awareness of existence 中文意思是什麼
awareness of existence
解釋
存在意識-
Tragedy contains them both, goes beyond both, illuminates both, but comes to no conclusion. tragedy could, it is true, be called pessimistic in its view of the evil in the universe as unremitting and irremediable, but the blight man was born for, the necessary condition of existence. it is pessimistic, also, in its view of the overwhelming proportion of evil to good and in its awareness of the mystery of why this should be - the " unfathomable element " in which ahab foundered. but it is optimistic in what might be called its vitalism, which is in some sense mystical, not earthbound ; in its faith in a cosmic good ; in its vision, however fleeting, of a world in which all questions could be answered
悲劇包含了樂觀與悲觀，超越了兩者，反映了兩者，但是並不最終指向任何一方.的確，悲劇可以被認為是悲觀的，其原因在於它始終視世間的邪惡為永不止息和無法救贖的.然而那些悲劇人物卻是人類存在之必然疾患的證明.它是悲觀的，同時也在於它意識到在這世上惡相對于善是多麼強勢的存在，並且這一事實的不合理性也一直糾結在它心裏.這一深不可測的迷惘導致了以色列國王亞哈的沉淪.然而，悲劇又是樂觀的，因為其強大的生命力.這種在某種程度上神秘的，超乎世俗的生命力.它的樂觀性在於其對宇宙本質之良善的信心，在於其即使短暫，卻實在的，認為世間萬種疑惑終將被解答的信念 -
The second band : the second band consists of exteriorized beings who realize they are no longer in physical form in physical human life, but left their physical life with no awareness or concept that any other possibility for existence exists
第二環帶：第二環帶由認識到他們不再處于肉身之中的人的世間生命的形象化的存在所組成，但是他們離開他們的世間生活后，對任何其他存在的可能性一無所知。 -
The conception that holds to be true the existence of eco - theory is its basic philosophical back - up and cultural support ; the theory that valorizes the play is its aesthetic category which breaks through the heidegerian doctrine of the world contesting against the earth ; the belief that living poetically is against living technically leads the aesthetic to that of man ' s existence ; the idea that one should be aware of one ' s home is against the sense of loss in modem social man ; the awareness of one ' s situation is closely related to one ' s living circumstances and one ' s feeling of them ; participation in the aesthetic is a manifestation of the subject ' s participation in eco - construction with his sensibility ; and finally, eco - criticism is the practical form of eco - aesthetics
「生態論的存在觀」是其基本的哲學支撐與文化立場； 「四方游戲說」是其主要美學范疇，是海德格爾對「世界與大地爭執」理論的突破； 「詩意地棲居」與「技術地棲居」相對，將審美引向人的審美地生存； 「家園意識」針對現代社會人的茫然之感，具有本源性特點； 「場所意識」則與人的具體生活環境及對其感受息息相關； 「參與美學」反映了生態美學以主體所有感受力參與審美建構的特點； 「生態批評」是生態美學觀的實踐形態。 -
However, many hong kong people are still not aware of the existence of these marine treasures. there s a need to educate the public and students on our great underwater diversity, which is a fascinating mix of tropical and cold - water species. in addition to raising public awareness on our marine resources in hong kong, we will use the fish counts to compile a fish biodiversity database that will be added to each year to aid marine conservation efforts, " said dr andy cornish, local fish expert and adjudicator of the big fish count
本地魚類專家兼觀魚大賽裁判andy cornish博士表示：本港海面面積達1 ， 650平方公里，棲居其中的海洋生物種類繁多，包括1 ， 000種熱帶與溫帶魚類，以及逾80種珊瑚然而許多香港市民並沒注意到這些海洋寶藏的存在，本會認為需要加強教導公眾與學生認識海底下多姿多採的熱帶和溫帶生物品種。 -
The child of nature shows singularly little awareness of the charms of his existence.
大自然的兒女對于生存的魅力一無所知。
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