戲劇的情節 的英文怎麼說

中文拼音 [deqíngjié]
戲劇的情節 英文
scenario
  • : Ⅰ動詞1 (玩耍; 游戲) play; sport 2 (開玩笑; 嘲弄) make fun of; joke Ⅱ名詞1 (戲劇; 雜技) dram...
  • : Ⅰ名詞1. (戲劇) theatrical work; drama; play; opera 2. (姓氏) a surname Ⅱ形容詞(猛烈) acute; severe; intense
  • : 4次方是 The fourth power of 2 is direction
  • : 名詞1 (感情) feeling; affection; sentiment 2 (情分; 情面) favour; kindness; sensibilities; fe...
  • : 節構詞成分。
  • 戲劇 : 1 (表演藝術) drama; play; theatre 2 (指劇本) script; play; scenario; 戲劇界 theatrical circle...
  1. This means that the play or story that provides the structure of the piece must be itself an interesting and cogent drama.

    這意味著提供結構本或故事本身必須引人入勝,有說服力,並富於性。
  2. Types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological characteristics, and using this to the entire drama circumstances, but later types of facial makeup in operas by kan to complex, from rough to the small, youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts

    臉譜最初作用,只是誇大中角色五官部位和面部紋理,用誇張手法表現中人性格、心理和生理上特徵,以此來為整個戲劇的情節服務,可是發展到后來,臉譜由簡到繁、由粗到細、由表及裡、由淺到深,本身就逐漸成為一種具有民族特色、以人面部為表現手段圖案藝術了。
  3. Discussion on dreams of the dead in dramas by guan han - qing

    論關漢卿魂夢
  4. Much of shavian drama is constructed around the inversion of a conventional theatrical situation

    蕭伯納許多與角色都在傳統基礎上發生倒轉錯位。
  5. The simple story is in the world of the animation is an absolute main factor, a complicated story details turns and twists confusing link for see an animation of the audience is a tremendous burden, the market need that is in present the top interest has already replaced a traditional story to spread chen, at this interest in command age how expressed a plot to become the most important topic with the simple story, very clearly, advertise from the film of the way can feel what kind of the topic just is the need of the consumer, passed by high cost to create greatly of the advertisement mode has already not been reseen this several years, take but the generation is a film to have many interests much play, this be the typical simple story description complicated plot, give examples to say : the movie “ shrike ” is a very typical example, pure of save a princess of plot, continuously of pound at audience by the plot of " be contrary with traditional thinking " of thinking mode, i still remember at that time see that slice through behind appear details of hear the public discussion interest continuously, but hear half personal say this drama of story have much good, in fact such manuscript was the best animation manuscript, letting the audience acquire they want of plot but don ' t be pack with complicated story, this just is the animation dramatize of the tallest state, because of would like to spend money to enter into theater or spend money to purchase dvd consumer, all is want to open happy heart ' s appreciating film bear, have no burden, also be spend money to buy happy, want to remind specially of " the writing animation manuscript not is write to personal satisfy own creations desire but is face all appreciate of crowd "

    在動畫世界里簡單故事是絕對要素,一個復雜故事曲折迷離對于看動畫觀眾是一項極大負擔,在現今市場需求上趣味已經取代了傳統故事鋪陳,在這個趣味掛帥年代怎麼樣用簡單故事來表現變成了最重要課題,很明確地,從影片廣告方式可以感受到什麼樣主題才是消費者需求,過去高成本大製作廣告模式這幾年已不復見,取而代之是影片有多趣味多好玩,這就是典型簡單故事描述復雜,舉例來說:電影史瑞克就是一個很典型例子,單純救公主,不斷以「與傳統思維相反」沖擊著觀眾思考模式,我還記得當時看完該片后出場不斷聽到眾人討論趣味,但是卻沒有聽到半個人說這部故事有多棒,其實這樣本就是最好動畫本,讓觀眾獲得他們想要卻不以復雜故事包裝,這才是動畫編最高境界,因為願意花錢進到院或是花錢購買dvd消費者,都是想開開心心觀賞影片沒有負擔、沒有包袱,也就是花錢買開心,特別要提醒「寫作動畫本並不是寫給個人滿足自己創作慾望而是面對所有欣賞人群」 。
  6. Choose two or three families of commercials - beer commercials, for instance ; telephone commercials ; commercials for cars or washday products ; commercials for high - tech items such as computers or web - related services - and analyze them as forms of drama, giving particular attention to the assumptions about american life inscribed in their plots and characters

    選擇兩或三類廣告? ?例如啤酒廣告、電話廣告、汽車或洗衣日產品廣告、計算機等高科技產品或與網路有關服務廣告? ?將它們作為形式來分析,特別注意暗含在其和角色中關於美國生活假定。
  7. It also offers an impressive range of visual art, such as popular prints from china and epinal, france. le french may is also a chance for many young talented french artists to give audiences an eye - opening visual experience

    第十五屆法國五月藝術請來多位法國首席藝術家,以一連串精采絕倫舞蹈音樂以及視覺藝術製作,為您演繹浪漫瑰麗法國懷。
  8. On the one hand, you have kaneshiro and leung engaging in serious romance, and on the other hand, the two goons played by edmund chen and terri kuan just seem to come from another world doing all kind of crazy things. one major defect of this plot is the overdose of conincidence. the entire movie is built up from bits and bits of conincidences

