劇中 的英文怎麼說

中文拼音 [jùzhōng]
劇中 英文
my funny valentine
  • 劇 : Ⅰ名詞1. （戲劇） theatrical work; drama; play; opera 2. （姓氏） a surname Ⅱ形容詞（猛烈） acute; severe; intense
  1. This paper is a study of narrative embedding, which, as a rewarding method of plot construction in narrative texts, constitutes an important component in the poetic presentation of theme on the absurdist stage

    摘要本文探討了嵌入式敘事模式在兩部荒誕派戲劇經典名作貝克特的《克拉普的最後一盤錄音帶》和阿爾比的《動物園的故事》中的共性和特質，指出這一敘事策略的不同形態在兩劇中的詩性特徵。
  2. Ae : so does a lot of ad - libbing get into the show

    那麼這部劇中有很多即興表演么？
  3. The image of lady macbeth in shakespeare ' s tragedies embodies the thought of androgyny

    摘要本文從「雙性同體」的角度對莎士比亞悲劇中麥克白夫人的形象進行了簡要分析。
  4. Marlowe ’ s greatest achievement lies in that he perfected the blank verse and made it the principal medium of english drama

    馬洛的藝術成就在於他完善了無韻體詩，並使之成為英國戲劇中最重要的文體形式。
  5. Fans also watched bloopers from the series during an official friends finale viewing party at universal citywalk in los angeles

    電視迷們還觀看了在洛杉磯環球影城商業街正式舉行的《老友記》大結局收看聚會中播放的劇中花絮。
  6. In " second hand rose " ? a tune from the 1921 ziegfield follies revue ? the famous comedian fanny brice complained about how hard it was to find a suitable suitor

    1921年齊格菲爾德歌舞活報劇中一首歌曲《二手玫瑰》中，著名的戲劇演員范尼?布賴斯就曾為難以遇到如意的追求者而抱怨。
  7. In a modified version it became a national craze after its appearance in a 1926 broadway musical.

    1926年它稍經更改后出現于百老匯音樂喜劇中，隨后風靡全國。
  8. The chelsea theater center of robert kalfin, subsidized by the brooklyn academy of music, produces strong plays by relatively unknown talents.

    羅伯特卡爾芬的「切爾西戲劇中心」由布魯克林音樂學院津貼經費，上演一些由不太有名的有才能作家寫的優秀劇目。
  9. She swims, rides capitally, and a voice ! a marvellous voice, one may say ! she hummed her favourite musical phrase from an opera of cherubini, flung herself into bed, laughed with delight at the thought that she would soon be asleep, called to dunyasha to blow out the candle ; and before dunyasha had left her room she had already passed into another still happier world of dreams, where everything was as easy and as beautiful as in reality, and was only better because it was all different

    她唱了她所喜愛的凱魯比尼歌劇中的短短的樂句，就急忙撲到床上去，當她愉快地想到她馬上就會酣然入睡時，她便放聲大笑，她喊杜尼亞莎吹熄蠟燭，杜尼亞莎還沒有從房裡去出來，她就進入了另一個更幸福的夢幻世界，那裡的一切同現實一樣美好，令人感到輕松愉快，只不過在那個世界另有一番景況，因而就顯得更為美妙。
  10. He is the central figure of the play

    他是劇中的主要人物
  11. Images of hepburn dressed as golightly - with gloves, an elaborate pearl choker and trademark cigarette holder - still endure. objects valued for their connection with historical events, culture, or entertainment

    赫本所飾演的這一形象給觀眾留下了深刻印象，她在劇中戴的黑色手套珍珠項鏈和她用過的招牌煙斗都成為令人難忘的經典之物。
  12. The opening scenes of the film show golightly in the dress emerging from a taxi on 5th avenue with her brown - bag breakfast to ogle diamonds and luxury goods in the storefront windows of tiffany and co. images of hepburn dressed as golightly - with gloves, an elaborate pearl choker and trademark cigarette holder - still endure

    赫本所飾演的這一形象給觀眾留下了深刻印象，她在劇中戴的黑色手套珍珠項鏈和她用過的招牌煙斗都成為令人難忘的經典之物。
  13. Her performance in that play really put her on the map as a comedy actress.

    她在那出劇中當喜劇演員而一舉成名。
  14. Zhao daming is the first - degree state screenwriter of the central political department chorus and the committeeman of dancing theory & learning committee of chinese dancing association

    總政歌舞團國家一級編劇。中國舞協舞蹈理論學術委員會委員。
  15. The most contemptible of the personages in the play is the courtly fop osric.

    劇中最可鄙的人物是風度翩翩的花花公子奧斯里克。
  16. Discussion psychology characteristic of folk - custom in four cothurnus of yuan dynasty

    論元代四大悲劇中的民俗心理特點
  17. Ellen bloom in pantomime dame s stringed mobcap, crinoline and bustle, widow twankey s blouse with muttonleg sleeves buttoned behind, grey mittens and cameo brooch, her hairplaited in a crisping net, appears over the staircase banisters, a slanted candlestick in her hand and cries out in shrill alarm

    頭戴啞劇中貴婦人戴的那種下巴上系帶子的頭巾式軟帽，身穿寡婦吐安基32那種有襯架和腰墊的裙子襯衫鈕扣釘在背後，袖子是羊腳型的戴著灰色露指長手套，配以有浮雕的玉石胸針。
  18. Huang zhen was better as the danseur in the second cast with his noble bearing and easy virtuosity

    黃震的高貴風度和流暢技巧，讓他在第二部劇中的表演更為出色。
  19. The actor have to wear a doublet in the play

    在這個劇中這個演員要穿緊身上衣。
  20. The dramatis personae who only need reply " yes or no " all cannot directly reply, either donot reply, or changing the topic

    劇中人物對只需回答「是與不是」的問題一般都不會直接回答，或者不回答，或者顧左右而言他。
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