象電影的 的英文怎麼說

中文拼音 [xiàngdiànyǐngde]
象電影的 英文
filmic
  • : Ⅰ名詞1 (有電荷存在和電荷變化的現象) electricity 2 (電報) telegram; cable Ⅱ動詞1 (觸電) give...
  • : Ⅰ名詞1 (物體擋住光線后映出的形象) shadow 2 (鏡中、水面等反映出來的物體形象) reflection; image...
  • : 4次方是 The fourth power of 2 is direction
  • 電影 : film; movie; motion picture
  1. While on the run, joanna favors the kind of incognito [ 3 ] outfits that you see only in the movies : huge butterfly sunglasses, outrageous leopard print bandannas, and wigs that look as if they were plucked from a mannequin

    在奔逃中,喬安娜喜歡那種隱匿裝束,這種裝束只有在中才能看到:巨大蝶形墨鏡、印著兇猛獵豹圖案大手帕,還有那假發,看著就是從櫥窗模特頭上揪下來一樣。
  2. Bey logan : actually the biggest difference is that in the film you are always so serious and in person you are quite happy looking and friendly

    實際上最大區別是您在您總是很嚴肅,並且看起來非常友好,很有親和力
  3. Urban folklore - collection of essays on and images of urban folklore, including murals and graffiti, body art, urban legends, hip - hop, and folklore in movies

    市民俗文化論文集形和都市民俗學,包括壁畫和塗鴉,人體藝術,都市傳說,嘻哈,和民俗
  4. She had toby beside her and she brandished his power like a club, attacking all the important studio executives.

    她有托比作靠山,揮舞著棍棒似使用他權利,攻擊所有重要製片廠頭頭。
  5. Because he liked the stereotype of the principal in the movie, walking in the halls with a baseball bat and a bullhorn

    這是因為他喜歡里那位一手拿著棒球棒,一手拿著擴音器在走廊里走來走去校長
  6. In the grapes of wrath steinbeck has achieved an interesting contrapuntal effect by breaking the narrative at intervals with short, impressionistic passages recorded as though by a motion picture camera moving quickly from one scene to another and from one focus to another

    在《憤怒葡萄》一書中,斯坦貝克不時打斷故事敘述,插進一些簡練、印段落,取得有趣對位襯托效果,彷彿是在用一架照相機作紀錄似,很快從一幕場景換為另一幕場景,從一個焦點轉到另一個焦點。
  7. These are carbon copies of people i know, and we talk exactly like the characters in " cloverfield ", which contains some of the most naturally flowing dialogue i ' ve ever seen in a movie, no overstatement

    我知道有些復製版演員,但我們談是非常貼切包含一些我已經看過最自然最不誇大對話在這這部角色。
  8. 13 optimistic, color, fixed - camera videos, are interrupted by three celluloid - film like black and white, more grotesque stories, exploring the limits of common kissing habits

    13個樂觀,彩色,固定鏡頭,被三個淡而無味類似黑白而古怪故事打斷,這些故事試圖突破通常親吻習慣局限。
  9. The exhibition consists of four thematic specials : zone one introduces the evolution of hong kong martial arts and kung fu films. personas and images of martial arts heroes and heroines as well as the villains will be presented in zone two. zone three maps out the origin of martial arts direction and depicts scenes of some classical combats

    展覽分四個專題展出:第一區介紹香港武俠功夫演變第二區介紹武俠功夫片中英雄俠女及魔頭第三區介紹武術指導一些源流及武打場面第四區則由武俠功夫片導演們逐一述說拍片心得,及評價香港武打片地位。
  10. Mickey mouse monopoly takes a close and critical look at the world these films create and the stories they tell about race, gender and class and reaches disturbing conclusions about the values propagated under the guise of innocence and fun

    《米奇老鼠壟斷》深入迪士尼世界,透視這世界所創造故事里,各種有關種族,性別及階級說法,發現了隱含在天真及歡樂底下,它們正推廣著一整套令人極度不安價值觀。
  11. The article takes the hollywood movie as the target by means of analyzing the movies that contain the u. s. idea and ideology, and technology together with psychology how to attract the viewers. with this analyses, we can judge whether hollywood movies that penetrate into american style mythology affect nationalism at the same time produce one kind of american affection or not ; whether individual heroism of hollywood movies can deconstruct nationality self - cohesion or not, whether the art regulation of hollywood movies can substitute for the tradition of national aesthetics completely or not

    本文以好萊塢作為評析對,通過剖析一些在我國正式放映美國大片里蘊涵著思想內容和意識形態、科技與「藝術」和如何抓住觀眾心理等等,以此分析好萊塢所貫穿美國式神話是否會在響民族認同同時創造一種美國情結,好萊塢那種個人英雄敘事原型是否會解構民族發展自我凝聚力,好萊塢藝術規則是否會完全替代我國敘述美學傳統。
  12. It ' s like the beginning of a great romantic movie

    這簡直就一部偉大愛情序幕
  13. Now, the local film industry is showing signs of commercial life again. filmmakers have also turned their attention to producing films that are more attuned to north american viewers

    目前,本港業出現復甦跡製作者已開始攝制一些較迎合北美觀眾
  14. A feeling of accomplishment today, i immerse myself in a movie world. life is like a movie, i feel like i have already experienced a variety of lives. wonderful

    今天,我沉浸於世界里,覺得有種成就感。生活就,我感覺在體驗著各種各樣生活。真美妙
  15. It isn ' t quite ready to hide a romulan space ship from capt

    當然這件斗篷還沒完美到里演那樣在詹姆斯
  16. The main character amelie is lovable, and that is another reason why i like this film

    片中主角愛美麗十分討人喜歡,亦是令筆者喜愛這原因。
  17. The basic imagery of tarkovsky ' s films

    論塔爾柯夫斯基基本意
  18. Niu bi zi was a success, as famous as the ye qian yu s mr huang or zhang le ping s san mao. the pioneer of cartoon movies in china, wan lai ming wanted to put nui bi zi on the silver screen to compete with donald duck and mickey mouse, but the project was abandoned because of the war

    牛鼻子是30年代中國一個家喻戶曉漫畫形,當時與葉淺予王先生張樂平三毛名,中國卡通先行者萬籟嗚曾想將其搬上銀幕,與米老鼠唐老鴨一爭高低,因抗日戰爭爆發而未果。
  19. To give you a sense of my current thinking on these issues, i append a recent essay ( by me ) on charlie chaplin and how modernism poetry uses image - techniques derived from film

    為了使你們明了目前我對該問題想法,我附加了一篇我最近關于查理卓別林以及現代詩歌如何應用源於手法。
  20. The story traverses time and space as the triad mole s frantic scramble to erase his illicit history is juxtaposed with the undercover cop s past heroics, their morally opposite but mechanically similar feats linked by corresponding mental states. to heighten the epic scale of their agony, the china connection is fortified, as new characters are added to spice up the intrigue

    這里提議暫時放下對劉德華本土徵意義過分閱讀,還原去看他演出生命力,原來劉健明是劉德華正式第一次去演精神病角色,四年他,其實充滿可能性,積極去看,他開拓,也會是香港開拓。
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