日本演員 的英文怎麼說

中文拼音 [běnyǎnyuán]
日本演員 英文
japanese actors
  • : Ⅰ名詞1 (太陽) sun 2 (白天) daytime; day 3 (一晝夜; 天) day 4 (泛指某一段時間) time 5 (日...
  • : i 名詞1 (草木的莖或根)stem or root of plants 2 (事物的根源)foundation; origin; basis 3 (本錢...
  • : 動詞1 (演變; 演化) develop; evolve 2 (發揮) deduce; elaborate 3 (依照程式練習或計算) drill;...
  • : 員名詞1. (指工作或學習的人) a person engaged in some field of activity 2. (指團體或組織中的成員) member Ⅱ量詞(用於武將)
  • 日本 : Japan
  • 演員 : actor or actress; performer
  1. Kudou yukiksome call me a legendary of japanese showbiz … … and others call me a wife of the worldwide mystery writer … … i address myself as … … the lady grey cells night baroness

    工藤有希子:有些人說我是屈指可數的傳說中的美麗女… …有些人則說我是世界知名推理作家的妻子… …其實我是… …擁有灰色腦細胞的女偵探… …暗夜男爵夫人
  2. Kudou yukiko : some call me a legendary of japanese showbiz … … and others call me a wife of the worldwide mystery writer … … i address myself as … … the lady grey cells night baroness

    工藤有希子:有些人說我是屈指可數的傳說中的美麗女… …有些人則說我是世界知名推理作家的妻子… …其實我是… …擁有灰色腦細胞的女偵探… …暗夜男爵夫人
  3. In japan. wearing kimonos on a movie set, these are dedicated film professionals, but in everyday clothes, they are little more than a bunch of curious tourists. recently, we had a chance to talk to lee sil - hong, who recounted to us amusing anecdotes during the shooting of

    另有一生活照,是李晨風帶同太太李月清和吳楚帆紫羅蓮等到拍攝斷鴻零雁記外景時的照片穿上和服戲裝時,他們是專業的,換上了便服,他們是好奇的遊客。
  4. Japan. kabuki theatre. actor bondo mitsugoro praying in front of an altar in his dressing room, before going on stage. 1951

    1951年,,歌舞伎劇場,坂東三津五郎在上臺之前,在自己的換衣間中的神龕前祈禱。
  5. The film actors are on location in japan

    電影拍攝外景。
  6. Staged by chunliu troupe, a drama company set up by a number of chinese intellectuals in exile after the coup of 1898 and chinese students in tokyo, japan. members of the troupe returned to china not long afterwards to sow the seeds for the development of " modern plays " or " civilized drama " in china

    回顧歷史,中國人第一次正式的話劇出,是因戊戌政變而流亡或被派到留學的知識分子於1907年在東京組成的春柳社所出的《茶花女》和《黑奴籲天錄》 ;其後社相繼回國,新劇或稱文明戲從此在中國播種和發展。
  7. In japan 20000 marines, performing as extras for the film "marine, let's go!" vanished from the set.

    ,正在影片《海軍陸戰隊士兵們,走吧》中充當臨時的兩萬名海軍陸戰隊突然不見了。
  8. All these materials, including film advertisements, newsletters, synopses, reviews and publicity blurbs over 2, 000 pieces of information were photographed by us. we then opened a file for each film title and composed a table that listed out each film s production details including its title, production company, date of release, genre, members of the crew and the cast, plus a short synopsis and a still from the film

    資料搜集好后,由周荔嬈負責把所有資料按每一個片目各開一個檔案,我又參考了中外電影片目的資料,設計出一張內容包括影片名稱出品公司公映期類別出產年份職表影片劇照故事概要等主要資料的影片檔案表。
  9. The main body of the dissertation is from the second section ( the first chapter ) to the fifth section ( the fourth chapter ), which firstly discusses the evolvement of american economic recovery policy toward japan and argues that the economic recovery policy toward japan was the inevitable result which the united states pursued her global containment strategies, with the changes of the international situation and the economic conditions in japan, the u. s. regarded japan " s accession to gatt gradually as the most important objective of the economic recovery policy toward japan ; secondly explains in detail that the u. s. fought up against the old guard in congress persistently in order to win the authorization from reciprocal trade agreements act ( rtaa ) so as to conduct the crucial tariff negotiations with japan, and emphasizes mainly that the executive had to seek for the balance between the national interest and oversea interest because of the strong forces of the domestic protectionism group, but made efforts to make foreign economic policy which is favourable to the latter because of the need of the cold war strategies ; thirdly analyzes the basic contents of u. s. - japanese tariff negotiations briefly and summarizes the results of the negotiations, and considers that under a large number of concession which the u. s. made in the negotiations, the japanese could change american political and strategical interest into the japanese trade interest and became the main winner ; fourthly researches mainly british diplomatic policy towards japan " s accession to gatt and american reaction to the policy and influence on it, and american roles in

