明四郎 的英文怎麼說

中文拼音 [míngsìláng]
明四郎 英文
meishiro
  • 明 : Ⅰ形容詞1 （明亮） bright; brilliant; light 2 （明白;清楚） clear; distinct 3 （公開;顯露在外;不隱...
  • 四 : Ⅰ數詞（三加一后所得） four Ⅱ名詞1 [音樂] （中國民族音樂音階上的一級） a note of the scale in gong...
  • 郎 : 郎名1 （古代官名） an ancient official title 2 （對某種人的稱呼） form of address to some persons...
  1. And when abraham had heard this, he weighed out the money that ephron had asked, in the hearing of the children of heth, four hundred sicles of silver of common current money

    亞巴郎明白了厄斐龍的意思，便照他在赫特人前大聲提出的價值，按流行的市價稱了四百協刻耳銀子給他。
  2. Together with chu zhaonan donnie yen, yang yunchong leon lai, mulang duncan chow, and xin longzi tai li wu, their heroic journey begins. representing heroism and goodness at its finest, they come to be known as the seven swords. returning to martial village, they soon decide for safety s sake to move and lead the entire village to a safer place

    明有四大弟子大師兄楚昭南，苦研師傅所傅絕世由寶劍，一心要在江湖上快意恩仇二弟子楊雲聰，雖武功高強卻無再涉足凡塵還有如野獸般?悍的三弟子辛子，以及天性樂觀善良的四弟子穆郎。
  3. Together with chu zhaonan donnie yen, yang yunchong leon lai, mulang duncan chow, and xin longzi tai li wu, their heroic journey begins. representing heroism and goodness at its finest, they come to be known as the seven swords. returning to martial village, they soon decide for safetys sake to move and lead the entire village to a safer place

    隱居天山的鑄劍師晦明有四大弟子楚昭南甄子丹飾，楊雲驄黎明飾穆郎周群達飾及辛子戴立吾飾答應襄助，並把畢生修為煉成的七把寶劍分贈七人，展開七劍下天山的武林傳奇。
  4. Many of the director s most enduring themes can be traced from here, from his feather - light comedic touches to the idyllic settings and his overall faith in the goodness of the human race

    木下的溫柔和諷刺，初露鋒芒。同年黑澤明首作姿三四郎也稍遜風騷，讓木下奪新人獎。
  5. In order that you may not doubt the kind intention of the writer of this letter, you will find enclosed an order for 2, 400 francs, payable in florence, at signor gozzi s ; also a letter of introduction to the count of monte cristo, on whom i give you a draft of 48, 000 francs

    為了免得讓你懷疑寫這封信的人的真誠，先附奉兩千四百托斯卡納里弗的支票一張，請到佛羅倫薩高銀行去兌現並附上致基督山伯爵的介紹函一封，函內述明我許你向他提用四萬八千法郎。
  6. The cinematic techniques always include the use of non - moving camera, a camera position that is considered lower than normal eye level, tight framing composition and the use of ellipsis. in this paper, i will compare some of the thematic and technical elements between his two films,

    黑澤明出身於東京，本是讀藝術及繪畫系的他，於1936加入電影圈任助導，后輾轉獲機會正式執導電影，首作為1943年的姿三四郎，此時的黑澤明還未于國際成名。
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