音節劃分 的英文怎麼說

中文拼音 [yīnjiéhuàfēn]
音節劃分 英文
silbentrennung
  • : 名詞1. (聲音) sound 2. (消息) news; tidings 3. [物理學] (音質) tone 4. (姓氏) a surname
  • : 節構詞成分。
  • : 劃動詞1 (撥水前進) paddle; row 2 (合算) be to one s profit; pay 3 (用尖銳的東西在別的東西上...
  • : 分Ⅰ名詞1. (成分) component 2. (職責和權利的限度) what is within one's duty or rights Ⅱ同 「份」Ⅲ動詞[書面語] (料想) judge
  • 音節 : syllable
  1. The proposed method in this paper raised a way of relatively high performance recognition of pitman shorthand vocalized outline. the approach includes : a ) segmentation of the vocalized outlines, including correction of the over segmentation based on neural networks. b ) feature extraction and recognition of pitman shorthand consonant signs using neural networks

    在解決這些問題的基礎上,完成了本文,主要內容有: ( 1 )速記手寫體的預處理; ( 2 )輔素符筆的二次割法,以及基於神經網路的對過割的檢測和糾正; ( 3 )基於神經網路的pitman速記輔符號的識別; ( 4 )基於單個符號識別結果的整體單詞識別。
  2. In addition to electrical and electronics goods, the " best " flagship store will have several zones dedicated to niche products : a home theatre section with high - end audio - visual equipment ; a hi - tech hi fi section showcasing premium - brand audio equipment ; and an hdtv section, where customers can experience the ultimate in high - definition tv. another unique feature of the store will be a special relaxation area designed to enrich the customer shopping experience. mr chu ip pui, executive director, kerry real estate agency limited, noted at the signing ceremony : " best is not only a new tenant of megabox, but also our best partner for tapping the huge market potential for a better quality of life through the application of quality electrical and electronics products

    Megabox的香港最好電器店內除了傳統電器電子產品外,店鋪內特別了多個專區,包括頂級家庭影院專區home theatre section ,展示一系列先進的影設備,將家居提升成為豪華私人影院,滿足星級的視聽享受另有高科技喇叭響系統專區hi - tech hi fi section ,網羅各地名牌響產品此外更配合數碼廣播時代的來臨,特設具備高清顯示器材的電視機專區hdtv section ,讓顧客現場享受最優質的畫電視目此外,店內亦首創設置顧客憩息區,讓顧客可以在閑適的環境中,細意挑選及欣賞各種先進電子產品,盡情享受整個購物體驗。
  3. Section 4. 2. 3 ( c ) of the invitation for proposals requires the proponent to submit an audio - visual presentation, in the form of a cd - rom highlighting key features of the proposal, as one of the components of the preliminary masterplan

    發展建議邀請書第4 . 2 . 3 ( c )規定,建議者須以光碟的形式提交影簡報資料,作為初步總體發展計的一部,重點闡述其建議的特點。
  4. This feature perfectly combine the frequency in acoustics level and the temperament in music semantic level, we use the cosine distance of this feature to represent the similarity of two music clips, then we design a group of algorithms that is inspired from the thought of edit distance and dynamic programming. they segment the feature vectors into groups at first, then through group similarity match, group recurrent detect, merge recurrent group and structure label joined algorithms to complete the music structure label task. because this is a really new field of research and no good method of evaluation had been finding, we propose a new evaluation method and the results of the experiments show that it is a good method

    然後設計了一組源於編輯距離和動態規思想的樂結構析演算法,首先將特徵向量組,然後經過組相似匹配、組重現檢測、重現組歸並和自動標注四個前後銜接的環實現了樂結構的自動標注,較好地實現了將頻形式的樂自動標注為表示樂結構的三元組列表形式,由於這是一個新的領域,目前還沒有比較好的量化評價方法,本文提出一種新的評價方法,並用它來評價結構析的結果,取得了較好的效果。
  5. Firstly, this article solves problems in the uighur text analysis, such as syllable separation, and summarize stress ? pause and tone rules of prosodic based on the features of the uighur language and phonetics. then propose the design of ? context vector ?, and uses greedy algorithm to optimize corpus. at last, this article introduces synthesis method using variable - length concatenating units

    首先根據維語的語和語言特徵,解決了音節劃分等有關文本析的問題,並總結了重、停頓、語氣等韻律規則;然後採用「語境矢量」的設計,用greedy演算法優化語料庫;最後採用不定長單元的拼接合成方法,首先選擇較大單元合成,當拼接單元為時,用viterbi演算法,基於語境挑選出最優的單元合成語
  6. Starting from the basic concept for the production of musical sound, the essay reduces the sound to its single tone, analyzes the common origins of pitch, rhythm and volume on the deeper level, and thereby derives the potential of the transformation among the three, revealing the truth in the art of music that the whole is not equal to the simple addition of all individuals

    本文從響產生的基本概念入手,將響還原到單狀態,析了高、奏、量在深層次上的共同根源,並以此推導出三者存在相互轉化的可能,從而揭示在樂藝術中整體並不等同於單個個體的簡單相加,而二度創作空間從單的發句的也同樣存在無窮的可能,也由此決定了人的感性參與的重要意義,它們的創作空間是主客觀的共同作用。
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