貢特曼 的英文怎麼說

中文拼音 [gòngmàn]
貢特曼 英文
gontermann
  • : Ⅰ名詞1 (貢品) tribute 2 (姓氏) a surname Ⅱ動詞(封建時代向朝廷推薦人材) recommend a suitable...
  • : Ⅰ形容詞(特殊; 超出一般) particular; special; exceptional; unusual Ⅱ副詞1 (特別) especially; v...
  • : 曼形容詞1. (柔和) graceful; soft and beautiful 2. (長) prolonged; long-drawn-out
  • 特曼 : temim
  1. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩歌批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的獻,並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,並簡單比較了惠和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者,詩歌理論家以及面向大眾的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆正全力寫作《影響的解剖》一書,將於2008年由普林斯頓大學出版社出版
  2. We think that the main contributions of the book is in two aspects : one is the revolution of some concepts such as utility theory, aximatization of game, extended game ; the other is the breaking through in zero - sum two - person games centered on minimax and corporation game centered on characteristic function. this was, in fact, the development and extension of von neumann ' s classic game paper of 1928. our research shows that these contributions were a pure new theoretical creation, rather than an

    認為《博弈論與經濟行為》的主要獻有二個方面:一個方面是在效用理論、博弈的公理化、博弈的擴展形式等等概念上的創新,另一方面是在以極小極大值定理為中心的三人零和博弈理論和以徵函數為中心的合作博弈理論上的創新,這些實際上主要是馮?諾伊對其1928年的經典博弈論文章的理論框架的發展和延伸
  3. Dr. stephen unwin, who received his doctorate in theoretical physics from the university of manchester in great britain, made significant contributions to the field of quantum gravity research before being appointed technical attach to the united states department of energy. now a risk analyst consultant, he evaluates and helps advise organizations on how to avoid disasters such as chemical spills and nuclear power plant failures

    注1 :史蒂芬昂溫博士于英國徹斯大學獲得理論物理學的博士學位,在擔當美國能源部的技術專員之前,曾在量子重力的研究領域方面有著卓越的獻,目前則擔任風險分析顧問,替一些機構評估並協助他們如何避免化學品外泄或核電廠事故等災害發生。
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