斯圖魯普 的英文怎麼說
中文拼音 [sītúlǔpǔ]
斯圖魯普
英文
sturruchandra-
Gala presentation, asian vision, global images, i have a date with the censors, director in focus : arturo ripstein, a tribute to ishmael bernal, archival treasures, truth or dare : documentaries east and west, documentaries made by fiction film masters, the zone, film on film, animation. . production background, reviews, stills, biographies and filmographies of the directors and essays
影迷嘉年華亞洲視野世界之窗我和電檢有個約會焦點導演：奧圖魯利普斯坦向依瑪勞貝盧致敬資料館珍藏東張西望：紀錄片精粹劇情片大師也拍紀錄片不設房地帶電影電影動畫製作資料影片介紹精美劇照導演生平作品年表以及專題評論文章等。Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版The ancient testimony, however, is widespread, and it comes from a variety of sources : historians such as pliny and diodorus, philosophers such as plato, the poets aeschylus and cicero, the geographer strabo, the travel writer pausanias, and even a priest of apollo who served at delphi, the famous essayist and biographer plutarch
然而古老的見證廣為流傳，來源各有不同：歷史學家普林尼與狄奧多魯斯，哲學家如柏拉圖、詩人愛斯奇勒斯與西塞羅，地質學家史特拉波，旅行作家波塞尼亞斯，甚至包括一名在德爾菲為阿波羅服務的祭司，即著名的散文兼傳記作家普魯塔克。The chapter on literature attempts to describe the essential features of numerous major writers ? joyce, proust, tolstoy, kafka, etc
本書關于文學的一章試圖描述眾多重要作家的基本特點，如喬伊斯、普魯斯特、托爾斯泰、卡夫卡等。In effect, in trying to demonstrate that the imagination is more profound and less submissive to the intellect than saint - beuve assumed, proust elicited vital memories of his own and, finding subtle connections between them, began to amass the material for remembrance
結果，在試圖展示想象力要比聖-伯夫所假設的更加深刻且更獨立於抽象思維時，普魯斯特回憶起他自己的一些重要的往事並且發現它們之間存在著微妙的聯系，於是開始為寫作「追憶逝水年華」搜集素材。Records exist of it having been played in persia in 2000 bc. in medieval europe, pictures of men playing a game with hooked sticks appear on stained - glass windows at both the canterbury and gloucester cathedrals. it became so popular by the middle ages that it was banned in england for a time because it interfered with the practice of archery, which was the basis for national defense
據記載早在公元前2000年前的波斯就已經有了該運動，英國的坎特伯雷和格魯賽斯特大教堂玻璃窗上都印有類似於現代曲棍球比賽的圖像，中世紀時該項運動得到廣泛普及，但是英國在那時過于重視作為國家防禦基礎的射箭項目，而將曲棍球運動終止了一段時間。分享友人