scriptwriter 中文意思是什麼

scriptwriter 解釋
編劇
  1. The film was a largely successful adaptation of the stage play, though sometimes one felt that the scriptwriter had taken rather too many liberties with the original text

    這部電影大體上來說是對原舞臺劇的成功改編，盡管有時讓人覺得電影編劇者對原著的處理過于隨意。
  2. Scriptwriter liu damu remembers in his interviews and in his essay, between wining and dining : a scriptwriter s impressions that tsui hired writers to conduct research on various aspects of mythology, from flying swords to religious teachings to confucian tenets

    劉大木在訪問及在本書觥籌交錯話大俠一文中，都談到徐克聘用編劇?羅神話等各方面的資料，如飛劍有之，佛道之理有之，儒家學說有之。
  3. Based on the novel aunt julia and the scriptwriter by mario vargas llosa

    根據小說朱莉婭嬸嬸改編劇本：馬里奧瓦格斯羅莎
  4. In short, the film features a very intense drama and distinguishes itself from those typical no brainer action adventure flicks. please give a round applause to scriptwriter and director alan mak

    這是一部很成熟的電影，而且拍出港片少見的深度，編劇麥兆輝和莊文強應記首功。
  5. The co - star for md drama, xpgly, 15years old yang ya - zu ( hope i didn ' t get her hanyu pinyin wrongly ) has not only make fan zhi wei broke off with cyndi wang, but also managed to attract md who has in turn asked the scriptwriter to increase his scenes with yyz

    十五歲的楊雅築電力超強，范植偉剛被她電到而甩了王心凌，最近合作偶像劇《星蘋果樂園》的明道，也逃不過她未成年的幼齒魔力，打算和編劇串通，增加與她親密接觸的機會。
  6. We are especially grateful to scriptwriter liu damu and art director bill lui, who also contributed essays to this book, liu not only writes about his days eating and drinking with tsui, he also provides a transcript of a brainstorming session, taking us back in time to witness tsui s mind at work

    劉大木和美術指導雷楚雄更為本書撰文，我們不勝感謝。劉大木不僅追溯和徐克一起吃喝的日子，還給我們筆錄編劇會議一段腦力激蕩的對話，讓大家返回昔日時光，見證徐克怎麼構思故事。
  7. At great wall, a scriptwriter - director committee was established after the 1950 reorganisation. committee members ma kwok - leung, yue feng, li pingqian, liu qiong, gu eryi and tao qin met to discuss scripts and casting. 9

    據報道，長城於一九五年改組后成立了一個編導委員會，由馬國亮岳楓李萍倩劉瓊顧而已陶秦等任委員，討論劇本內容和演員分配的問題
  8. From seasoned veterans like composer james wong and editor marco mak to then upstarts like scriptwriter liu damu and assistant director o sing - pui, filmmakers recount how difficult it had been trying to realize tsui s ever - changing ideas, using the limited resources of the hong kong film industry to achieve effects equal to - sometimes even surpassing - hollywood

    不管是經驗老到的音樂創作人黃沾與剪接麥子善，或是當時剛入行的編劇劉大木與副導演柯星沛，全都認為香港電影業資源有限，要實現徐克不斷改變的意念實在困難，更何況有時還要達到甚至超越荷里活的水準。
  9. Mr. james schamus, producer of the film brokeback mountain 2005 will deliver a talk entitled next year in munich : masculinity, zionism and diaspora in spielbergs epic on 6 november 2006 monday at lingnan university. mr. schamus talk will be followed by a question and answer period that will allow the audience to ask this talented scriptwriter and producer questions about his work in the film industry. open to the public, the seminar is organized by the visual studies programme of the university which aims

    嶺南大學下稱嶺大哲學系視覺藝術課程visual studies programme邀得斷背山2005的電影監制james schamus先生於十一月六日星期一到嶺大主持一個題為next year in munich : masculinity ， ziontism and diaspora in spielbergs epic的公開講座，就奧斯卡最佳導演史提芬史匹堡steven spielberg執導的慕尼黑2005進行演講，並分享他曾參與製作及編寫的電影。
  10. Spring in a small town 1948 ; actor, director and scriptwriter bao fong ; hisa moon, dubbed as the big princess of great wall movie enterprises ltd ; the renowned comedy actor - cum - director hu siao - fung ; scriptwriter chu hak, who endured an up - and - down career ; famed cinematographer lo kwan - hung ; and chu hung, the hottest startlet of feng huang phoenix motion picture co. each, for different reasons, joined the left - wing companies great wall and feng huang in the 50s and was thus labelled left - wing filmmakers