    無疑不少通俗都建基在巧合之上正所謂無巧不成冤家可以說巧合是製造無可避免原素但若整部電影都由巧合湊合而成而且是萬中無一極度巧合那就難免會出現物極必反毛病而這正是此片問題所在。
  9. In terms of the narrative structure, to my surprise, the filmmakers did not employ any innovative techniques at all, a linear narrative approach is presented. everything is brought out plain and slow, that audiences may find some scenes boring. but when the story progresses, you ll soon realize that the simple narrative device is actually quite suitable for this story

    對于這類奇故事拍攝,很多導演都會在敘事方面標奇立異,增強懸疑味道,此片卻剛剛相反,無論以至拍攝手法都非常平實,敘事以最平鋪直敘直線方式處理,而且奏較慢,一般觀眾或許覺得有點沉悶,但其實味就是透過生活化慢慢滲透出來,為結局轉折建立起張力。
  10. After years of enthusiastic reports from fellows and family members about the joys of visiting stratford ' s annual shakespeare festival, the shaw festival of canada ( the largest classical theater festival in north america ) and niagara - on - the - lake ' s resident shaw festival, i finally made the cross - continental pilgrimage myself

    過去幾年裡,家人和同事都熱地贊揚參加斯特拉特福德一年一度莎翁、加拿大蕭伯納紀念日(北美最大古典) 、尼亞加拉湖鎮當地蕭伯納所帶來樂趣,最終我決定遠涉重洋自己過來朝拜一番。
  11. And imamura shohei, who remade the classic tale in 1982. with every film he directed, kinoshita experimented with form, narrative and camera movements, employing severe long takes and fast cutting with equal mastery. nonetheless, his innovations never overwhelm the innate humanistic qualities within each work, thus ensuring his legacy as a true cinematic master

    《日本》緊抓住時代脈膊, 《 ?山考》活用古典傳統,反戰《二十四隻眼睛》讓舉國上下同聲一哭,而《卡門還鄉》則不但是日本首部彩色片,更是傑出風俗喜,又能寓同于諷刺,其荒誕幽默感,在日本電影中可謂首開先河。
  12. He and his collaborator alan mak instead sticked with the original comic and presented a very bright and clean story about some ambitious young men pursuing their dreams. the portrayal of the characters are much more positive than expected. although these young men are passionate about car racing, they always understand the rules of the game well and rarely try to cross the borderline

    記得數年前劉偉強拍極速傳說雖然把鄭伊健賽車手角色拍得有型有款忽然通街都出現不少" sky哥哥"但整部老套典型卻不敢恭維尤其又再牽涉到那些蠱惑仔報仇便更覺乏味。
  13. In the theater, i sat beside you, watching the fighting scenes of the opera. you explained its plots to me in great detail

    園里,我坐在你旁邊,看臺上,你還詳細地給我解釋
  14. The story and action of the play alone will not carry us far.

    僅有故事和,不足以使我們為之深深感動。
  15. A light dramatic work in which highly improbable plot situations, exaggerated characters, and often slapstick elements are used for humorous effect

    輕喜一種輕松形式,其中極為荒謬可笑背景,誇張角色和一些鬧成分以表現幽默效果
  16. Drama rather builts up slowly from banal and routine events like cooking, driving the mini - bus and picking up the kid from school. through these daily life encounters, the movie spontaenously draws you into the diegesis so that you will gradually laugh and cry with the characters as if they are your friends and family members. talking about the theme, just as the cantonese title " mong bat liu " ( literally " hard to forget " ) hints, what the filmmaker wants to convey is to encourage hong kong people to forget the past and embrace the future

    另外,和小津一樣,爾冬升為《忘不了》設計了一個很簡樸而寫實故事,上一點也不誇張化,而是刻意從一些生活點滴入手,例如接放學、煮飯、駕車等,力往往就在這些細瑣事慢慢建立,到了后來高潮位,就自自然然把觀眾緒抓緊,切底地投入于故事之內,和片中角色一起感受樂與悲。
  17. A critically acclaimed drama from the hong kong new wave, hong kong hong kong sizzles with erotic tension in relating the destruction of three lives involved in a triangular relationship : a macho thai - chinese rogue alex man chi - leung, a prosperous, middle - aged carpenter kwan hoi - shan, and the sultry, beautiful illegal immigrant they both love cherie chung cho - hung, in one of her most acclaimed roles

    新浪潮導演蔡繼光,以寫實,反映八十年代初,香港社會焦慮與無力感,獲1983年金馬獎最佳原著本獎。而關海山飾中年木匠,與鍾楚紅飾偷渡客,那段忘年纏綿,亦成影迷深刻片段。
  18. The “ soap ” in soap opera alluded to their sponsorship by manufacturers of household cleaning products ; while the “ opera ” part came from the fact that they were about dilemmas and other dramatic or melodramatic situations

    「肥皂」中「肥皂」一詞暗指它們贊助商多為家庭洗滌用品生產商,而稱之為「」則因為它們表現往往是困境或其他形。
  19. The writer is working up the plot of a drama

    作家正在醞釀戲劇的情節
  20. The plot of this drama is very complicated

    戲劇的情節非常復雜。
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