郭沫若 的英文怎麼說

中文拼音 [guōruò]
郭沫若 英文
name of a chinese writer and poet, guo moruo
  • : 名詞1. (古代在城的外圍加築的一道城墻) the outer wall of a city 2. (姓氏) a surname
  • : 名詞(沫子) foam;froth; lather
  • : 若Ⅰ動詞(如; 好象) like; seem; as if Ⅱ連詞[書面語] (如果) if Ⅲ代詞[書面語] (你) you Ⅳ名詞(姓氏) a surname
  1. Japanese buddhism consciousness in guo moruo ' s poems

    郭沫若詩歌中的日本佛教意識
  2. From a vigorous literary young man to a focus of people ' s attention, but lonely and melancholy old man, guo mo - ruo ' s literature view is moving and changing all along, from " hominine literature " to " the people ' s literature " ; the circumscription of literary view is gradually diminishing, the writer ' s ability to write is inactivated, artist life is gradually withering

    摘要從意氣風發的文學青年到風光無限卻寂寞惆悵的蹉跎老人,郭沫若的文學觀始終處于運動變化中,從「人的文學」到「人民文學」 ,文學觀念所包孕的范圍在逐漸縮小,作家創作才能趨于鈍化,藝術生命亦漸萎頓。
  3. Japan ' s kabuki and guo mo - ruo ' s early dramas

    日本歌舞伎與郭沫若早期戲劇
  4. Pantheism and guo moruo ' s creative thinking

    郭沫若的創造性思維
  5. Japanese shinto and guo moruo ' s early poesy

    日本神道與郭沫若早期詩歌
  6. Comparison of the different perspectives from which the british writer percy bysshe shelley was perceived by lu xun and guo mo - ruo

    魯迅和郭沫若對雪萊不同接受視點的比較
  7. Guo mo - ruo is a very important talent in chinese culture history

    摘要郭沫若是中國文化史上不可忽視的人物。
  8. On the image of wanderers in guo mo - ruo ' s early literary works

    郭沫若前期小說創作中的漂泊者形象
  9. The main part of this thesis is the group interpretation and research of the metal characters on the wall plate ( qiangpanmingwen ). the part for interpreting extensively consists of the fruit for researching of the famous experts such as tanglan and qiuxigui. to express the proof and explanation for different ideas, it takes two ways - - - - directly citing for the simple thing and short narration for the complex part as well for the part about the older scholars such as sunyirang, xutongbo and guomoruo. on the base of the upper content it finds and changes the mistakes about the liding, telling and explanation. then the author makes the proof more thoroughly and has his own perspective. but there is also uncertain place for questions to be explored for the future

    集釋部分主要匯集了唐蘭、裘錫圭等墻盤考釋者的研究成果,對于諸家的文字考釋和訓解,比較簡略的則直接稱引,引證繁復的,則用簡短的語言加以敘述,有些涉及孫詒讓、徐同柏、郭沫若等前代學者之處,也作了簡要的介紹。在集釋的基礎上,糾正文字的隸定、辨識及訓解中的一些錯誤,並作了進一步的考證,提出了自己的拙見,對于有爭議而又不能確定的地方或存疑或談自己的思考,以便日後研究。
  10. The literary way of guo mo - ruo shows a complicated course of 20 century chinese literature from fetal irritability to anguish adolescent age at a lateral surface

    郭沫若所走的文學道路,從一個側面折射出20世紀中國文學從胎動腹中到苦澀青春的曲折歷程。
  11. Because of his writing, he was engaged in politics in the rest of his life

    抗戰改變了郭沫若的文化身份,轉換了他人生行旅的軌跡。
  12. On guo moruo ' s poetic character and poetic interest

    郭沫若的詩性與詩興
  13. On guo mo - ruo ' s contribution to the study of chinese logic history

    郭沫若對中國邏輯史研究的貢獻
  14. Guo moruo and zhong rong

    郭沫若與鐘嶸
  15. Guo moruo and yunnan

    郭沫若與雲南山水風物
  16. Ever since sima qian " climbed the lushan mountain from the south ", about 1, 500 literary masters such as tao yuanming, li bai, bai juyi, sushi, wang anshi, huang tingjian, lu you, zhu xi, kang youwei, hu shi and guo moruo have climbed it

    從司馬遷"南登廬山" ,到陶淵明、李白、白居易、蘇軾、王安石、黃庭堅、陸游、朱熹、康有為、胡適、郭沫若等1500餘位文壇巨匠登臨廬山。
  17. Although he is not a poet, he becomes a poet ; bingxin, although a poet by profession, isn ' t a true poet ; guo mono is a poet, but short - lived

    胡適不是一個詩人,但卻成了一個詩人;冰心是一個詩人,但卻沒有成為一個詩人;郭沫若是一個詩人,但卻是一個短命的詩人。
  18. Guo moruo analysed properly the idealistic, and artistic value of zai sheng yuan and made the textual research about extraction and encounter of chen duansheng

    郭沫若對《再生緣》思想藝術價值,作出了精闢的分析,時陳端生的家世、遭遇作了全面的考證。
  19. In the historical context of modern literature, zhang ziping, like guo moruo, is regarded as one of the four masters in the creation group by many researchers

    摘要在現代文學的「歷史情境」中,許多研究者都將張資平與郭沫若等並稱「創造社」 「四大金剛」 ,而在文學史敘述中,張氏卻始終無法摘去「三角戀愛作家」 、 「漢奸文人」的帽子。
  20. Exhibition language of guo moruo memorial museum

    郭沫若紀念館陳列的設計語言
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