    他們包括曾為中國有聲電影拓荒的陸元亮五十年代初被香港政府以莫須有罪名驅逐出境的舒適由江南小城翩然降落東方之珠的韋偉能演能編能導的鮑方長城大公主夏夢擅拍喜劇的胡小峰藝途坎坷的編劇朱克著名攝影師羅君雄和鳳凰當家花旦朱虹。
  11. The names in this roster suggest that creative decisions were still in the hands of filmmakers, while organised political forces stayed behind the scene. it is exemplified by the fact that sima wensen, a bona fide leftist scriptwriter, was not on the list

    從這個名單看來，劇本創作仍掌握在真正電影人的手上，而左派組織的參與還傾向低調，連正牌屬於左派系統的司馬文森也沒有在名單上出現，倒隱沒於幕后。
  12. After ivy ho wrote the first draft of the story, we realized that we had had very different point of views, and so we found another scriptwriter fung chi - keung to continue the scriptwriting process

    :最初岸西寫了第一稿之後，大家卻有不同的想法方向，所以我們就找來另一位編劇馮志強，一起再去進行之後的創作。
  13. My days as assistant director and scriptwriter

    當副導演和編劇的日子
  14. Shen, scriptwriter of the landmark temple of the red lotus, presents it all with a sure touch and an eye for the spectacular

    后太傅被殺，魏王納其女如姬夏凡為妃，答應代其復仇。
  15. Scriptwriter chu hak says in his interview, the party started sending people to great wall in 1954 and yuen yang - an had to leave

    編劇朱克于本書的訪談中說：國內大概從一九五四年開始派人來長城。
  16. Adding a library function to do this will save the scriptwriter time, and improve the maintainability of the scripts

    添加一個庫函數來做這些事情將會節省腳本編寫者的時間，並且能改進腳本的可維護性。
  17. The filmmakers probably forget that film is a visual medium. a good film always relies on images instead of lengthy dialogues to tell a story. apparently, the scriptwriter wants to teach us a lesson from this story, that is, a man should respect and value the love of a woman

    另外可能為了遷就客串演員的出場問題，大部分場面都變得無聊無謂，猶其黎耀祥和吳鎮宇兩個角色根本多餘，刪了當能加快節奏和凝聚力，而且也能放更多時間描寫三對主角的戲。
  18. In this regard, although i wouldn t say director toe yuen and scriptwriter brian tse s approach is a failure, it is nevertheless obvious that the metaphorical messages behind the story are heavier than what they can handle. perhaps the story background is too light and whimsical, or that the running time of the movie is too short, throughout the movie, it is never easy for the audience to digest everything and grasp the meanings easily in the first viewing ( yes, if you want to enjoy every bit of the movie, repeated viewing is recommended )

    在這部片中，敘事真的頗為混亂，可能編導實在有太多話想說，有太多感情想宣洩，他們把這許許多多的訊息一股氣地都鑲嵌在劇情之內，無疑能夠令到影片的內容非常豐富，但也就正是豐富得過了頭，令觀眾很難消化嘴嚼，更遑論要細味反思當中的隱藏文本訊息了。
  19. Is not only the effort of the director, scriptwriter and the cast, what should not be ignored is the mutual effort of the entire crew

    香港不是沒有認真的電影人例如周星馳葉偉信等便是，而是欠缺一顆團結的心。
  20. The monograph includes two major sections : essays by film scholars, critics and oral history interviews with kong ngee personalities such as ho kian - ngiap of the ho family, chan man producer director, lung kong director, tam ning and woo mei - ping scriptwriter, patrick tse yin actor, patsy kar ling actress, nam hung actress

    本書結集電影學者及影評人的文章，並輯錄光藝影人的口述歷史訪問如何建業製片導演陳文導演剛編劇譚?胡美屏演員謝賢嘉玲南紅。
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