電影美學 的英文怎麼說

中文拼音 [diànyǐngměixué]
電影美學 英文
aesthetics of cinema
  • : Ⅰ名詞1 (有電荷存在和電荷變化的現象) electricity 2 (電報) telegram; cable Ⅱ動詞1 (觸電) give...
  • : Ⅰ名詞1 (物體擋住光線后映出的形象) shadow 2 (鏡中、水面等反映出來的物體形象) reflection; image...
  • : Ⅰ形容詞1 (美麗; 好看) beautiful; pretty 2 (令人滿意; 好) satisfactory; satisfying ; good; ple...
  • : Ⅰ動詞1 (學習) study; learn 2 (模仿) imitate; mimic Ⅱ名詞1 (學問) learning; knowledge 2 (學...
  • 電影 : film; movie; motion picture
  • 美學 : aesthetics美學傳統 aesthetic tradition; 美學范疇 aesthetic category; 美學觀點 aesthetic view poin...
  1. The poetic and aesthetical character showed in chinese movies

    中國的詩意品格
  2. In many other schools, classes deal with the history of film as an art form and with the study of film theory, aesthetics, and criticism.

    在其他許多校,開設了藝術史、理論、電影美學評論等課程。
  3. In 1997, he received the president s award from the american society of composers, authors and publishers for his work with the prestigious ascap fred karlin film scoring workshop

    1997年全作家作曲家出版家會頒贈給他主席獎的榮譽,以表彰卡林先生及其音樂工作坊對樂壇所做的貢獻。
  4. In the search for answers, " lost worlds " takes the audience on a journey up into a world high above the streets of new york city, and down into the soil of the catskill mountains and beyond ; we plunge into the kelp forests of the pacific and investigate biodiversity with a team of scientists in the remote and fantastic table mountains of venezuela

    要找出個中原因,將會帶領觀眾進行從國紐約?摩天大樓到吉士喬山脈中的旅程,陪同科家潛入太平洋的海藻森林及研究委內瑞拉偏遠山區內多樣化的生物物種。透過這些不同探索歷程,嘗試探討有關生物的差異及彼此的復雜關系及人類生存之謎。
  5. The idea of entertainment value is also straightforward. while by cogitative value, it is initiated by the question of whether we can learn anything from a movie. this is very important as it explains why we would want to see a movie

    藝術性方面大家也明白,即如何拍一個好的鏡頭方面,但其實講故事的方式也是藝術,因為我們已看過太多了,為什麼我們仍要繼續看
  6. The tiny pacific island of fiji submitted " the land has eyes, " its first indigenous movie about indigenous fijians from director vilsoni hereniko, according to the academy of motion picture arts and sciences

    藝術與科院介紹,太平洋小島國斐濟選送了大地有眼,這是第一部描述斐濟原著民的本土,該片的導演是維爾索尼赫倫尼科。
  7. Analysis of the aesthetic value in 1930 ' s china left wing film

    20世紀30年代中國左翼電影美學分析
  8. Moving towards the aesthetics of the optimization of life - existence

    數字化生存中的電影美學
  9. Discussion of the aesthetic differences between film and photography

    討論電影美學與攝的不同處。
  10. On the deconstruction and innovation of the movie aestheticism by the internet

    簡論網路對電影美學的解構和更新
  11. Five differences between the aesthetics style of the fifth generation film and new generation

    第五代與新生代電影美學風格的五大差異
  12. The point is not only that the poems allude to chaplin, but that they often derive their own sense of literary aesthetics, paradoxically, from film aesthetics

    重點不僅是詩中提到卓別林,還有它們矛盾地從電影美學中得到對文的感知。
  13. Li ' s cinematic spectacles simulate the visual spirit of chinese landscape painting, which is derived from taoist ideology about space and time

    李翰祥導演在黃梅調中的電影美學是想模擬中國山水畫的精神,而這個精神源自於中國道家對空間與時間的觀念及看法。
  14. This essay applies the auteur approach to analyze the cinematic aesthetics of huangmei opera films of li han hsiang, the most important director of the huangmei opera film genre

    本篇文章是採用作者論方法去分析黃梅調類型最重要的導演李翰祥的電影美學
  15. To complement our “ director in focus ” retrospective of lee ' s work, prominent hong kong poet ye si will talk about the cinematic and literary aesthetics in lee ' s films

    為配合是次導演焦點環節,我們很榮幸請來著名詩人也斯,為我們剖析李滄東的作品,讓我們細看李滄東的電影美學和文性。
  16. Apart from giving a perspective of the aesthetic achievements of the hong kong new wave, mr cheuk pak - tong s article the hong kong new wave : its characteristics in creativity, production, distribution, and completed works, also provides an analysis of the more practical aspects of distribution and other departments

    除一般對新浪潮電影美學上的爭論之外,卓伯棠先生的新浪潮在創作製作和發行等方面對香港響,補充了以外,發行等方面的實際情況。
  17. On the tsui hark team s many struggles with technology and the impact of such experimentation on his esthetics, we are regretfully unable to offer coverage here that s close to satisfactory

    徐克的特技小組發展特技的經過與面對困難,以及特技的嘗試對徐克電影美學響,都是很值得鉆研的課題。
  18. Based on the esthetic textual analysis of persona, filmed by swedish director ingmar bergman, this article discusses the philosophic and esthetic relationship lying in human beings ' language and silence, and then discusses the ontological significance that films possess as a specific form of the language

    摘要通過對瑞典導演伯格曼的《假面》所進行的電影美學方面的文本分析,探討存在於人類的言語與沉默之間的哲關系,並進而探討作為一種語言的形式的本體論意義。
  19. Early in the film " a beautiful mind, " the mathematician john nash is seen sitting in a princeton courtyard, hunched over a playing board covered with small black and white pieces that look like pe les

    麗心靈》里有這樣一幕場景:教家約翰?納什坐在普林斯頓大的庭院里,俯身看著一塊游戲,木板上點綴著黑色和白色的像鵝卵石那樣的東西。
  20. Early in the film " a beautiful mind, " the mathematician john nash is seen sitting in a princeton courtyard, hunched over a playing board covered with small black and white pieces that look like pebbles

    麗心靈》里有這樣一幕場景:教家約翰?納什坐在普林斯頓大的庭院里,俯身看著一塊游戲,木板上點綴著黑色和白色的像鵝卵石那樣的東西。
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