野史 的英文怎麼說

中文拼音 [shǐ]
野史 英文
unofficial history; privately compiled history
  • : Ⅰ名詞1 (野外) open country; the open:曠野 open spaces [country]; wilderness; 田野 open fields; ...
  • : 名詞1 (歷史) history 2 (古代掌管記載史事的官) an official who was in charge of historical rec...
  1. Shiro kayano, the president of the nibutani ainu museum explains how ainu live in harmony with nature

    二風谷阿伊努博物館,館長郎茅解釋,阿伊努人是如何與大地為伍。
  2. Stanley's ambition made him contemptuous.

    坦利心還不小哩,他感到不齒。
  3. Man has gradually emerged from barbarism into civilization over the long history

    在悠久的歷長河中人類逐漸脫離蠻狀態而進入文明。
  4. In order to insure the content was detailed and true, this book adopted some ways of copying, clipping etc, and widely quoted many historical data, such as corpus, memoir, biography, unofficial history, note and chorography and so on. so the book has extensive, valuable, objective historical data

    全書以求備、求真為原則,通過照錄、並載、補裁等方法,廣泛徵引文集、實錄、傳記、野史筆記、方誌等各類文獻,在料上表現出博洽、珍貴、慎核等難能可貴的料特徵。
  5. Variety lauded " the magnetic presence of actor liu yung, who makes an impressive and arresting portrayal of emperor chien " in this delightful, laugh and adventure filled swashbuckler, which won the 1979 best adapted screenplay award

    借乾隆皇下江南一段歷揉合民間野史,創造了銀幕上乾隆皇帝儒雅風流的一代賢君形像,借古諷今,穿插乾隆和劉墉之間的君臣鬥智,機智幽默,劉墉妙計激揚州一怪鄭板橋出手獻畫,橋段一絕。
  6. The show - biz bible variety called this fouth continent - trotting adventure of the dashing, handsome, youthful ching dynasty emperor chien lung : " definitely one of the better ones

    大導演李翰祥揉合野史,正與個人考據之創作,順手拈來,皆可風趣解頤。
  7. Many interesting stories originated from unofficial histories

    許多有趣的故事源自於稗官野史
  8. So many malls have died or are dying that a new hobby has appeared : amateur shopping - mall history

    那麼多的購物中心都已經英雄遲暮,致使一個新的業余愛好已經出現:購物商城野史記。
  9. Ada from the hiss - story perspective

    野史角度談阿伊達
  10. Databases, bibliographies, timelines, and other materials on chinese history

    -提供歷代王朝歷之迷歷人物譜野史尋蹤等內容。
  11. And it is the mode of thing that distinguished lu xun from other writers of the same age

    野史思維是魯迅迥然不同於同時代其他作家的一種思維方式。
  12. This kind of mode of thinking had an influence not only on his zawen but on his novels and essays

    野史思維不僅影響著魯迅的雜文創作,還影響著魯迅小說和散文的書寫。
  13. This kind of describing mode can be still used continuously in historical records, sketches of unofficial history and novels

    這種情形的描寫模式在後世書、乃至野史筆記和小說中仍在持續沿用。
  14. Talking about the cast, veteran actor koichi sato as the lead male is persuasive as usual, while the rest of the actors have also done a great job

    其他眾人也表現稱職,尤其飾演怪醫的佐野史郎,面色灰白死寂,單是站出來已教人產生不安感覺。
  15. An unofficial historical perspective became a mode of thinking by which luxun observed history and reality, thus forming his " thinking with unofficial history "

    摘要野史已經成為魯迅觀察歷和現實的思維方式,從而形成了魯迅的野史思維。
  16. Is part of the " j - horror theater " series, and together the two movies serve as the first wave with the other 4 coming out soon the third installment of the series by takashi shimizu is scheduled to release in spring 2006

    佐藤浩市、高島政伸、佐野史郎、星真里、南果步、木村多江(內文有包含劇情,敬請留意。 )
  17. Is part of the " j - horror theater " series, and together the two movies serve as the first wave with the other 4 coming out soon ( the third installment of the series by takashi shimizu is scheduled to release in spring 2006 )

    佐藤浩市、高島政伸、佐野史郎、星真里、南果步、木村多江(內文有包含劇情,敬請留意。 )
  18. For this reason, we can determine that the compiler of “ wang zhen in power " was in the habit of having a preference for the biji of ming authors and unofficial historical writings, and that it needs to be discussed

    並據此斷定此卷《王振用事》的編纂者,有偏好明人筆記、野史的慣習,因此,筆削雜蕪,坐是成篇,可議之處不少。
  19. The use of color is inventive and it just helps to intensify the ominous and spooky atmosphere a lot. we all know that the hospital and the people are not realistic at all but we are nonetheless seduced by it

    整部片的拍攝手法統一細致攝影特別講究和出色氣氛和節奏的掌握恰到好處例如赤井醫生佐野史郎一角每次的出場便都教人不寒而慄。
  20. The cinematography is especially worth noting. the use of color is inventive and it just helps to intensify the ominous and spooky atmosphere a lot. we all know that the hospital and the people are not realistic at all but we are nonetheless seduced by it

    整部片的拍攝手法統一細致,攝影特別講究和出色,氣氛和節奏的掌握恰到好處,例如赤井醫生(佐野史郎)一角每次的出場,便都教人不寒而慄。
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