sound synthesis 中文意思是什麼
sound synthesis
解釋
聲音合成技術-
The physical models for those sound synthesis methods can exactly describe musical instruments ' s fundamental and harmonious and inharmonious frequencyies, as well as their nautral sounding process. they can be played like real musical instruments, representing players ' s strength, velocity and pattern, as well as emotion. so, the methods are playing very important roles within the sound synthesis domain currently, with mpeg4 published and improvement of computer ' s computational efficiency
由於它可以精確地描述物體的發聲及其發聲過程，精確地再現樂器的基波、高次諧波、非諧波以及asdr過程，象真實樂器一樣可以表達演奏者的演奏力度、速度、風格和情感，隨著計算機處理速度的提高，尤其是mpeg4技術的公布，這種方法日趨活躍，成為目前樂器模擬、聲音合成的研究熱點。 -
The concept of register - stops of organs is very similar to the idea of additive synthesis : complex timbres result from the addition of different components to the spectrum of a sound
按住風琴音栓的概念與加法合成的概念非常相近：復雜的音質是在聲音頻譜上增加不同要素的結果。 -
This will involve ( in broad order ) live recording and digital editing, digital processing, analog sound synthesis ( real and virtual ), midi sequencing, and building interactive environments
這將會包含（廣義的說）實況錄音以及數位編輯、數位效果處理、類比音效合成（真實與虛擬） 、 midi序列編輯、以及建立互動式環境。 -
Representing 3d movement by sound is on the basis of kinematics, acoustics, physiological acoustics, psychological acoustics and etc. by the means of analysis, processing and synthesis of digital signal, 3d sound is achieved and output by earphone or speaker. the goal of research is reflecting the moving characteristics of the object in the real world by processed sound in real time
用聲音表現三維運動是以運動學、聲學、人類生理聲學、心理聲學等研究成果為理論基礎，以數字信號分析、處理、合成為實現手段，以耳機或揚聲器為輸出工具，實時合成能夠反映等同三維真實空間中運動物體特性的聲音信號。 -
We testify limitations of the most famous two - dimensional pde for sound synthesis in its princilpes for rectangle and circle membrances. 4
以矩形膜和圓形膜為例，從理論上詳細地分析了傳統二維阻尼振動方程的局限性。 -
So, the most important research achievements in this paper are summarized as follow. 1. we testify limitations of the most famous one - dimensional pde for sound synthesis from its princilpes to application based on string instrument
撥彈弦為例，從理論上詳細地分析了著名的傳統一維阻尼振動方程的局限性，並從模擬試驗上對其局限性進行了驗證。 -
Sound synthesis techniques for physical model are research subjetcs based on acoustics and elastic dynamics and mathematics and signal process. they start from a continuous model for the vibrating body, given by partial differential equation dependent on elastic dynamics, and take its initial and boundary conditions, as well as excitation functions into account
基於物理模型的聲音合成技術是建立在聲學、力學、數學和信號處理等理論基礎之上的一門科學，它主要根據力學原理，通過振動偏微分方程、振動體的邊界條件、振動的初始條件和激勵條件來描述物體的振動物理特性。 -
The virtual orchestra system, which is based on midi synthesis and vbap ( vector base amplitude panning ), implements interactive multi - channel virtual spatial sound reproduction
基於midi合成技術和矢量基幅度平移技術實現了一個互動式多通道虛擬空間音樂回放系統。 -
In writing this work, i had to ensure that the role of the quintet remained central and balanced with the immense sound spectrum of the orchestra. i also tried to explore the effects of timbral synthesis in orchestral music which had never been explored before. it was certainly a challenging and imaginative composing experience
口琴五重奏與管弦樂合作演出這個全新的模式，並沒有舊作可供參考，考慮到如何使五重奏的角色保持在中心重點與及跟音量宏大的樂隊取得均衡，並嘗試藉此契機探索管弦樂音響群前所未有的效果，實在是既具挑戰性又富於想象性的作曲經歷。 -
2g : in 1989, two technologies from the " world of sound studio " are combined on a pc expansion card for the first time : fm synthesis made famous by yamaha synthesizers and 8 - bit pcm pulse code modulation at 11. 25 khz. for a long time, " soundblaster " becomes synonymous with the term sound card, and the first step toward the pc as " multimedia machine " was taken
11989年，兩項由world of sound studio發展出來的新科技首次被結合在個人電腦的擴充卡上：因為yamaha音源合成器以及8 - bit pcm pulse code modulation at 11 . 25 khz的興起，使得fm音源成為這時期的主流，使用fm音源的聲卡聲霸卡soundblaster幾乎成了該產品的代名詞。 -
Fourier synthesis is the process of building the sound back up again
傅里葉合成是將聲音重新構成的過程。 -
This method of generating a complex sound is sometimes referred to as " fourier synthesis ", in honour of joseph fourier, the mathematician who discovered the basis of what we now call fourier analysis
為紀念約瑟夫?傅里葉（他是發現了我們現在稱之為傅里葉分析的原理的數學家） ，這種生成較復雜聲音的方法有時被稱為「傅里葉合成」 。 -
Spectrum analysis is fundamentally important for additive synthesis because samples alone do not inform the spectral constituents of a sampled sound
因為采樣本身不能傳達出一個采樣聲音的所有的頻譜要素，所以頻譜分析對加法合成是至關重要的。 -
First you must admit, synthesis and sources of noise recordings although not involved in the microphone, but they also have their own characteristics : when will a nature does not exist in her traditional instruments with a voice mixed, it may show many problems, if background noise, synchronization of rhythms, and sometimes loss of stereo sound effects
首先你得承認，合成器和音源的錄音工作雖然不需要麥克風的參與，但是它們也有它們自己的特點：當將一種自然界不存在的音色與一件傳統樂器的聲音進行混合時，可能會表現出許多問題，如背景噪聲，節拍的不同步，有時還會失去立體聲效果。 -
Electronic sound synthesis
電子音響合成器 -
Sound synthesis analyzor
音響綜合分析器 -
The ability to provide control for time - varying spectral components of a sound is of critical importance for sound synthesis
能夠控制聲音的時變頻譜要素對聲音合成來說是至關重要的。 -
The multimedia technology is one kind delivery information the and so on the text, graph, image, video frequency picture, animation and sound media integrates in together, and processes one kind of comprehensive electronic information technology through the computer synthesis which and controls
多媒體技術是一種把文本、圖形、形象、視頻圖像、動畫和聲音等運載信息的媒體集成在一起，並通過計算機綜合處理和控制的一種綜合性電子信息技術。
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