw compressors, wolfcomp is launching a new compressor of new conception, the fine shape and tactile of the new housing, a nwe thought is forming a new trend

    Wolfcomp以全新的設計概念重新檢討用戶對螺旋式空壓機的期待及信賴，以新世紀的價值觀重新評詁一部關于螺旋式空壓機機構的新思維，密緻的視覺觸感，蘊含著新箱體設計技術，全新思維已漸形成新風尚流感，遂成為新制式文化。
  15. This article based on conclusion of expert system relevant concept and fundamental structure, analyses the knowledge representation, knowledge reasoning and intelligence decision and multi - dimension information multimedia inquiry as well. so, knowledge is transformed from simple text into sound, image and video data easily understood by agriculture technicians and peasants in order to impart knowledge and solve practical problems. at the same time, the article places great emphasis on multimedia system developing frame and application based on c / s mode as well as realization of this sophisticated system

    本文在歸納總結農業專家系統的相關概念、基本結構及特點的基礎上，分析了農業專家系統的多媒體知識表達、知識推理及智能決策，分析了基於多媒體表達技術的農業生產多維化信息咨詢，使知識從單純的文字變化到聲間、圖像、影像等直觀易懂的聲音、視覺情景，特別適應于廣大農技人員和農民，達到傳達知識，解決實際問題的目的。
  16. Our idea of designing : we will keep vigorous imagination and creation to try our best to convey the idea of famous brand accurately, to express the vi design effectively so as to lay a solid foundation for the success of the famous brand

    我們的設計觀：保持旺盛的思想力和創造力，力爭準確傳達品牌概念，做具有銷售力的視覺整合，為企業品牌的成功打下堅實的基礎。
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