吳子存 的英文怎麼說

中文拼音 [zicún]
吳子存 英文
zichun wu
  • : 子Ⅰ名詞1 (兒子) son 2 (人的通稱) person 3 (古代特指有學問的男人) ancient title of respect f...
  • : 動詞1 (存在; 生存) exist; live; survive 2 (儲存; 保存) store; keep 3 (蓄積; 聚集) accumulat...
  1. Among places of historical interest that can be mentioned are the remains of the city gate and walls and resort palace built by king wu over 2, 000 years ago, the drill ground of the strategist sun wuzi, the dyke of lord bai built by the tang poet bai juyi, the ancestral shrine and cemetery of the song statesman fan zhongyan, pagodas such as tiger hill pagoda, auspicious light pagoda, twin pagodas, shangfang pagoda, lingyan temple pagoda and the tallest north temple pagoda, and today s largest song building in the taoist temple of mystery, the tang sculptures in purple gold nunnery and those of the song in baosheng temple, etc. the historical relics dating a thousand years back can all be traced to their record, sites of architectural evidences

    從二千多年前王建的城門城墻故址館娃宮遺址孫武校場遺址到唐白居易建的白公堤宋范仲淹家祖古墓群和范公祠從虎丘塔瑞光塔雙塔上方塔靈巖寺塔最高的北寺塔到現最大的宋建築玄妙觀以及保聖寺唐塑紫金庵宋塑千年史跡在蘇州都有史料可查,有遺址可尋,有建築可佐證。至於明清兩朝的史跡為數更為可觀。
  2. They are leng rong, li zhongjie, shi zhongquan, hou shudong, roger k. oden, takeuchi minoru, song rongpei, yimanaliev, boris. nadtochenko, yang chungui, zhaoyao, xu congwen, zhuang fuling, wu shuqing, huang nansen, li yining, zhao cunsheng, xiao weiyun, wu zhipan, sha jiansun, liang zhu, xu zhigong, bao xinjian, huang hong and yang kaihuang, etc.

    樹青黃楠森沙健孫劉海藩莊福嶺李忠傑田心銘趙生閻志民陳志尚曹長盛黃宗良王東陳占安豐義李士坤郭建寧等校內外知名學者出席會議並作了發言。
  3. In " jin ping mei ", the collocation of the ceremonies of regulation and fashion of the society, the collocation between ethics and physiology, the opposition between husband and wife, the conflict between housewife and concubines, these all made wu yueniang live in an awkward predicament, enduer the torture from soul and flesh, and suffer the mantal and physical lonliness

    摘要在《金瓶梅》中,禮教與世情的並、倫理與生理的沖撞、丈夫與妻的對立、主婦與小妾的爭斗,使處在夾縫中的月娘備受靈與肉的煎熬,飽嘗身與心的孤獨。
  4. The discovery of wu daozi ' s genuine painting will have great significance in the art history

    這一結論在當前藝術史界普遍認為真跡已不復在的情況下,無疑具有重大現實意義。
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