critic 中文意思是什麼

Among those in the audience was expected to be iranian president mahmoud ahmadinejad, an acerbic critic of u. s. foreign policy who has previously challenged bush to a debate

與會者中包括伊朗總統馬哈茂德?艾哈邁迪內賈德，他一貫嚴批評美國的對外政策，此前曾向布希發出挑戰，要求進行辯論。

The food critic anton ego is hard to deal with

美食評論家安東?依考很難對付。

General embick was a most capable critic.

恩比克將軍是一位最能幹的批評家。

One critic has christened the two types of authors "palefaces" and "redskins, " taking henry james and walt whitman as representative figures.

一位批評家把這兩種作家分別叫做「白面孔」和「紅皮膚，」拿亨利詹姆斯和華爾特惠特曼當做兩派的代表人物。

Close shot a critic is calling on a artist

（近景）一位批評家給一藝術家打電話。

Close shot the critic exclaims to the artist

（近景）批評家指著藝術家大吼。

Close shot the critic slams the phone down

（近景）批評家氣憤地放下電話。

Close shot the artist is talking to a rival critic

（近景）藝術家正和外地評論家談話。

Coleridge was esteemed by some of his contemporaries and is generally recognized today as a lyrical poet and literary critic of the first rank

科勒律治被同時期的詩界所尊崇，直至今日也被奉為第一流的抒情詩人與文學評論家。

Hu xianxiao as a critic of cultural conservatism

作為文化保守主義批評家的胡先

The critic to monk - poets ' extra corpora in sikuguanshuzongmu

中的詩僧別集批評

He is a truly perceptive critic.

他確是一位很有眼力的批評家。

Someone once tabbed me the critic's critic.

有人曾經稱我為批評家的批評家。

G. wilson knight, emeritus professor at the university of leeds, has had a long and prolific career as a critic.

奈特是里茲大學名譽教授，作為一個評論家，資歷頗深。

He has a reputation for being a forthright critic

他是以直率著稱的評論家

A friendly critic might have called his heaviness weighty.

善意的評論者甚至能把他的笨重舉止說成是穩重沉著。

Although ahearne calls him a “ thoughtful critic and not at all intransigent, ” ewing can be a formidable adversary because he follows a problem to the end, regardless of disciplinary boundaries

亞赫尼形容尤因是思慮清楚的評論家，並且絕不妥協，但也是位難纏的對手，因為他追根究柢，無視各學科之間的無形邊界。

Leo held himself to be a critic of craziness.

利奧把自己看成是一名瘋狂癥的鑒定家。

The paper does its best to analyse the metaphysic of humanism. and disposes heidegger ' s critic on the humanism, so descripts the nature of man, that is, man is the shepherd of being

對于形形色色的人道主義的形而上學特性，海德格爾進行了人道主義的批判，從而顯現出人的本性：人是存在的鄰居。

Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版