aesthetic object 中文意思是什麼
aesthetic object
解釋
美學客體-
Nowadays, when modem western aesthetes are making every effort to seek the aesthetic issues on subject and object, existence and appearance, sense and comprehension, it will derive lots of new inspiration to re - read zhu guangqian ' s aesthetic ideology
在現代西方美學家殫精竭慮欲探詢的主體與客體、存在與顯現、意義與理解等美學問題的今天，重讀朱光潛的美學思想會有很多新的啟發。 -
The object and method of the research inchinese aesthetic history
中國美學史的研究對象與方法 -
The express of aesthetic object in li qing - zhao ' s poetry
試論李清照詞的審美客體化 -
Through the works of 16 contemporary artists from the us, china, canada, and the united kingdom, this project considers video and film, not only as aesthetic and creative form, but also as a conceptual canvas riddled with questions of sight, of viewing, of subject / object, of aura and authenticity, of spectator and voyeur, of physicality and time
通過來自美國、中國、加拿大和英國的16位當代藝術家的作品，這個項目把影視不止看作是美學的，富有創造性的形式，也把它看作是一幅充滿迷題的概念式油畫，視覺、觀看、主體/客體、氛圍和真實性、觀看者和窺視者、物質性和時間等問題糾葛在一起。 -
The natural object in shi shuo xin yu is the aesthetic target naturally to a certain extent
摘要《世說新語》人物品藻中的自然物象在某種程度上也是自然審美對象。 -
From the point of view of ontological horizon, the characteristics of the doctrine of quiescence has many characteristics are shown as follows : firstly, quiescence consciousness is an ontology being which reaches a broad mind of subject - object fusion ; secondly, aesthetic subject has an intentionality by its pure spirit introversion ; thirdly, intentional object transcends the finite present, which is present by intentional imagination
摘要「虛靜」說在本體論視域下呈現如下特徵：首先，虛靜自顯為一種具有主客相通性質的本體存在；其次，虛靜因審美主體明晰的精神指向性而具有一種意向性特徵；最後，意向客體在虛靜中超越有限的在場之物，並藉助意向性想象在精神上得以呈現。 -
On interactive subjectivity of aesthetic object of the artistic work
論作為藝術作品的審美對象的交互主體性 -
The aesthetic characteristics of the academic thesis as aesthetic object
作為審美客體的學術論文的審美特徵 -
On the relationship between the aesthetic subject and the aesthetic object in the creation of contemporary poems
論當代詩歌創作中審美主體與客體的關系 -
For literature, the influence mainly shows that the instrument and music had become the aesthetic object and the motif of literary creation
對文學而言，此種影響主要表現為樂器和音樂進入當時人們的審美視野，成為文學創作的題材。 -
Analysis the linear leisure space and dynamic landscape as aesthetic object from essential factor, form and structure, and space - time, to discuss the principle of it
通過對作為審美客體的線性休閑空間與動態景觀的要素、形體和時空三個方面的解析，探討線性休閑空間與動態景觀創造的原則，以構成對休閑行為的支持。 -
The artistic anthropologist have expanded the situation connotation, valuing situation historical culture connotation, emphasizing the combination characteristic of aesthetic subject, aesthetic object and aesthetic environment in specific situation, thus causes the aesthetic research and human ' s research union, and moves towards thoroughly in the multi - dimensional research
藝術人類學者擴展了情境的內涵，重視情境的歷史文化內涵，凸現審美主體、審美客體與觀審環境在具體情境中的組合特徵，從而使美感研究與人的研究結合，並在多維研究中走向深入。 -
In the modern cultural context, schiller ' s theories of tragedy, poetics, sublimity and aesthetic education have decentralized the traditional politics, relocated the normality of modern political reason, disclosed the deep - level relationship between aesthetics and moral politics, realized the communication between aesthetics and ethical state, and promoted the development of modern political public sphere by way of aesthetically participating the communicative actions, expressing a strong desire of establishing subject - object relations between man and nature, and man and society
摘要當代文化語境中，席勒的悲劇理論、詩學理論、崇高理論、美育理論通過審美批判的張力拆解了傳統政治中心、修正了現代政治理性的失范，揭示了審美與道德政治之間的深層關系，表達了人與自然和解、人與社會之間建立主體關系的強烈願望。
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