文學與人生 的英文怎麼說
中文拼音 [wénxuéyǔrénshēng]
文學與人生
英文
literature and life-
The third part of this article mainly discussed the value and function of education on literature of high school. it points out that education on literature of high school can be affluent in the knowledge of science and culture of students and it has great function on improving students " abuttal of appreciating beauty, on building humanities spirit to intigrate the character of the middle school students, on broading the thoughts and improving the aptitude of application for language
指出:中學文學教育可以豐富中學生的科學文化知識,對于提升中學生的審美境界、構建中學生的人文精神? ? 「健全中學生的人格」 ,以及開闊中學生的思維、提高中學生的語言應用能力有巨大的功用。第四部分探討了中學文學教育的主要內容? ?中學文學知識、文學欣賞、文學評論、文學寫作教育及其與之相關的教育要求。In the wider and longer view, i have come to believe, there is something deeply apolitical ? something above politics ? in literature, despite what feminist, marxist, and other politicized literary critics may think
盡管廣讀博覽能讓人領略到生活的豐富、復雜與神秘,盡管女權主義者、馬克思主義者、政治化文學評論家認為文學必與政治相干,但我堅信,從更為深廣的眼光來看,文學必有與政治毫無相干並且高於政治的東西。This article mainly pays close attention to the negative influences that digitization causes to the humanity of education, and is summed up : education is dissimulated as training ; it has caused the diaphragm and alienation of the interpersonal relationships, caused the predicaments of the morals and psychology, caused the tiredness of studying the book knowledge of teenagers, and caused people ' s abstract and symbol
本文主要關注數字化對教育中的人文意蘊產生的負面影響,並歸納為:教育異化為訓練;造成了人際關系的隔膜與異化;造成道德與心理的困境;造成青少年對書本知識學習的厭倦;造成人的抽象化、符號化。In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy
本文認為,美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化(即區域邊緣與國家霸權之間的演進關系)作出了回應.正如其小說中的許多人物一樣,菲茨傑拉德從國家和典律中感知到閾限性(他自己的作品直到死後才獲得盛譽) ,這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較,菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化,而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織,使得學界關於他的紛爭超越了現代主義者身份問題,在關於他的人生和文學遺產問題上也是褒貶不一,眾說紛紜Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩歌批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻,並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者,詩歌理論家以及面向大眾的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆正全力寫作《影響的解剖》一書,將於2008年由普林斯頓大學出版社出版Baldwin ' s action, which might be interpreted as the literary patricide described in harold bloom ' s the anxiety of influence, was more triggered by the upcoming turn of african - american writing from protest school to modernism triumphantly achieved by ralph ellison, rather than motivated by the patricide complex in baldwin ' s life experience
鮑德溫在文學上的「弒父」與他個人生活中的「弒父」情結相關,而更深層的動因則在於當時美國黑人文學正經歷由賴特式的「抗議小說」向拉爾夫?埃利森為代表的新型黑人文學轉向。The defect of this kind of literary style is that do not there is not close connection between incident and incident, just appeared successively according to the order of time, made the structure of the works seem loose, it is difficult to form the whole effect ; at incident prosily, it narrates scarce to change rhythm static behavior describe have enough and to spare and work up insufficient sense, it was the history living dramas of static historical pictures but not a scene curtain with all linked with one another ring that reproduced out ; regarded incident as the centre, in people s discipline history, dredged and left literature to announce the aim of the question of life
作為一種敘事散文,回憶錄的寫法理應不拘一格,但事實上大多數作者都是採取的無技巧筆法,也就是一個接一個地敘述事件直至結束,其間加入自己對歷史的感受和思考。這種寫法的缺陷是事件與事件之間沒有緊密的聯系,只是按照時間順序先後出現,使作品結構顯得鬆散,難于形成整體效應對事件平鋪直敘,敘事節奏缺乏變化,靜態描述有餘而動感不足,再現出的是一幅幅靜止的歷史畫面而非一幕幕環環相扣的歷史活劇以事件為中心,以人紀史,疏離了文學揭示人生問題的宗旨。This thesis is based on chinese teaching condition of middle school ( long - period cut off from study circle and cultural circle ), chinese teaching aim in middle school ( develop students " interests and abilities of feeling, understanding, using and creating of national language ), hard conditions of chinese teaching ( dull teaching practice and special requires of chinese teaching ), the actual conditions of middle school students ( longing for the literature influence and guide ), and the special literature characteristics of novels ( vivid characters, typical background, winding plot )
