adorno 中文意思是什麼

adorno 解釋
阿多爾諾
  1. In the third part, the insufficiency of adorno ' s theory on the relationship between mass culture and elegant culture is discussed. the author analyzes the dispute that mass culture and elegant culture is totally opposite. lowenthal treats this problem carefully and contradictorily, it is obvious that adorno ' s view is partial and static because the relationship between them develops with history

    先分析阿多諾關于大眾文化與高雅文化完全對立的觀點,然後指出洛文塔爾在這問題上的謹慎、矛盾的態度,接著從社會文化歷史發展的角度指出二者的關系有一個歷史發展過程,因此阿多諾的觀點片面性、靜止性的不足是很明顯的。
  2. A comparison of adorno ' s and hegel ' s aesthetic views

    阿多諾與黑格爾美學思想比較論
  3. Relation between t. w. adorno s and i. kant s aesthetics

    論阿多諾與康德美學之關系
  4. On real relationship between adorno and totality

    阿多諾與總體性的真實關系
  5. Untotal constellation adorno ' s dimension of critical theory

    批判理論的阿多諾維度
  6. Adorno and heidegger : confrontation and potential confrontation

    對抗和潛對抗
  7. Tw adorno : no more poetry after auschwitz

    兼論反對價值相對主義和犬儒主義
  8. Adorno on culture industry and modern art

    阿多諾論文化工業與現代藝術
  9. On adorno ' s analysis of the social psychology of fascism

    略論阿多諾對法西斯主義社會心理的分析
  10. On adorno ' s theory of quot; end of art quot

    論阿多諾的藝術終結觀
  11. Adorno s philosophy of modernity in the post - modernist context

    后現代語境下的阿多諾的現代性哲學
  12. In the second part, the authors retorts adorno ' s view on social effects of mass culture

    第二部分,主要在大眾文化社會效果問題上展開對阿多諾反思。
  13. From spiritual slackness to aural degeneration an analysis of adorno ' s reception theory of popular music

    試析阿多諾的流行音樂接受理論
  14. Understanding and transcending the culture industry theory of t. w. adorno

    理解與超越阿多諾的文化工業理論
  15. What is quot; cultural industry quot; : a reading of adorno ' s cultural industry critique theory

    解讀阿多諾的文化工業批判理論
  16. People get used to defining the cultural identity of new media art according to benjamin ' s mechanical duplication theory and adorno ' s cultural industrial theory

    摘要人們習慣于用本雅明的機械復制理論和阿多諾的文化工業理論定位新媒體藝術的文化身份。
  17. Introspection on the social affects of mass culture by adorno and benjamin debated

    反思阿多諾與本雅明的大眾文化效果之爭
  18. Theodor w. adorno, the culture industry : selected essays on mass culture, pp. 116 - 117, pp. 119, p. 119, p. 131, p. 127, p. 129, p. 129

    西格蒙德?弗洛伊德: 《群體心理學與自我的分析》 ,張敦福譯,載《論文明》 ,國際文化出版公司2000年版, 178 , 190頁
  19. The spiritual modern art relied by adorno drastically resisted and opposed the lies of identical reality, and reflected all kinds of fallacy about the situation of human life in the wholly managed society through a foreign characteristic impudence, then brought about a horrifying redponse, in order to cultivate and develop a true will which was missing in the false ideology and ideological social reality, and finally fulfill the eco rescue of individual subject which was sinking in the irrational holistic society

    摘要阿多諾倚重的精神化現代藝術斷然抵抗和否定同一性現實的謊言,以異質性的張狂反射出全面管理的社會中人類生存狀況的種種悖謬,給人以驚顫效應,以期培養和發展一種迷失在虛假的意識形態中和已被意識形態化了的社會現實中的真理意志,最終實現在非理性整體化社會中沉淪的個人主體性自救。
  20. Adorno ' s critique of culture industry is based on the idea of an egalitarian dialectics between spiritual and material culture, reason and sensibility, mind and impulse

    阿多諾對文化工業的批判,便從精神文化與物質文化、理性與感性、精神與沖動的平等辯證出發。
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