spirit of creation 中文意思是什麼

spirit of creation 解釋
創世聖靈
  • spirit : n 1 精神，心靈，靈魂 （opp body flesh）。2 靈，神；天使，妖精，魔鬼（等）；鬼怪，幽靈。3 〈只用 s...
  • of : OF ＝Old French 古法語。
  • creation : n. 1. 創造，創作；發生。2. 創造物；天地萬物，宇宙。3. 創設；建設。4. （爵位等的）封授。5. 創造性演出，新型服裝。6. 〈美口〉（作感嘆詞用）哎呀，天哪。
  1. " creation of peak, aureole reflect " i peak enterprising spirit of chinese, we inherit long - term service customer, innovative policy of development, pursue customer ' s satisfied smile, create beautiful tomorrow constantly

    「峰之創造，華美體現」是我峰華人的企業精神，我們將秉承長遠服務客戶，不斷創新發展的方針，追求客戶滿意的微笑，共創美好的明天！
  2. Based on the problem caused by the emphasis of technology one - sidedly and the neglect of art, this article advocates that architecture creation should derives nutrition from contemporary art and analyzes the enlightenment significance with the example of the transformation of creation concept brought by conceptual art, the abundance of creation form and the promotion of innovation spirit

    摘要該文針對建築創作中片面地強調技術，忽視藝術而帶來人文思想的缺失問題，倡導建築創作從當代藝術中汲取營養，並以觀念藝術帶來的創作理念的變革，創作形式的豐富和創新精神的促進為例，分析了當代藝術對建築創作的啟示意義。
  3. Her art style is effusive and delicate, full of true love for life and spirit for creation

    她的工筆重彩，寫意重彩及寫意畫作品多次參加國內外美術展覽並獲獎。
  4. The allegorical spirit in tang xianzu ' s creation of traditional chinese opera

    論湯顯祖戲曲創作的寓言精神
  5. With the spirit of " limitless information, boundless creation ", taifeng people will try our best to make a splendid future. shenzen taifeng network technology co., ltd

    我們承諾將以卓越精湛的工藝和嚴謹的工作作風創造出高品質的產品，產客戶帶來更多選擇、更多驚喜。
  6. The people of the world may have all kinds of responses to this unfortunate catastrophe, but our fellow practitioners worldwide still adhere to the ideal that " all people are brothers ; creation is part of me, " revealing the utmost love and concern between brothers and sisters while conducting relief efforts after the disaster. especially, fellow practitioners in the united states, under master s guidance, amply displayed great calmness in the midst of the catastrophe, and a spirit of doing our best to help others

    無疑地，此次美國911事件的發生，已在人類歷史上留下了令人悲愴的一頁，無論世人對於此次不幸事件的反應如何，世界各地同修依然稟著民胞物與的胸懷，在災后的救援行動中，展現了同胞間的手足之愛，特別是美國當地的同修，在師父的指引之下，更是發揮了處變不驚相濡以沫的精神。
  7. The re - creation of the set pieces from the martial arts films of the 50s and 60s is our effort to show the spirit of the craftsmen of that era. an interactive game, making use of the chroma key technology, is a standard feature for special effects past and present. together with the multi - media displays in words, sound and images, this exhibition is an entertaining, as well as an educational experience

    我們也嘗試重造五六十年代著名武俠片中的巨型模型，展示當年的特技手藝精神所在，又以互動游戲說明當年和現在都樂于使用的藍布景特技，並在展場上採用多媒體影音圖像文字並用使整個展覽能寓教育于娛樂。
  8. Chinese piano music, which originated form europe and are influenced by the western music, has formed its own particular national style in its creation and performance by thousands of years ' traditional culture, multi - national folk tones, peculiar national spirit of chinese people, etc

    摘要中國的鋼琴音樂雖來源於歐洲，並受西洋音樂的影響，但幾千年的傳統文化、多民族的民間音調、中國人特有的民族精神等，使中國的鋼琴音樂在創作和演奏方面都具有特殊的民族風格。
  9. Controlling of drawing language is a prerequisite of creation ; from a comprehension of masterpieces under all sages by traditional treasury, deprivation from ancient great scholars, enlightenment of teacher wang rong - chong as well as instructions with the best efforts from the 3 masters as three of contemporary predecessors, wu wen - bing, sun cha - ching and weng wen - wei with a guidance from teacher wu wen - cheng in art of buddhism, that lead to a profound appreciation by experience for the beauty of line and styling and thus furthermore learned the lofty spirit of buddhism, with a hard progress, the author by this exhibition would present his affection and comprehension from drawing of buddha and share it to the public

    掌握繪畫語言是創作的先決條件，從傳統寶庫遍臨聖賢名作，汲古門經由王榮忠老師啟蒙，並承當代前輩吳文彬、孫家勤、翁文煒三位大師鼎力教導與吳文成老師佛教藝術之指引，使其深入體悟線條與造型之美，進而學習佛教崇高之精神，歷程艱辛，作者藉此次展出將對佛畫的感動與體悟，分享給大眾。
  10. I consider that we should define the socialist productive from the creation of value which is according with the socialist productive aim. socialist society has the need both in matter and in spirit

    我認為對社會主義生產勞動的概念不應從勞動的物質特徵而應從符合社會生產目的的價值創造的觀點來考察，社會主義社會既有物質需要也有精神需要。
  11. Large quantities of writers have given up the " since long foring " state that indulge in self - admiration, it is united by marriage with the media to begin, join ranks that news scalp, masses media come satisfied material desire to expand limitlessly through publishing house and movie & tv, etc. ; some authoress reduce posture go and cater to common customs standard, but also to deep and remote and bold and wanton spy brush stroke in chinese painting and calligraphy have individual privacy, the literary world is packed with the atmosphere one share vulgar and low ; writer dullness and self - criticism spirit of imagination forget and force the literary creation to get used to simple duplicating

