working with clay 中文意思是什麼

working with clay 解釋
使用粘土
  • working : adj 1 工作的,從事勞動的。2 操作的,作業的。3 工人的。4 (用於)實際工作的,任事的;使用(中)的...
  • with :
  • clay : n 克萊〈男子名,Clayton 的昵稱〉。n 1 黏土;泥土。2 (相對于靈魂而言的)人體,肉體;資質,天性。3...
  1. Easley working the ball upcourt. and clay with the steal

    伊斯利傳球失誤克雷斷球成功
  2. Linear elastic dynamic fracture mechanics are adopted to analyze the working characters of the semi - rigid asphalt pavement with the reflective cracking. it is successful to simulate the crack expansion process based on elastic damage theory, at the same time the fatigue life is forecast. the research findings are valuable for the pavement engineering practice on the soft clay ground

    本文分析路表變溫對軟土地基上半剛性路面結構體的作用時,考慮了路表降溫導致瀝青混凝土回彈模量的非均勻性,採用線彈性動斷裂力學分析軟土地基上含反射裂縫半剛性路面結構體的工作性狀。
  3. The choice dam type is especial importance, during the designed research of the rock - fill dam, particular under the rock - fill dam with very deeply cover layer, the stress and strain of the middle wall and cutting interpenetration wall of the dam foundation is mostly sensitive, whether the. design of dam is scientific and reasonable, it is very important for cutting interpenetration and stability of the dam, the article offer the reference for the design of cutting interpenetration in the foundation with deep cover with earth the water conservancy in xiaban zone, based on the study and analysis the design of cutting seep in the foundation with deep cover with earth, cutting interpenetration concrete wall and the joining model of cutting interpenetration material in body of dam and the applying effect in the practical worko based on the foundation which absorbed and summarize the achievement of design and research in the inter and outer country, for the project of the clay vertical middle wall and vertical cutting interpenetration, the asphalt concrete vertical middle wall and vertical cutting interpenetration the clay inclined middle wall and the lever carpet layer cutting interpenetration, respectively in terms of the different stage of complete period sluice period and working condition, adopting nonlinear calculate and analysis with the finite element method ; carrying the analysis and study with the 3d finite element method as to the different joining model of the left bank high slope cutting interpenetration body and the foundation concert cutting interpenetration wall ; carrying the analysis and study with the 3d finite element method as to the effect of the wall stress and strain because of the different elasticity modulus of the concert cutting interpenetration wall through the analysis and study with the different project. have comparatively all - around comprehended the various model dam, particular the distribute rule of stress and strain of the cutting interpenetration system, provide for the important evidence of the plastic area size the join model of the foundation cutting interpenetrate wall and dam body cutting interpenetrate system the choice of the dam model and the design of the structure of the dam body, the result of research and advice have very importance value in design and building for the similarity project

    工程設計中,壩型的選取顯得尤為重要,特別對于壩基有深厚覆蓋層的堆石壩,心墻和壩基防滲墻的應力和變形是壩體、壩基最敏感的部位,設計方案是否安全、科學和合理,對大壩防滲和穩定起到至觀重要的作用。本文研究分析了國內外深厚覆蓋層基礎防滲設計、壩基混凝土防滲墻與壩體防滲體銜接形式及工程實際應用效果,為下坂地水利樞紐工程深厚覆蓋層基礎防滲設計的方案選擇提供了參考;在吸收和歸納了國內外堆石壩的設計研究成果的基礎上,對粘土心墻和壩基垂直防滲方案、瀝青混凝土心墻和壩基垂直防滲方案以及粘土斜心墻和壩基水平鋪蓋防滲方案,分別按竣工期和蓄水運行期的不同工作情況進行了有限元非線性計算分析;對左岸高陡邊坡的大壩防滲體與基礎混凝土防滲墻的不同結合型式進行了三維有限元靜力計算分析和研究;對混凝土防滲墻不同彈性模量對墻體應力和變位的影響進行了三維有限元靜力計算分析和研究。通過對不同方案的計算分析和研究,比較全面的了解了各方案壩體,尤其是防滲體的應力和變形分佈規律,為壩型選擇、壩體結構設計、基礎防滲墻與壩體防滲體的結合型式以及塑性區大小的確定提供了重要依據。
  4. The main results were as follows : ( 1 ) due to their different working principles, the measured result of clay content by laser particle - size analysis was lower than that by using pipette and sieve analysis. the classification results of soil texture by using these two methods agreed well with each other

    主要結論如下: ( 1 )由於激光法和吸管法原理的不同,激光法測得的粘粒含量較吸管法低,但是在土壤質地分類上,激光法和吸管法的結果基本一致。
  5. Working with clay is, as a matter of fact, a process of improving my mood, i always try to seek a relaxation in tranquility. i believe that no other materials have such a natural affinity like the clay in the art. facing up to the gentle and intelligent clay, what i prefer to is a dialogue with it, not to conquer it

    做陶是一種我心境的調整過程,我總在平靜中試圖尋求一種釋放,我認為沒有任何一種藝術材料能夠像陶士一樣具有天然的親和感,面對溫潤而有靈性的陶土,我選擇的是對話,而不是征服。
  6. " i have been working with clay since 1964, in the national training centre for the production of ceramics. it was a professional centre for everyone.

    我從1964年,就在國立陶瓷品訓練中心,開始做陶土,這是個專業訓練中心。
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