本課題的提出依據是:中學語文教學現狀(長期與學術界、文化界相隔絕) 、中學語文教學目標(培養學生感受、理解、運用、創造民族語言的樂趣和能力) 、語文教師的困境(枯燥的教學實際與語文教學的特殊要求) 、中學生的實際情況(渴望文學的熏陶與導引) ,以及小說自身獨特的文學特徵(生動的人物形象、典型的環境、曲折的故事情節) 。Mr chan soo sen, parliamentary secretary, prime minister ' s office and ministry of community development, officiated at the seminar on literature and society organised by the chinese studies department, nus on january 30. he called on local literati and chinese clan associations to work together to further develop chinese literature in singapore
總理公署及社會發展部政務次長曾士生1月30日為國大中文系主辦的文學與社會研討會主持開幕,暢談他修讀華文文學作品的經驗,並希望本地文人和社團,重振過去文藝創作的熱誠,使我國華文文藝再次蓬勃發展。At this forum, business elite will be invited to share with our alumni about life and values, art and politics, and to discuss the inextricable relationship of management with life as well as culture
人生」文化論壇,擬邀請不同行業的精英人物做客中歐,與各位校友暢談人生與哲學點評藝術與時政,共同探討管理與文化管理與人生的關系。At this forum, business elite will be invited to share with our alumni about life and values, art and politics, and to discuss the inextricable relationship of management with life as well as culture. management is not only a science, but also an art
人生」文化論壇,擬邀請不同行業的精英人物做客中歐,與各位校友暢談人生與哲學、點評藝術與時政,共同探討管理與文化、管理與人生的關系。On the basis of rethinking about the lost of modern education " s significance and with practices to the development of the times and human, this dissertation firstly put forward modern education " s developing trends of the seeking significance, that is : education should go back to life " s origin, go to lives " world, embody ultimate caring about one " s life, advocate scientific and humanity education, construct lifelong education and lifelong learning
基於上述對現代教育意義失落的反思,結合時代和人發展的實踐,本研究首先提出了現代教育尋求意義的發展走向是:回歸生命本源的教育、走向生活世界的教育、體現終極關懷的教育、倡導科學與人文的教育、建構終身教育和終身學習。進而分析了這種現代教育轉型所應具備的人性觀、發展觀和知識觀。Panyue, who was regarded as the first - class writer with luji in the pre - jin dynasty literary arena, the educational world starts actually to his research late, mainly concentrates in the biographical chronology research, competition of " literary behavior and moral behavior ", as well as in the work of art characteristic analysis. but regarding the inevitable writing problems in spreading, there is rarely the monograph research actually
潘岳作為西晉文壇與陸機齊名的一流作家,但是學界對他的研究主要集中在年譜生平研究、 「文品與人品」之爭、以及作品藝術特點分析上,而且對于其作品在流傳中不可避免的文字脫訛衍誤問題,鮮有專論研究。It witnesses the change of chinese literature and society, and the psychology of scholars, their life style, spiritual requirements, and has a deep cultural significance and aesthetic contents
它見證著中國文學與社會的流變及文人士子的心態、生活方式、精神需求,具有廣泛的文化意義和深刻的審美內涵。Perhaps you have watched steven king s movies or read his thrillers green miles, misery etc., yet this is not a novel but a memoir intermixed with teaching materials of how to write
讀此書的時候,就像是在作者美國科羅拉多家中的花園樹蔭下,跟他父女倆談論文學與人生。The ethnic literature originated from the coordinating place of farming culture of the han ethnic group and nomadic hunting culture of the northern ethnic groups, combining the courageous and robust constituents of the northern hunting culture, thus imbuing our colorful chinese literature with thriving vigor, characterized with northern exhilaration and southern delicacy
摘要金代各民族文學成長于漢民族農耕文化與北方民族游獵文化的結合部,蘊含著遊牧狩獵文化威武有加、健勇無比的寶貴元素,從而為北雄南秀、異彩紛呈的中國文學注人了勃勃生機與原始活力。The slope of writer ' s general values makes the literary creation come into the mire of consciousness, want and get rid of what literature face awkward at present, change the rubbish destiny of the literary creation, the writer must have independent spirit and original ability, pay close attention to life and basic meaning that the world exist, cultivate and develop the value demand for heart constantly, confront with existing value constantly, make humane spirit and teach beginners spirit must use the involution of the literary creation of literature
作家普遍價值觀的傾斜使文學創作走進意識的泥淖,要擺脫目前文學所面臨的尷尬,改變文學創作的垃圾命運,作家必須擁有獨立精神和原創能力,關注人生和世界存在的基本意義,不斷培植和發展內心的價值需求,不斷與現有價值對抗,使文學的人文精神和啟蒙精神在文學創作中得以復歸。On the history, definition, context and methodology of literary anthropology
文藝與人類學的相互碰撞與整合共生During the talk of " reading and life ", miss qin told the students her own experiences of reading and writing, miss qin said, " children who like reading have a beautiful furture
在「閱讀與人生」的文學報告中,秦文君結合自己的閱讀創作經歷告訴同學:喜愛閱讀的孩子前途是不可估量的,要多讀好書,做一個心靈豐富、充滿智慧的人。This consciousness of being an outsider makes his novels deconstruct the original literature convention and construct a new style, and makes him able to look at the world from a universal philosophical point of view
外省意識使德萊塞解構了舊的文學傳統,建構了新的文風,也使他能夠站在局外人的高度來審視社會與人生。分享友人