近二郎 的英文怎麼說

中文拼音 [jìnèrláng]
近二郎 英文
kinjiro
  • : Ⅰ形容詞1 (空間或時間距離短) near; close 2 (接近) approaching; approximately; close to 3 (親...
  • : Ⅰ數詞(一加一后所得) two Ⅱ形容詞(兩樣) different
  • : 郎名1 (古代官名) an ancient official title 2 (對某種人的稱呼) form of address to some persons...
  1. And while the late steamer big missouri worked and sweated in the sun, the retired artist sat on a barrel in the shade close by, dangled his legs, munched his apple, and planned the slaughter of more innocents. there was no lack of material ; boys happened along every little while ; they came to jeer, but remained to whitewash

    當剛才那隻「大密蘇里號」在陽光下幹活,累得大汗淋漓的時候,這位離了職的藝術家卻在附的陰涼下,坐在一隻木桶上,蹺著腿,一邊大口大口地吃著蘋果,一邊暗暗盤算如何再宰更多的傻瓜。
  2. When wang has pitched recently, the bullpen has basically been able to put their feet up, and catch up on important topics like paris and britney

    建仔最登板,牛棚基本上都能蹺著腿,且可心有餘力留意花邊新聞(派瑞斯) 。
  3. With the near advent of his death in sha h bei g, li wenlong tells his younger brother erlang in front of the sand river that he eventually " knows what is vigor and fugue " and further realizes that " a pursuit of mastery and art will eventually lead to a sense of self - finding " among which the entertained signification of playing gets the three melodies of sand river, playing and self - awareness to reemerge the development of thematic original tune with the musical forms of starting off, passaggio and change of tune, thus composing one melancholy and appealing tune of " art of vigor. " this essay deems it the key to interpret sha h bei g and have a glimpse of qi deng sheng ' s views over arts as well as to have a retrospect over the meaning of " art of vigor " betoken by the source of artistic creation

    《沙河悲歌》中,李文龍在死亡臨前,在沙河前告訴其弟,他終于懂得什麼是生活和賦格,並領悟:追求技藝藝術到最後會轉來發現自我,其中所賦予的吹奏之義,讓沙河、吹奏與自我的三股旋律,以音樂曲式的:出發、轉調、變調而再現主題原調之發展,譜就了一曲悲愴而動人的生命藝術性之歌,本文以為這是解讀《沙河悲歌》 ,與七等生對藝術看法的重要關鍵,更是對藝術創作所觸及的生命藝術性本源之反思。
  4. Is totally different from kitano s old films, it is highly commercial and entertaining. the film starts with yamamoto ( takeshi kitano ), the henchman of a yakuza boss, being expelled to los angeles because of the collapse of his yakuza family. there in los angeles, he inhabits with his brother ken ( claude maki ), a local gangster who has connection with some local drug dealers including denny ( omar epps )

    說此片平易人,不是指其劇情健康,相反,此片的暴力比起前者更甚,而是指它劇情發展的直接淺白,當中沒有一而再的零碎回朔片段,也沒有像小津安或溝口健式的靜止鏡頭和longtake ,相反一切都來得直接和連貫,劇情緊湊發展迅速,令人看得投入。
  5. Is totally different from kitano s old films, it is highly commercial and entertaining. the film starts with yamamoto takeshi kitano, the henchman of a yakuza boss, being expelled to los angeles because of the collapse of his yakuza family. there in los angeles, he inhabits with his brother ken claude maki, a local gangster who has connection with some local drug dealers including denny omar epps

    說此片平易人,不是指其劇情健康,相反,此片的暴力比起前者更甚,而是指它劇情發展的直接淺白,當中沒有一而再的零碎回朔片段,也沒有像小津安或溝口健式的靜止鏡頭和longtake ,相反一切都來得直接和連貫,劇情緊湊發展迅速,令人看得投入。
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