音樂記譜法 的英文怎麼說

中文拼音 [yīn]
音樂記譜法 英文
musical notation
  • : 名詞1. (聲音) sound 2. (消息) news; tidings 3. [物理學] (音質) tone 4. (姓氏) a surname
  • : Ⅰ動詞1 (把印象保持在腦子里) remember; bear in mind; commit to memory 2 (記錄; 記載;登記) writ...
  • : Ⅰ名詞[書面語]1 (按類別或系統編成的書或冊子等) table; chart; register 2 (指導練習的格式或圖形)...
  • : Ⅰ名詞1 (由國家制定或認可的行為規則的總稱) law 2 (方法; 方式) way; method; mode; means 3 (標...
  • 音樂 : music
  1. The anthology will include representative works from the guangdong yinyue repertoire, with traditional gonche notation and detailed transcriptions in modern staff notation, a cd recording of the selected works in authentic cantonese style, and bilingual scholarly commentary

    陳博士指出:這是一個史無前例的中研究,亦是首項集、傳統演奏及雙語解說的廣東研究;深信能加深兩岸三地,以及海外界對廣東的認識。
  2. The standard method in western music has in recent centuries been by means of staff notation, but different forms of letter notation have been used, with imaginative forms of graphic notation in some contemporary music and, in earlier times, tablature, a combination of letters, numbers and staff designed for particular instruments

    近幾個世紀的西方所用的標準方是採用五線的形式,但是運用了不同形式的名,在一些現代中運用的新形式的圖示,早期,指,由專為特定器設計的字母,數字,五線組成。
  3. Music notation is the writing of notes

    音樂記譜法是指符的書寫。
  4. Music notation is a general term to describe the writing down of music

    音樂記譜法是指符通用書寫方
  5. The anthology will include representative works from the guangdong yinyue repertoire, with traditional ( gonche ) notation and detailed transcriptions in modern ( staff ) notation, a cd recording of the selected works in authentic cantonese style, and bilingual scholarly commentary

    陳博士指出:這是一個史無前例的中研究,亦是首項集、傳統演奏及雙語解說的廣東研究;深信能加深兩岸三地,以及海外界對廣東的認識。
  6. Other forms of music may need different systems of notation

    其他形式可能需要不同的
  7. Memorizing music score is a complicated mental process, it is a good example of memorizing piano music score with the method of " lieyi mar - jizejige ", showing that memorizing piano music score is a conscious process based on the analysis of music score logic, vision and sound

    摘要鋼琴憶是一個復雜心理過程,以「列依馬爾基澤基戈」為例,提出鋼琴憶需在分析邏輯、視覺和聲等基礎上,進行有意識憶。
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