    一大批作家放棄了孤芳自賞的「自戀」狀態，開始與傳媒聯姻，加入了新聞炒作的行列，藉助出版社和影視等大眾傳媒來滿足無限膨脹的物質慾望；部分女作家不僅降低姿態去迎合世俗標準，而且筆觸往個人隱私的探幽更為大膽放肆，文壇充斥著一股粗俗低下的風氣；作家想象力的單調和自我批判精神的遺忘迫使文學創作習慣于簡單的復制。
  12. Place is the permanent brand of architecture and place creation is always the research project of architects with the development of the age ， place ? ? the end results of human material culture and spirit culture ? ? undergoes storm and stress but the real meaning of place still has clear and precise line of thoughts human 、 building 、 scenes ? ? poetic independent existing space space creation ? ? expresses and shows the real meaning of place ， interlaces the changing objective and positive multiple affirmation and negation but the road of research is still continuing ： seeking the new idea unanimous with the age human 、 building 、 scenes answers the place ， multi - dimensional system answers place creation the twenty - first century is the age of variety ， after discovering the complex phenomena ， research the age nature of place ? ? obscurity ， attempt new idea of creation ： obscure edge through bluring the edge of building and city ， break the separating condition of building and city ， unify the urban structure actively ， propel the union of building and city through openning design ； through bluring the edge of building and environment ， break the condition that environment attaches to building ， make landscape design become natural ， and combine them into ecologic scene of building and multiple experence of scene ： through bluring the edge of building and universe ， break the rational outline of building ， create multi - dimensional sensational edge of shape ， make building become an earth scene ， just like the mirage of flourishing city ， and prompt to exploit underground space

    人、建築、場景解讀了場所，多維的系統解讀了場所創作。二十一世紀是多元化的時代，在揭開紛繁交錯的現象面紗之後，探索場所的時代屬性? ?模糊性，嘗試新的創作理念：模糊邊緣。試圖通過模糊建築與城市的邊緣，打破建築與城市的分離狀態，動態整合城市肌理，以開放型的設計推動建築城市一體化；通過模糊建築與環境的邊緣，打破環境是建築之外附屬的狀態，使環境景觀設計自然而然化，並將二者融合形成綠色生態的建築場景與多層次的景觀體驗；通過模糊建築與天地的邊緣，打破建築理性的邊緣輪廓線，塑造多維感性邊緣的形體，使建築成為一種大地景觀，猶如繁華都市裡的海市蜃樓，並同時帶動了地下空間的探索。
  13. The article reviews the whole creation course, from the overall to the part, about the scientific and technological square, stresses the assurance to the place spirit of the public space of campus, concerts to the pulse in the campus, and shows loving care for the emotion to people

    摘要回顧了科技廣場由總體構思到細部設計的整個創作過程，突出強調了對于校園公共空間的場所精神的把握，對校園文脈的呼應，以及對使用主體人的情感關懷。
  14. She actively absorbed chinese traditional cultural spirit, chose an unique artistic field to make creation and enriched the artistic field of modern lierature and novels

    她積極接受中國傳統文化精神，選擇了獨特的藝術領域進行創作，豐富了現代文學小說的藝術世界。
  15. We believe in one true and living god, eternally coexisting in three persons : father, son and holy spirit ; equal in position, rank, authority and glory ; the god of creation, redemption and final judgment

    信神乃獨一真神，聖父聖子聖靈三位一體，同位、同等、同權、同榮，是創造、救贖和最後審判的神。
  16. For this reason, the realm of spirit is known as the umbra, the " shadow " of creation

    正因為如此，靈魂存在的空間被稱為影界? ?一切造物的影子。
  17. Since all art is concrete, there is always a mechanical problem, the problem of technique, which has to be mastered, but as art is also spirit, the vital element in all forms of creation is the personal expression

    一切的藝術都是具體的，所以藝術家始終須把握住一個機械上的問題，就是技巧的問題；可是藝術也是精神的，所以個人的表現是一切創造形式的根本要素。
  18. Abstract : the paper discusses the impact of modern science and technologyon human bings, and points out the drawbacks of the tradional p. e. curriculum. therefore, the author puts forward the suggestions for the reforming of p. e. curriculum, following the whole needs of man as creature, social and mental bings ; possessing the distinctive national feature ; cultivating the spirit of comepetition and cooperation ; fostering the spirit of creation and innovation ; keeping in contact with the family sports and the regional sports ; developing the hobby in one ' s life

    文摘:論述了現代科技對人的影響，指出傳統體育課程的弊病，提出了體育課程的改革應注意遵從人的生物、社會、心理的整體需求，具有民族特色，培養競爭與協作精神，培養創新精神，與家庭、社區體育相聯系，養成終身愛好。
  19. The beauty or spirit in women ' s triple jump is that it can stimulate the people ' s spirit of enterprise, of striving and of creation in life

    女子三級跳遠的精神美在於她能激發起人們在生活中的進取精神，奮爭精神與創新精神。
  20. In the future work, we will inherite the business ideal of concentrating on customers, insist on the spirit of “ development, advancement, creation ”, provide high quality products for all industries

    我公司在今後的工作中將秉承一切以客戶為中心的經營理念，以「開拓、進取、創新」為企業精神，為各行各業提供優質的產品。
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