近二郎 的英文怎麼說
中文拼音 [jìnèrláng]
近二郎
英文
kinjiro-
And while the late steamer big missouri worked and sweated in the sun, the retired artist sat on a barrel in the shade close by, dangled his legs, munched his apple, and planned the slaughter of more innocents. there was no lack of material ; boys happened along every little while ; they came to jeer, but remained to whitewash
當剛才那隻「大密蘇里號」在陽光下幹活,累得大汗淋漓的時候,這位離了職的藝術家卻在附近的陰涼下,坐在一隻木桶上,蹺著二郎腿,一邊大口大口地吃著蘋果,一邊暗暗盤算如何再宰更多的傻瓜。When wang has pitched recently, the bullpen has basically been able to put their feet up, and catch up on important topics like paris and britney
建仔最近登板,牛棚基本上都能蹺著二郎腿,且可心有餘力留意花邊新聞(派瑞斯) 。With the near advent of his death in sha h bei g, li wenlong tells his younger brother erlang in front of the sand river that he eventually " knows what is vigor and fugue " and further realizes that " a pursuit of mastery and art will eventually lead to a sense of self - finding " among which the entertained signification of playing gets the three melodies of sand river, playing and self - awareness to reemerge the development of thematic original tune with the musical forms of starting off, passaggio and change of tune, thus composing one melancholy and appealing tune of " art of vigor. " this essay deems it the key to interpret sha h bei g and have a glimpse of qi deng sheng ' s views over arts as well as to have a retrospect over the meaning of " art of vigor " betoken by the source of artistic creation
《沙河悲歌》中,李文龍在死亡臨近前,在沙河前告訴其弟二郎,他終于懂得什麼是生活和賦格,並領悟:追求技藝藝術到最後會轉來發現自我,其中所賦予的吹奏之義,讓沙河、吹奏與自我的三股旋律,以音樂曲式的:出發、轉調、變調而再現主題原調之發展,譜就了一曲悲愴而動人的生命藝術性之歌,本文以為這是解讀《沙河悲歌》 ,與七等生對藝術看法的重要關鍵,更是對藝術創作所觸及的生命藝術性本源之反思。Is totally different from kitano s old films, it is highly commercial and entertaining. the film starts with yamamoto ( takeshi kitano ), the henchman of a yakuza boss, being expelled to los angeles because of the collapse of his yakuza family. there in los angeles, he inhabits with his brother ken ( claude maki ), a local gangster who has connection with some local drug dealers including denny ( omar epps )
說此片平易近人,不是指其劇情健康,相反,此片的暴力比起前二者更甚,而是指它劇情發展的直接淺白,當中沒有一而再的零碎回朔片段,也沒有像小津安二郎或溝口健二式的靜止鏡頭和longtake ,相反一切都來得直接和連貫,劇情緊湊發展迅速,令人看得投入。Is totally different from kitano s old films, it is highly commercial and entertaining. the film starts with yamamoto takeshi kitano, the henchman of a yakuza boss, being expelled to los angeles because of the collapse of his yakuza family. there in los angeles, he inhabits with his brother ken claude maki, a local gangster who has connection with some local drug dealers including denny omar epps
說此片平易近人,不是指其劇情健康,相反,此片的暴力比起前二者更甚,而是指它劇情發展的直接淺白,當中沒有一而再的零碎回朔片段,也沒有像小津安二郎或溝口健二式的靜止鏡頭和longtake ,相反一切都來得直接和連貫,劇情緊湊發展迅速,令人看得投入。分享友人