    第二部分(第一章)至第五部分(第四章)是論文的主體部分,首先論述美國對經濟復興政策的變歷程,提出美國對的經濟復興政策是美國推行全球冷戰戰略的必然結果,隨著國際形勢和經濟狀況的變化,美國逐漸將推動入關視為對經濟復興政策的最重要目標;其次詳細闡述為了獲得《互惠貿易協定法》的授權,以便與進行重要的關稅談判,美國政府和國會保守派持續不斷地作斗爭,重點強調,鑒于國內貿易保護主義勢力的強大,行政部門不得不尋求國內利益和海外利益的平衡,但同時出於冷戰戰略的考慮,又盡量使對外經濟政策向後者傾斜;第三,扼要分析美關稅談判的基內容,並總結關稅談判的結果,認為美國政府在談判中對政府所做的大幅度讓步,使得人能夠將美國的政治、戰略利益轉化為的商貿利益,從而成為談判的最大贏家;第四,重點研究英國對入關的外交政策和美國對該政策的反應、施加的影響,在國際斗爭中美國為入關而發揮的作用以及人自己做出的努力,指出雖然在美國施加的強大壓力下,英國政府最終同意成為關貿總協定的成國,但是它依然以國家利益為重,對援引關貿總協定第35條,不給予其商品最惠國待遇。 」
  10. A modern love story, " the longest night in shanghai ", starring chinese mainland actress vicky zhao and japanese heartthrob masahiro motoki, premiered in beijing on wednesday

    《夜上海》是一部現代愛情故事題材的電影,以中國大陸明星趙薇和柔情木雅弘作為主,于周三在北京首次公
  11. Her character looks plausible with the scholastic glasses and obsolete fashion. employing tsui kam kong and lo wai kwong to play the roles of the principal and discipline master of the school is also an interesting pick. they are always bad guys in many other films

    日本演員小松拓也的角色只行行企企,完全可有可無,雖然被設定是張的情敵,但是全片沒有任何具沖突性的場面支持,此角變得形同虛設。
  12. Masanobu ando is a promising new actor in japan

    安藤政信是最有前途的新進之一。
  13. Other leading cast members, including chen hong, gillian chung and japanese actor masanobu ando, were all at the press conference and explained their role in the film

    其他加盟的包括陳虹,鐘欣桐和日本演員安藤政信,他們都出席了新聞發布會並說明了在影片中所飾的角色。
  14. Koyuki is a promising new actress in japan

    小雪是新進女,於1995年在少女時裝雜志
  15. Directed by tanaka shigeo and produced by the dai nippon film company, the film featured an all japanese cast but a few hong kong film personalities were also involved

    該片由田中重雄導,參者主要為日本演員,一些香港影人亦有參與攝制。
  16. Many million people sit in the picture houses every evening and purely through vision, experience hap - penings, characters, emotion, moods, even thoughts, without the need for many words " balazs p. 40 - 41. ozu seems to be a supporter of this theory as well

    志村喬1905 - 1982是最出色的性格之一,主的電影中以留芳頌的絕癥課長和七俠四義的武士首領角色最為人津津樂道。
  17. Perhaps it isn t quite appropriate to call it a crude job, as the production crew did afford to travel to japan to do some of the shots, and special effects are also used to enhance the fight scene, the movie is just totally disappointing as the poor script and mediocre acting are really distracting and drive the audience away. the story of the film can be roughly divided into two parts that are proceeding in parallel

    說安娜與武林粗製濫造或者有點過份影片好歹也拉隊遠赴拍攝外景動作場面亦配合了特技效果的運用在製作規模上理應不算豆泥可是完全弱智無聊的劇情以及一眾主要千篇一律的繹卻明顯教人難以投入令電影大大失分。
  18. I have to admit that i am not a fan of yumiko shaku, and in fact, i just found it hard to understand why she could become so popular in japan, despite her ordinary appearance and rather mediocre acting skill

    女主角釋由美子是偶像派,我覺得她的樣貌很普通,但聽聞在和海外都頗受歡迎,擁躉很多。
  19. Group japan artist

    組合日本演員
  20. But a day ahead of the world premiere, some in japan were wondering why homegrown talent was shut out of the leading roles in a film that celebrates japan ' s unique culture

    但是在首映前一天,部分人質疑,為何此部紀念特有文化電影的主要角色都不是日本演員
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